FOR CLEAN VERSION SEE STORY NUMBER: 4080859

LEAD IN:

London has always been one of the world's leading lights in the fashion industry - but has Brexit dulled some of its shine?

At the Pure London fashion retail show - and with London Fashion Week on the horizon - brand owners and designers give their views on doing business in Brexit Britain.

STORY-LINE:

On the catwalk at Pure London it's business as usual.

The models strut their stuff to the music and packed crowds squeeze in for a glimpse of the latest trends.

But behind the flash and the glamour - is London still an attractive venue for fashion brands?

With Britain voting to leave the EU, and uncertainty hanging over all sectors of industry, the UK's fashion talent is preparing to weather the storm.

Maggie Song studied fashion in Beijing but came to the UK 13 years ago to make her name in the industry she loves.

In this time she has founded three labels, her most successful brand is Jolie Moi which can be found in some of the UK's largest department stores (John Lewis, Debenhams, House of Fraser).

She considers her business to be small to medium sized. Her clothes are designed in the UK but the materials and production happen in China.

When the result of the Brexit vote was announced she was on a business trip in Beijing and recalls her horror at hearing the news.

"I was shocked (when she heard the Brexit result). I couldn't think anything and also I couldn't speak, so, I was watching the exchange rate on the Internet, I can see the drop, the pound, this dramatic drop to the dollar and immediately I realised how tough it will be for small business," she says.

Song is expecting a tough 2017 as the low value of the pound starts to bite. She expects she will have to lower her margins to absorb the impact of Brexit.

But not everybody is suffering from the falling pound, according to Pure London's show director Julie Driscoll.

"So the exchange rate means for international brands it's really easy for them to enter the UK market, so more than ever before we're seeing international companies, international fashion collections wanting to come to the UK to explore opportunities and indeed this means this is our largest Pure London ever," she says.

One of the foreign fashion brands visiting Pure London for the first time is French jewellery maker Pas Si Sages Bijoux (Not So Wise) from Lyon.

Their funky, Bohemian-inspired jewellery is low/to mid priced and is all designed and produced in France. They are now looking to expand into the British market.

Chloe Chenu, the director of Pas Si Sages Bijoux, demonstrates the latest product - a back necklace.

She believes Brexit has not changed anything in the fashion world and thinks the UK is still a great place to do business... perhaps thanks to the eccentric English style.

"London is always the place for fashion, the most important in the world, even after Brexit, that doesn't change anything. We always come to sell products, English people are always eccentric and they want French products," she says.

It's the same story for Turkish designer Ece Kavran, whose range called Urun features minimalist, classic pieces.

She says London is still top of her list for places to do business because of its pace and willingness to try new brands. She says in France and Italy the market is much slower and more traditional.

"But England is an expandable market, it's forever open to the new idea, to the new brand, and I think that's what makes it, England, very compelling for us," she says.

But fashion is more than just sales and spreadsheets, it's about creating brands - and there is no bigger brand than a country itself. So has brand Britain been tarnished by its decision to leave the EU?

Personal stylist Justyna Szal is at the show to soak up inspiration for new season looks.

She is originally from near Krakow in Poland, but works in London - dressing and making her clients look as on trend as possible.

Szal likes the idea of Brexit and does not feel it has had any negative impact on London as a fashion hub. In fact, she's quite enjoying all the attention, with the eyes of the world turning to Britain.

"No, I haven't found it less interesting. I actually found it more interesting because of the whole situation people are starting to be more interested in the UK and I think actually it's a pleasant advantage and the fashion business hasn't been more in bloom than it is nowadays," she says.

According to an industry report, compiled by Inside Retail, fashion is worth 50 billion UK pounds (approx. 62 billion US dollars) per annum in the UK - the second most important retail sector only behind food.

The British Retail Consortium estimates that in October 2015, online accounted for 26.3 per cent of total clothing sales - even higher for footwear.

The UK is already the world leader in online fashion sales, leading France, Germany, Japan and the USA.

Keely Stocker is the editor of Drapers, a long-running fashion industry magazine.

In a typically British way, she thinks this is a time to keep calm and carry on.

"I think it's definitely a challenging time, mainly because of the uncertainty more than anything else," she says. "But I think those people that are doing well are the ones that are really focusing on their customer, focusing on their product and just getting on with it until we know exactly what that (Brexit) is going to mean."

One of those at the show who is hoping to do just that is Bilguun Brower, owner of Mongolian Kingdom.

He is buying high-end Mongolian woollen products and selling them in the UK. The fall in value of the pound is an issue he will have to contend with in the coming years, but Brower believes there is a strong market for his products in the UK because of its damp, cold climate.

Exhibiting for the first time, he is introducing his new line of yak's wool scarves.

Brower, and the other small British business owners at Pure, will all be hoping the UK can secure strong trade deals as quickly as possible.

Pure London is one of the leading fashion retail shows in the Europe, with over 11,000 buyers visiting the show between February 12-14.

London, UK - 12 February 2017

1. Mid of woman on catwalk in furry coat and sunglasses

2. Various of woman in camel coat with long scarf on catwalk

3. Cutaway of woman taking photo of catwalk

4. Mid of woman in grey dress with metal bead shoulder attachments

5. Various set up shots of Maggie Song, owner of labels, Jolie Moi and Emily & Me, taking red dress from peg

6. SOUNDBITE: (English) Maggie Song, British fashion labels owner (Jolie Moi and Emily & Me):

"I was shocked (when she heard the Brexit result). I couldn't think anything and also I couldn't speak, so, I was watching the exchange rate on the internet, I can see the drop, the pound, this dramatic drop to the dollar and immediately I realised how tough it will be for small business."

7. Mid of show visitors walking

8. Mid of woman hanging jacket

9. Various of man looking at shoes

10. Various set up shots of Pure London show director, Julie Driscoll looking at scarf

11. SOUNDBITE: (English) Julie Driscoll, Pure London show director:

"So the exchange rate means for international brands it's really easy for them to enter the UK market, so more than ever before we're seeing international companies, international fashion collections wanting to come to the UK to explore opportunities and indeed that means this is our largest Pure London ever."

12. Pan right of Pas Si Sages Bijoux jewellery from Lyon, France

13. Pull focus of bracelets

14. Tilt up from bracelets to earrings

15. Tilt up of back necklace

16. Mid of Chloe Chenu demonstrating how the back necklace is worn

17. Close details of necklace

18. SOUNDBITE: (French) Chloe Chenu, director, Pas Si Sages Bijoux:

"London is always the place for fashion, the most important in the world, even after Brexit, that doesn't change anything. We always come to sell products, English people are always eccentric and they want French products."

19. Close tilt up of two-tone leather skirt by Urun (from Turkey)

20. Close pan left of designer Ece Kavran showing colleague her new skirt design

21. Mid of same

22. Close of Kavran

23. SOUNDBITE: (English) Ece Kavran, designer, Urun:

"But England is an expandable market, it's forever open to the new idea, to the new brand, and I think that's what makes it, England, very compelling for us."

24. Wide of woman in gothic clothing on catwalk

25. Close of woman photographing the show

26. Wide pull focus of crowd on smartphones watching the show

27. Tilt up of model during gothic show

28. Various set up shots of personal stylist Justyna Szal

29. SOUNDBITE: (English) Justyna Szal, personal stylist:

"No, I haven't found it less interesting. I actually found it more interesting because of the whole situation people actually are starting to be more interested in the UK and I think actually it's a pleasant advantage and the fashion business hasn't been more in bloom than it is nowadays."

30. Various set up shots of fashion editor Keely Stocker looking at show

31. SOUNDBITE: (English) Keely Stocker, editor of Drapers magazine:

"I think it's definitely a challenging time, mainly because of the uncertainty more than anything else but I think those people that are doing well are the ones that are really focusing on their customer, focusing on their product and just getting on with it until we know exactly what that (Brexit) is going to mean."

32. Close pull from Mongolian/UK flag to Bilguun Brower, owner of Mongolian Kingdom

33. Close tilt down to yak

34. Various of Brower looking at Mongolian yak scarf

35. Various of fashion show with models in red dresses

FOR CLEAN VERSION SEE STORY NUMBER: 4038463

LEAD IN:

UK wine industry experts are eyeing the upcoming vote on whether to leave the European Union with mixed feelings.

With producers and suppliers heavily reliant on pan-European trade, many remain unsure how Brexit will impact upon business.

STORY-LINE:

Sparkling wine on a summer's day in the English capital.

Glistening flutes and bottles in abundance, and a crowd of happy lunchtime drinkers add to the atmosphere of excitement and discovery, along with an impromptu game of ping pong.

It must be London Wine Week.

This is the third year of the festival, and this year is the most popular to date.

Festival director Emma Murphy says "It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved" .

But although these flutes of fizz are English sparkling wine, much of the wine the festival goers here are tasting is from EU member states such as France, Spain, Portugal, Italy and Germany.

The June 23 referendum on whether to quit the European Union is fast approaching. So is this something the industry should fear?

"I wouldn't have said so," says Murphy.

"Wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

At the festival hub on London's Devonshire Square, there are pop-up bars featuring wines from across Europe.

These two young graduate trainees are enjoying wines from Portugal, and with their festival wristband, it costs them just five British Pounds for a flight of three.

Oscar Stenbom and Anna Rogers both agree that things may well be different if Britain leaves the union.

"If it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be," says Anna, while Oscar is concerned about regulation and labelling:

"It would also be more difficult to know what you are drinking because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

The New Street wine shop has been taken over by the wine festival. They sell wines from all over the world but today they are holding a tasting featuring wines from Ribera del Duero in northern Spain.

Most wine drinkers know about the region of Rioja, but Bettina Lemm is informing these festival goers about the region she represents.

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero but I think that we're still establishing ourselves."

But if the UK is an important export market, is Brexit going to throw the proverbial spanner into the works? Lemm doesn't seem too worried "I think at the moment we're pretty confident as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment," she says.

Wine used to have a rather old fashioned reputation and a comparatively elderly demographic, but this has changed enormously in recent years.

The prevalence of wine clubs popping up in the UK is an indicator of wine's increasing popularity.

Tom Harrow of Honest Grapes explains why this is "I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people," he says.

With 125 venues across the metropolis taking part in this festival, there's plenty of opportunity to enjoy it with friends.

But with such enthusiasm for wine spreading across the country, June 23 could bring disruption, according to Harrow "It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up" .

However, the future might be bright in other, unexpected ways.

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least," says Harrow, and with apologies to climate change icon Al Gore, he adds that "global warming is a good thing for the UK sparkling wine trade."

Reports by the WSTA (Wine and Spirit Trade Association) suggest there is still some way to go as the UK comes in at number six on the list of sales of sparkling wine by origin - but it's rising year on year.

600 million bottles of wine are bottled in the UK.

This makes the UK wine market the sixth largest in the world, generating 173 billion British pounds of economic activity, according to the WSTA. 10 billion British pounds are made through sales.

Also being showcased here is one of the new kids on the alcohol block, Regal Rogue Vermouth.

According to brand founder Mark Ward, vermouth, by definition, is 75 percent wine. It must have wormwood and it must have an ABV (alcohol by volume) of 15 to 24 percent. These three things have to be in place for a producer to put vermouth on the bottle or it flouts recent EU regulations.

Ward, who was brought up in hospitality, began the project in Australia where he worked closely with top Australian chefs who introduced him to indigenous herbs and spices.

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort." he says.

Ward is attempting to educate the wine drinking market which, he believes, is mostly unaware of the fact that vermouth is fundamentally a wine.

This can only be helped by a new pop up for 2016, the Vermouth Bar.

The parent company of London Wine Week is the aptly named "Drink Up London", and they're already preparing for the 2017 event - Brexit or no Brexit.

FOR CLEAN VERSION SEE STORY NUMBER: 4038463

LEAD IN:

UK wine industry experts are eyeing the upcoming vote on whether to leave the European Union with mixed feelings.

With producers and suppliers heavily reliant on pan-European trade, many remain unsure how Brexit will impact upon business.

STORY-LINE:

Sparkling wine on a summer's day in the English capital.

Glistening flutes and bottles in abundance, and a crowd of happy lunchtime drinkers add to the atmosphere of excitement and discovery, along with an impromptu game of ping pong.

It must be London Wine Week.

This is the third year of the festival, and this year is the most popular to date.

Festival director Emma Murphy says "It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved" .

But although these flutes of fizz are English sparkling wine, much of the wine the festival goers here are tasting is from EU member states such as France, Spain, Portugal, Italy and Germany.

The June 23 referendum on whether to quit the European Union is fast approaching. So is this something the industry should fear?

"I wouldn't have said so," says Murphy.

"Wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

At the festival hub on London's Devonshire Square, there are pop-up bars featuring wines from across Europe.

These two young graduate trainees are enjoying wines from Portugal, and with their festival wristband, it costs them just five British Pounds for a flight of three.

Oscar Stenbom and Anna Rogers both agree that things may well be different if Britain leaves the union.

"If it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be," says Anna, while Oscar is concerned about regulation and labelling:

"It would also be more difficult to know what you are drinking because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

The New Street wine shop has been taken over by the wine festival. They sell wines from all over the world but today they are holding a tasting featuring wines from Ribera del Duero in northern Spain.

Most wine drinkers know about the region of Rioja, but Bettina Lemm is informing these festival goers about the region she represents.

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero but I think that we're still establishing ourselves."

But if the UK is an important export market, is Brexit going to throw the proverbial spanner into the works? Lemm doesn't seem too worried "I think at the moment we're pretty confident as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment," she says.

Wine used to have a rather old fashioned reputation and a comparatively elderly demographic, but this has changed enormously in recent years.

The prevalence of wine clubs popping up in the UK is an indicator of wine's increasing popularity.

Tom Harrow of Honest Grapes explains why this is "I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people," he says.

With 125 venues across the metropolis taking part in this festival, there's plenty of opportunity to enjoy it with friends.

But with such enthusiasm for wine spreading across the country, June 23 could bring disruption, according to Harrow "It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up" .

However, the future might be bright in other, unexpected ways.

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least," says Harrow, and with apologies to climate change icon Al Gore, he adds that "global warming is a good thing for the UK sparkling wine trade."

Reports by the WSTA (Wine and Spirit Trade Association) suggest there is still some way to go as the UK comes in at number six on the list of sales of sparkling wine by origin - but it's rising year on year.

600 million bottles of wine are bottled in the UK.

This makes the UK wine market the sixth largest in the world, generating 173 billion British pounds of economic activity, according to the WSTA. 10 billion British pounds are made through sales.

Also being showcased here is one of the new kids on the alcohol block, Regal Rogue Vermouth.

According to brand founder Mark Ward, vermouth, by definition, is 75 percent wine. It must have wormwood and it must have an ABV (alcohol by volume) of 15 to 24 percent. These three things have to be in place for a producer to put vermouth on the bottle or it flouts recent EU regulations.

Ward, who was brought up in hospitality, began the project in Australia where he worked closely with top Australian chefs who introduced him to indigenous herbs and spices.

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort." he says.

Ward is attempting to educate the wine drinking market which, he believes, is mostly unaware of the fact that vermouth is fundamentally a wine.

This can only be helped by a new pop up for 2016, the Vermouth Bar.

The parent company of London Wine Week is the aptly named "Drink Up London", and they're already preparing for the 2017 event - Brexit or no Brexit.

AP Television

London - 27 May 2016

1. Close of wine glasses

2. Bartender pouring sparkling wine

3. Tilt down on central courtyard at Devonshire Square, the hub for London Wine Week

4. Group of friends enjoying English sparkling wine

5. Men playing table tennis

6. Sign reading (English) "London Wine Week"

7. Set up shot of Emma Murphy, director of London Wine Week

8. SOUNDBITE (English) Emma Murphy, director of London Wine Week

"What's unique about it? It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved whether that's with offers, special menus or ticketed events across the week."

9. Two women with wine flight selection

10. SOUNDBITE (English) Emma Murphy, director of London Wine Week

(Responding to the question Do you think a Brexit will affect the wine industry negatively?)

"I wouldn't have said so, because I mean, I think, you know, wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

11. Sign reading (English) "Pop into our pop up wine bars"

12. Various of Portuguese wine pop up

13. Mid of graduate trainees in insurance Oscar Stenpom and Anna Rogers

14. Flight of Portuguese wines

15. SOUNDBITE (English) Oscar Stenbom and Anna Rogers, Insurance Graduate Trainees:

(Responding to question Do you think a Brexit will mean it will be more difficult for people to access quality wine?)

Stenbom: "Yes,"

Rogers: "I guess so, I mean if it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be."

Stenbom: "It would also be more difficult to know what you're drinking, because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

16. Pull focus of Spanish wine labels

17. Vintage bottles of fortified wine

18. Side view of Spanish wine bottles

19. Set up shot of Bettina Lemm with wines from Ribera del Duero in northern Spain

20. SOUNDBITE (English) Bettina Lemm, Westbury Communications (which represents the Ribera del Duero region in the UK):

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero, but I think that we're still establishing ourselves. A lot of people know some big names from the region, and we're just trying to bring attention to some other grape producers who might not yet have the same recognition."

21. Close of wine labels

22. SOUNDBITE (English) Bettina Lemm, Westbury Communications (who represent the Ribera del Duero region in the UK):

(Responding to the question are you worried about the possibility of a Brexit affecting your export market?)

"I think at the moment we're pretty confident, as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment."

23. Pan from mediaeval knight sculpture to pop up courtyard

24. Mid of Provence wines pop up

25. Establisher shot of Tom Harrow, wine director of Honest Grapes Wine Club

26. Close of Harrow eyeing the wine

27. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"There's been a real rise in wine clubs in London and the UK generally of late, and I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people."

28. Mid of woman laughing over a glass of wine

29. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and then bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up."

30. Woman at table with wine

31. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least - and even the whites, and to an extent the reds are really coming up. So I have to say it - sorry Al Gore - global warming is a good thing for the UK sparkling wine trade."

32. Various of English rose and white sparkling wines

33. Vermouth being poured into a glass

34. Various of "Regal Rogue" Vermouth bottle

35. Tilt up of Mark Ward, founder of Regal Rogue vermouth, and his produce

36. SOUNDBITE (English) Mark Ward, founder of Regal Rogue vermouth:

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort."

37. Crowd of London Wine Week attendees at the Vermouth Bar

38. Mid of vermouth cocktails being made

39. Focus pull of sign reading (English) "Drink Up"

LENGTH: 6:02

LEAD IN:

UK wine industry experts are eyeing the upcoming vote on whether to leave the European Union with mixed feelings.

With producers and suppliers heavily reliant on pan-European trade, many remain unsure how Brexit will impact upon business.

STORY-LINE:

Sparkling wine on a summer's day in the English capital.

Glistening flutes and bottles in abundance, and a crowd of happy lunchtime drinkers add to the atmosphere of excitement and discovery, along with an impromptu game of ping pong.

It must be London Wine Week.

This is the third year of the festival, and this year is the most popular to date.

Festival director Emma Murphy says "It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved" .

But although these flutes of fizz are English sparkling wine, much of the wine the festival goers here are tasting is from EU member states such as France, Spain, Portugal, Italy and Germany.

The June 23 referendum on whether to quit the European Union is fast approaching. So is this something the industry should fear?

"I wouldn't have said so," says Murphy.

"Wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

At the festival hub on London's Devonshire Square, there are pop-up bars featuring wines from across Europe.

These two young graduate trainees are enjoying wines from Portugal, and with their festival wristband, it costs them just five British Pounds for a flight of three.

Oscar Stenbom and Anna Rogers both agree that things may well be different if Britain leaves the union.

"If it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be," says Anna, while Oscar is concerned about regulation and labelling:

"It would also be more difficult to know what you are drinking because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

The New Street wine shop has been taken over by the wine festival. They sell wines from all over the world but today they are holding a tasting featuring wines from Ribera del Duero in northern Spain.

Most wine drinkers know about the region of Rioja, but Bettina Lemm is informing these festival goers about the region she represents.

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero but I think that we're still establishing ourselves."

But if the UK is an important export market, is Brexit going to throw the proverbial spanner into the works? Lemm doesn't seem too worried "I think at the moment we're pretty confident as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment," she says.

Wine used to have a rather old fashioned reputation and a comparatively elderly demographic, but this has changed enormously in recent years.

The prevalence of wine clubs popping up in the UK is an indicator of wine's increasing popularity.

Tom Harrow of Honest Grapes explains why this is "I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people," he says.

With 125 venues across the metropolis taking part in this festival, there's plenty of opportunity to enjoy it with friends.

But with such enthusiasm for wine spreading across the country, June 23 could bring disruption, according to Harrow "It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up" .

However, the future might be bright in other, unexpected ways.

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least," says Harrow, and with apologies to climate change icon Al Gore, he adds that "global warming is a good thing for the UK sparkling wine trade."

Reports by the WSTA (Wine and Spirit Trade Association) suggest there is still some way to go as the UK comes in at number six on the list of sales of sparkling wine by origin - but it's rising year on year.

600 million bottles of wine are bottled in the UK.

This makes the UK wine market the sixth largest in the world, generating 173 billion British pounds of economic activity, according to the WSTA. 10 billion British pounds are made through sales.

Also being showcased here is one of the new kids on the alcohol block, Regal Rogue Vermouth.

According to brand founder Mark Ward, vermouth, by definition, is 75 percent wine. It must have wormwood and it must have an ABV (alcohol by volume) of 15 to 24 percent. These three things have to be in place for a producer to put vermouth on the bottle or it flouts recent EU regulations.

Ward, who was brought up in hospitality, began the project in Australia where he worked closely with top Australian chefs who introduced him to indigenous herbs and spices.

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort." he says.

Ward is attempting to educate the wine drinking market which, he believes, is mostly unaware of the fact that vermouth is fundamentally a wine.

This can only be helped by a new pop up for 2016, the Vermouth Bar.

The parent company of London Wine Week is the aptly named "Drink Up London", and they're already preparing for the 2017 event - Brexit or no Brexit.

LEAD IN:

UK wine industry experts are eyeing the upcoming vote on whether to leave the European Union with mixed feelings.

With producers and suppliers heavily reliant on pan-European trade, many remain unsure how Brexit will impact upon business.

STORY-LINE:

Sparkling wine on a summer's day in the English capital.

Glistening flutes and bottles in abundance, and a crowd of happy lunchtime drinkers add to the atmosphere of excitement and discovery, along with an impromptu game of ping pong.

It must be London Wine Week.

This is the third year of the festival, and this year is the most popular to date.

Festival director Emma Murphy says "It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved" .

But although these flutes of fizz are English sparkling wine, much of the wine the festival goers here are tasting is from EU member states such as France, Spain, Portugal, Italy and Germany.

The June 23 referendum on whether to quit the European Union is fast approaching. So is this something the industry should fear?

"I wouldn't have said so," says Murphy.

"Wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

At the festival hub on London's Devonshire Square, there are pop-up bars featuring wines from across Europe.

These two young graduate trainees are enjoying wines from Portugal, and with their festival wristband, it costs them just five British Pounds for a flight of three.

Oscar Stenbom and Anna Rogers both agree that things may well be different if Britain leaves the union.

"If it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be," says Anna, while Oscar is concerned about regulation and labelling:

"It would also be more difficult to know what you are drinking because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

The New Street wine shop has been taken over by the wine festival. They sell wines from all over the world but today they are holding a tasting featuring wines from Ribera del Duero in northern Spain.

Most wine drinkers know about the region of Rioja, but Bettina Lemm is informing these festival goers about the region she represents.

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero but I think that we're still establishing ourselves."

But if the UK is an important export market, is Brexit going to throw the proverbial spanner into the works? Lemm doesn't seem too worried "I think at the moment we're pretty confident as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment," she says.

Wine used to have a rather old fashioned reputation and a comparatively elderly demographic, but this has changed enormously in recent years.

The prevalence of wine clubs popping up in the UK is an indicator of wine's increasing popularity.

Tom Harrow of Honest Grapes explains why this is "I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people," he says.

With 125 venues across the metropolis taking part in this festival, there's plenty of opportunity to enjoy it with friends.

But with such enthusiasm for wine spreading across the country, June 23 could bring disruption, according to Harrow "It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up" .

However, the future might be bright in other, unexpected ways.

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least," says Harrow, and with apologies to climate change icon Al Gore, he adds that "global warming is a good thing for the UK sparkling wine trade."

Reports by the WSTA (Wine and Spirit Trade Association) suggest there is still some way to go as the UK comes in at number six on the list of sales of sparkling wine by origin - but it's rising year on year.

600 million bottles of wine are bottled in the UK.

This makes the UK wine market the sixth largest in the world, generating 173 billion British pounds of economic activity, according to the WSTA. 10 billion British pounds are made through sales.

Also being showcased here is one of the new kids on the alcohol block, Regal Rogue Vermouth.

According to brand founder Mark Ward, vermouth, by definition, is 75 percent wine. It must have wormwood and it must have an ABV (alcohol by volume) of 15 to 24 percent. These three things have to be in place for a producer to put vermouth on the bottle or it flouts recent EU regulations.

Ward, who was brought up in hospitality, began the project in Australia where he worked closely with top Australian chefs who introduced him to indigenous herbs and spices.

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort." he says.

Ward is attempting to educate the wine drinking market which, he believes, is mostly unaware of the fact that vermouth is fundamentally a wine.

This can only be helped by a new pop up for 2016, the Vermouth Bar.

The parent company of London Wine Week is the aptly named "Drink Up London", and they're already preparing for the 2017 event - Brexit or no Brexit.

AP Television

London - 27 May 2016

1. Close of wine glasses

2. Bartender pouring sparkling wine

3. Tilt down on central courtyard at Devonshire Square, the hub for London Wine Week

4. Group of friends enjoying English sparkling wine

5. Men playing table tennis

6. Sign reading (English) "London Wine Week"

7. Set up shot of Emma Murphy, director of London Wine Week

8. SOUNDBITE (English) Emma Murphy, director of London Wine Week

"What's unique about it? It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved whether that's with offers, special menus or ticketed events across the week."

9. Two women with wine flight selection

10. SOUNDBITE (English) Emma Murphy, director of London Wine Week

(Responding to the question Do you think a Brexit will affect the wine industry negatively?)

"I wouldn't have said so, because I mean, I think, you know, wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

11. Sign reading (English) "Pop into our pop up wine bars"

12. Various of Portuguese wine pop up

13. Mid of graduate trainees in insurance Oscar Stenpom and Anna Rogers

14. Flight of Portuguese wines

15. SOUNDBITE (English) Oscar Stenbom and Anna Rogers, Insurance Graduate Trainees:

(Responding to question Do you think a Brexit will mean it will be more difficult for people to access quality wine?)

Stenbom: "Yes,"

Rogers: "I guess so, I mean if it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be."

Stenbom: "It would also be more difficult to know what you're drinking, because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

16. Pull focus of Spanish wine labels

17. Vintage bottles of fortified wine

18. Side view of Spanish wine bottles

19. Set up shot of Bettina Lemm with wines from Ribera del Duero in northern Spain

20. SOUNDBITE (English) Bettina Lemm, Westbury Communications (which represents the Ribera del Duero region in the UK):

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero, but I think that we're still establishing ourselves. A lot of people know some big names from the region, and we're just trying to bring attention to some other grape producers who might not yet have the same recognition."

21. Close of wine labels

22. SOUNDBITE (English) Bettina Lemm, Westbury Communications (who represent the Ribera del Duero region in the UK):

(Responding to the question are you worried about the possibility of a Brexit affecting your export market?)

"I think at the moment we're pretty confident, as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment."

23. Pan from mediaeval knight sculpture to pop up courtyard

24. Mid of Provence wines pop up

25. Establisher shot of Tom Harrow, wine director of Honest Grapes Wine Club

26. Close of Harrow eyeing the wine

27. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"There's been a real rise in wine clubs in London and the UK generally of late, and I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people."

28. Mid of woman laughing over a glass of wine

29. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and then bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up."

30. Woman at table with wine

31. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least - and even the whites, and to an extent the reds are really coming up. So I have to say it - sorry Al Gore - global warming is a good thing for the UK sparkling wine trade."

32. Various of English rose and white sparkling wines

33. Vermouth being poured into a glass

34. Various of "Regal Rogue" Vermouth bottle

35. Tilt up of Mark Ward, founder of Regal Rogue vermouth, and his produce

36. SOUNDBITE (English) Mark Ward, founder of Regal Rogue vermouth:

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort."

37. Crowd of London Wine Week attendees at the Vermouth Bar

38. Mid of vermouth cocktails being made

39. Focus pull of sign reading (English) "Drink Up"

LENGTH: 6:02

FOR CLEAN VERSION SEE STORY NUMBER: 4063805

LEAD IN:

The art and antique market in post-Brexit Britain is booming, according to London dealers.

A weak pound against the dollar and Euro is seeing American collectors in particular start to snap up bargains.

STORY-LINE:

The art and antiques market in the UK isn't just on target, it's positively booming post Brexit.

Dealers here at the Winter Art and Antiques Fair in Olympia say it's a great time to buy because of the weak pound.

American buyers in particular are attracted to London with the newfound strength of the dollar. Looking to bag a bargain they could save around 25-30 per cent compared to six months earlier.

Craig Carrington is an antique dealer with four decades of experience.

He sells many neo-classical antiques on his stand, but his showcase piece is this bust of a Roman goddess, thought to be designed by Frederic Auguste Bartholdi, the same man who designed the Statue of Liberty.

He says: "As an antique dealer I think a weak pound is very good news because we sell to international clients and if the dollar is strong, the euro is strong then it's very good news for somebody like me, absolutely."

Art dealers are reporting a similar trend.

Tanya Baxter runs a gallery specialising in contemporary pieces. She says since the day of the referendum result, announcing Britain would leave the EU, she's been very busy.

She says many see the art market as a safe investment in uncertain times.

"And with the devaluation of the pound as well as the fact that Brexit has kind of made a cautious and volatile financial market it (art and antiques) is a very, very safe place."

According to Baxter the single largest group of buyers is coming from the USA:

"Well they're so excited particularly American collectors who we are getting calls from saying 'So what have you? Because I want to spend x amount and will fly over to do so.'"

One of the American investors who has come to London to buy is David Ryder.

The retired lawyer, originally from Chicago, had just bought this painting by British artist Amy Pugh. He says it's such a good time to buy, with the strength of the dollar against the pound, that he will return next month to buy more art.

Ryder says: "England is where we have bought probably 90 per cent of the artwork that we have, and we have a lot in numerous houses. We find this is a good country for selection of different artists, both contemporary and old artists, particularly from the auction houses and this is a particularly good time so we're here now and we'll come back in December again to look at more art."

Art and antique dealers haven't just benefited from the dip in the value of the pound. Immediately after the result of Brexit was announced British buyers quickly began to buy art and antiques fearing the collapse in the value of the pound.

Art dealer Julian Hartnoll is calling this a 'double-boom' for the industry.

Hartnoll says: "There's this nice new phrase, the double-boom. It was the English buying immediately after Brexit because they wanted to get out of pounds and get into objects because they were fearing the pound would become valueless. And then the Americans, as the pound subsided, have overcome their fear of terrorism in England and have started to buy again, so for instance last night my only clients were Americans."

Antique jewellery dealers are also benefiting.

Iranian jeweller Morteza Mojarad runs the Persis jewellers off Bond Street in London.

He says: "I've seen a big improvement, to be honest, since Brexit and that's I think because of the exchange rate, dollar to pound and especially Euro to pounds."

But if the situation is good for British based dealers, spare a thought for European antique dealers trying to sell in Britain.

David Lafleur is an antique dealer based in Paris with his shop Gallerie Buter.

The strength of the Euro might be good for some of his compatriots, but when Lafleur sells in the UK he is finding the competition difficult.

However, despite these difficulties he says he will continue to exhibit his Oriental antiques in London because international buyers have been scared away from Paris.

"Because of the economic crisis, you know, the people were afraid because of the terrorists, because of the tax. A lot of things saw the people leave France. So for us, it's better to come here in London because the people are here, the people from other countries are here."

The Winter Art and Antiques Fair in Olympia returns for its 26th year.

Around 100 exhibitors are displaying art and antiques, most are displaying collectibles at the high-end of the market.

It is the only fair in the UK to work with the top two trade associations and there is a strict vetting process for all pieces on sale at the show. Each item must be checked by a team of experts before the fair opens.

The Winter Art and Antiques Fair Olympia runs 31 October - 6 November.

London, UK - 1 November 2016

1. Pull focus of bronze Japanese archer

2. Various of Meiji period Japanese bronze crow with glass eyes

3. Mid of men admiring antique chandelier

4. Various of Dutch walnut armoire from circa 1750 with carved figures (price £35,000/ USD 42,930)

5. Wide of woman reading catalogue

6. Low angle pan right of neo-classical copper bust of Roman goddess by Frederic Auguste Bartholdi (price £16,500/ USD 20,235)

7. Various of Craig Carrington looking at bust

8. SOUNDBITE: (English) Craig Carrington, antique dealer

"As an antique dealer I think a weak pound is very good news because we sell to international clients and if the dollar is strong, the euro is strong then it's very good news for somebody like me, absolutely."

9. Art dealer Tanya Baxter showing painting to visitor

10. Close tilt down of painting 'Paper Bride in Waiting' by Zeng Chuanxing (price £120,000/ USD 147,000)

11. SOUNDBITE: (English) Tanya Baxter, art dealer and gallery owner

"With the devaluation of the pound as well as the fact that Brexit has kind of made a cautious and volatile financial market (art and antiques) it's a very, very safe place."

12. Various cutaways of Tanya Baxter showing 'Paper Bride in Waiting'

13. SOUNDBITE: (English) Tanya Baxter, art dealer and gallery owner

"Well they're so excited particularly American collectors who we are getting calls from saying 'So what have you? Because I want to spend x amount and will fly over to do so.'"

14. Various of art collector David Ryder looking at painting

15. SOUNDBITE: (English) David Ryder, retired lawyer and American art collector

"England is where we have bought probably 90 per cent of the artwork that we have, and we have a lot in numerous houses. We find this is a good country for selection of different artists, both contemporary and old artists, particularly from the auction houses and this is a particularly good time so we're here now and we'll come back in December again to look at more art."

16. Mid of portrait of Angelina Jolie by artist Bambi (price £14,000/ USD 17,000)

17. Tilt up of portrait of Amy Winehouse by artist Bambi (price £16,000/ USD 19,600)

18. Set up shot of art dealer Julian Hartnoll

19. SOUNDBITE: (English) Julian Hartnoll, art dealer and gallery owner

"There's this nice new phrase, the double-boom. It was the English buying immediately after Brexit because they wanted to get out of pounds and get into objects because they were fearing the pound would become valueless. And then the Americans, as the pound subsided, have overcome their fear of terrorism in England and have started to buy again, so for instance last night my only clients were Americans."

20. Various of jewellery seller Morteza Mojarad inspecting antique diamond ring

21. SOUNDBITE: (English) Morteza Mojarad, director of Persis antique jewellery

"I've seen a big improvement, to be honest, since Brexit and that's I think because of the exchange rate, dollar to pound and especially Euro to pounds."

22. Wide pan left of gallery showcasing large marble/ stone artworks

23. Close of 1930s Chinese coral sculpture

24. Various set up shots of David Lafleur, antique dealer based in Paris

25. SOUNDBITE: (English) David Lafleur, antique dealer based in Paris

"Because of the economic crisis, you know, the people were afraid because of the terrorists, because of the tax. A lot of things saw the people leave France. So for us, it's better to come here in London because the people are here, the people from other countries are here."

26. Tilt up of Italian silver and bronze library lamp in style of Pharaoh by Piel Paolo Spaina, circa 1810 (price £8,500/ USD 10,425)

27. Close of marble lioness circa 1780 (price £14,500 USD 17,700)

28. Wide of antique clock stand

29. Wide of grandfather clocks, tilt down

30. Close of Henry Jenkins mahogany table clock circa 1780 (price £75,000/ USD 92,000)

31. Various of woman opening clock and chiming its bells

32. Wide pan left of show floor

LEAD IN:

The art and antique market in post-Brexit Britain is booming, according to London dealers.

A weak pound against the dollar and Euro is seeing American collectors in particular start to snap up bargains.

STORY-LINE:

The art and antiques market in the UK isn't just on target, it's positively booming post Brexit.

Dealers here at the Winter Art and Antiques Fair in Olympia say it's a great time to buy because of the weak pound.

American buyers in particular are attracted to London with the newfound strength of the dollar. Looking to bag a bargain they could save around 25-30 per cent compared to six months earlier.

Craig Carrington is an antique dealer with four decades of experience.

He sells many neo-classical antiques on his stand, but his showcase piece is this bust of a Roman goddess, thought to be designed by Frederic Auguste Bartholdi, the same man who designed the Statue of Liberty.

He says: "As an antique dealer I think a weak pound is very good news because we sell to international clients and if the dollar is strong, the euro is strong then it's very good news for somebody like me, absolutely."

Art dealers are reporting a similar trend.

Tanya Baxter runs a gallery specialising in contemporary pieces. She says since the day of the referendum result, announcing Britain would leave the EU, she's been very busy.

She says many see the art market as a safe investment in uncertain times.

"And with the devaluation of the pound as well as the fact that Brexit has kind of made a cautious and volatile financial market it (art and antiques) is a very, very safe place."

According to Baxter the single largest group of buyers is coming from the USA:

"Well they're so excited particularly American collectors who we are getting calls from saying 'So what have you? Because I want to spend x amount and will fly over to do so.'"

One of the American investors who has come to London to buy is David Ryder.

The retired lawyer, originally from Chicago, had just bought this painting by British artist Amy Pugh. He says it's such a good time to buy, with the strength of the dollar against the pound, that he will return next month to buy more art.

Ryder says: "England is where we have bought probably 90 per cent of the artwork that we have, and we have a lot in numerous houses. We find this is a good country for selection of different artists, both contemporary and old artists, particularly from the auction houses and this is a particularly good time so we're here now and we'll come back in December again to look at more art."

Art and antique dealers haven't just benefited from the dip in the value of the pound. Immediately after the result of Brexit was announced British buyers quickly began to buy art and antiques fearing the collapse in the value of the pound.

Art dealer Julian Hartnoll is calling this a 'double-boom' for the industry.

Hartnoll says: "There's this nice new phrase, the double-boom. It was the English buying immediately after Brexit because they wanted to get out of pounds and get into objects because they were fearing the pound would become valueless. And then the Americans, as the pound subsided, have overcome their fear of terrorism in England and have started to buy again, so for instance last night my only clients were Americans."

Antique jewellery dealers are also benefiting.

Iranian jeweller Morteza Mojarad runs the Persis jewellers off Bond Street in London.

He says: "I've seen a big improvement, to be honest, since Brexit and that's I think because of the exchange rate, dollar to pound and especially Euro to pounds."

But if the situation is good for British based dealers, spare a thought for European antique dealers trying to sell in Britain.

David Lafleur is an antique dealer based in Paris with his shop Gallerie Buter.

The strength of the Euro might be good for some of his compatriots, but when Lafleur sells in the UK he is finding the competition difficult.

However, despite these difficulties he says he will continue to exhibit his Oriental antiques in London because international buyers have been scared away from Paris.

"Because of the economic crisis, you know, the people were afraid because of the terrorists, because of the tax. A lot of things saw the people leave France. So for us, it's better to come here in London because the people are here, the people from other countries are here."

The Winter Art and Antiques Fair in Olympia returns for its 26th year.

Around 100 exhibitors are displaying art and antiques, most are displaying collectibles at the high-end of the market.

It is the only fair in the UK to work with the top two trade associations and there is a strict vetting process for all pieces on sale at the show. Each item must be checked by a team of experts before the fair opens.

The Winter Art and Antiques Fair Olympia runs 31 October - 6 November.

London, UK - 1 November 2016

1. Pull focus of bronze Japanese archer

2. Various of Meiji period Japanese bronze crow with glass eyes

3. Mid of men admiring antique chandelier

4. Various of Dutch walnut armoire from circa 1750 with carved figures (price £35,000/ USD 42,930)

5. Wide of woman reading catalogue

6. Low angle pan right of neo-classical copper bust of Roman goddess by Frederic Auguste Bartholdi (price £16,500/ USD 20,235)

7. Various of Craig Carrington looking at bust

8. SOUNDBITE: (English) Craig Carrington, antique dealer

"As an antique dealer I think a weak pound is very good news because we sell to international clients and if the dollar is strong, the euro is strong then it's very good news for somebody like me, absolutely."

9. Art dealer Tanya Baxter showing painting to visitor

10. Close tilt down of painting 'Paper Bride in Waiting' by Zeng Chuanxing (price £120,000/ USD 147,000)

11. SOUNDBITE: (English) Tanya Baxter, art dealer and gallery owner

"With the devaluation of the pound as well as the fact that Brexit has kind of made a cautious and volatile financial market (art and antiques) it's a very, very safe place."

12. Various cutaways of Tanya Baxter showing 'Paper Bride in Waiting'

13. SOUNDBITE: (English) Tanya Baxter, art dealer and gallery owner

"Well they're so excited particularly American collectors who we are getting calls from saying 'So what have you? Because I want to spend x amount and will fly over to do so.'"

14. Various of art collector David Ryder looking at painting

15. SOUNDBITE: (English) David Ryder, retired lawyer and American art collector

"England is where we have bought probably 90 per cent of the artwork that we have, and we have a lot in numerous houses. We find this is a good country for selection of different artists, both contemporary and old artists, particularly from the auction houses and this is a particularly good time so we're here now and we'll come back in December again to look at more art."

16. Mid of portrait of Angelina Jolie by artist Bambi (price £14,000/ USD 17,000)

17. Tilt up of portrait of Amy Winehouse by artist Bambi (price £16,000/ USD 19,600)

18. Set up shot of art dealer Julian Hartnoll

19. SOUNDBITE: (English) Julian Hartnoll, art dealer and gallery owner

"There's this nice new phrase, the double-boom. It was the English buying immediately after Brexit because they wanted to get out of pounds and get into objects because they were fearing the pound would become valueless. And then the Americans, as the pound subsided, have overcome their fear of terrorism in England and have started to buy again, so for instance last night my only clients were Americans."

20. Various of jewellery seller Morteza Mojarad inspecting antique diamond ring

21. SOUNDBITE: (English) Morteza Mojarad, director of Persis antique jewellery

"I've seen a big improvement, to be honest, since Brexit and that's I think because of the exchange rate, dollar to pound and especially Euro to pounds."

22. Wide pan left of gallery showcasing large marble/ stone artworks

23. Close of 1930s Chinese coral sculpture

24. Various set up shots of David Lafleur, antique dealer based in Paris

25. SOUNDBITE: (English) David Lafleur, antique dealer based in Paris

"Because of the economic crisis, you know, the people were afraid because of the terrorists, because of the tax. A lot of things saw the people leave France. So for us, it's better to come here in London because the people are here, the people from other countries are here."

26. Tilt up of Italian silver and bronze library lamp in style of Pharaoh by Piel Paolo Spaina, circa 1810 (price £8,500/ USD 10,425)

27. Close of marble lioness circa 1780 (price £14,500 USD 17,700)

28. Wide of antique clock stand

29. Wide of grandfather clocks, tilt down

30. Close of Henry Jenkins mahogany table clock circa 1780 (price £75,000/ USD 92,000)

31. Various of woman opening clock and chiming its bells

32. Wide pan left of show floor

As British business owners try to come to terms with the vote to leave the European Union, there are fears of the implications a "Brexit" will have.

London perfume maker, Sarah McCartney, said her businesses future "is not smelling so sweet at the moment".

She said she relies on trade with Europe and not only has the cost of raw materials increased, so too will the amount of paper work.

International trade lawyer, Miriam Gonzalez, said trying to minimise businesses uncertainty should be the governments top priority.

She said businesses need to know what the framework for Britain's negotiations with the EU will be, so they can try and minimise uncertainty.

City of London Corporation Policy Chairman, Mark Boleat, said that those uncertainties mean that "some investment is certainly going to be deterred."

While Edwin Morgan from Institute of Directors said the unknowns mean two thirds of its members think a "Brexit" will be negative for their business and cutting investment, redundancies and relocating are all on the table.

London - 27 June 2016

1. Perfume maker Sarah McCartney working in her factory in west London

2. Close of essence being poured

3. Close of perfume essence being bottled

4. Cap being placed on vial

5. Perfume label reading (English) "Inevitable Crimes of Passion"

6. Label being stuck on vial

7. Finished vials

8. SOUNDBITE (English) Sarah McCartney, 4160 Tuesdays perfume maker:

"I make perfume and the future is not smelling so sweet at the moment. I deal with France and Germany, I buy raw materials from Europe, I sell to Europe. I just think it's going to get a heck of a lot more complicated, and it's already got more expensive."

9. Various of McCartney during interview

10. SOUNDBITE (English) Sarah McCartney, 4160 Tuesdays perfume maker:

"Our market is worldwide and I really, really need to trade with Europe. I buy raw materials from Europe and suddenly they're going to be, well at least, eight per cent more expensive and probably there's going to be ten times as much paperwork."

11. McCartney making perfume

12. Perfume bottles made by 4160 Tuesdays

13. Various of commuters in the City of London

14. Various of financial institutions

15. SOUNDBITE (English) Miriam Gonzalez, International Trade Lawyer:

"There are only a few companies that have really done the nitty-gritty homework to be ready for Brexit. Many of them, they were kind of hoping that it would not happen, so now is the time that they really need to start doing that work."

16. Cutaway of Gonzelez's hands

17. SOUNDBITE (English) Miriam Gonzalez, International Trade Lawyer:

"This country, the businesses in this country need to know what is the framework that the government is aspiring to negotiate, and therefore, whether that is the single market, remaining in the single market or not makes a crucial difference. Trying to minimise the legal uncertainty, I would have thought that is the top priority."

18. Various of painting by John Single Copley called "The Defeat of the Floating Batteries at Gibraltar"

19. SOUNDBITE (English) Mark Boleat, City of London Corporation Policy Chairman:

"I think the authorities have handled the market turmoil as well as they could have done. That was done carefully on Friday and no doubt is continuing today but that's a short term issue. It's some of these longer issues that need resolving. It remains to be seen what impact this will have on the growth of the British economy over the next few months, what impact on tax revenue, what impact on foreign direct investment."

20. Cutaway of painting

21. SOUNDBITE (English) Mark Boleat, City of London Corporation Policy Chairman:

"The fundamentals remain unchanged, Britain is still a very attractive place for business and for investment, but given those sort of uncertainties some investment certainly going to be deterred. Very much depends what the sector is, how important membership of the single market is. But we are going to see some uncertainty and that's going to have an affect on investment."

22. Boleat walking

23. Various aerials of London's business district, Canary Wharf

24. Various exteriors of Parliament

25. Edwin Morgan, Head of Media Relations, Institute of Directors

26. Cutaway of report

27. SOUNDBITE (English) Edwin Morgan, Head of Media Relations, Institute of Directors:

"We asked our members immediately after the referendum result came in, what they thought, how they thought it would affect their businesses. Two thirds said that it was negative for them against only about a quarter who thought it was positive. On the specific questions we asked, we asked about investment and hiring decisions and there was also some quite worrying figures. About 36 percent of our members think that they will have to cut investment as a result and about 5 percent of our members say they might have to make redundancies which is obviously quite worrying. There are also some other figures in there on whether or not they'll keep all their operations in the UK or whether they may be forced to move overseas. About 1 in 5 are considering, as we speak, moving some of their operations out of the UK, whether that's to the EU or to somewhere outside it. I mean ultimately we think that our members are very resilient, we think British business is tough and will get through it and will adapt, but certainly at the moment there is a lot of nervousness out there in the business community."

28. Cutaway of report

The Houses of Parliament - an iconic London site that attracts visitors from all over the world.

Tourism is now worth 22.1 billion pounds (32 billion US dollars) annually to the UK, according to Visit Britain, Britain's national tourism agency.

Visit Britain also said that last year there were 36.1 million tourist visits, with 67 percent from the European Union.

On 23 June, the UK will vote in a referendum whether to stay in or out of the EU and many in the tourist industry are concerned that a possible leave vote will jeopardise the European holiday market.

One of those is Kyle Haughton, managing director of City Cruises.

His cruise ships carry 6 million passengers a year - in the height of summer 60 percent are from abroad, the majority from the EU.

Of the 240 staff that he employs, 50 percent are from outside the UK, mostly from the EU.

"Any change or decline in passengers coming into the country is going to affect our business quite lot and there are reports that people in Germany, Italy and France are less likely to come to the UK if we leave the EU than if we stay."

His fears are backed up by UK Inbound, which represents 360 tourist businesses.

Deidre Wells, chief executive of UKinbound has called leaving the EU "economic suicide."

"Why would you remove yourself from a market that provides two thirds of our business for our members," she said.

Tourists had mixed views about a UK "brexit".

Marco Ghiribelli, an Italian tourist, said he thought the UK would be economically better outside.

"It's not economically convenient for the UK to stay in the EU. Brexit makes sense economically as the UK economy is stronger than most of the EU countries."

Others such as Babette Pascalev, a tourist from Germany, said: "I think it is hard now because the idea is to get Europe together not apart."

But others say a Brexit would not make any difference to the tourism business.

They say nothing will change.

Alexander Goransson, travel analyst at Euromonitor International believes the expected drop in sterling following a brexit vote would attract tourists due to an increased spending power.

"In the short term I would expect to see a depreciation of the pound which will have both a positive and negative impact on tourism. UK tourists would be less likely to travel abroad and stay at home, whereas on the other hand the UK would actually become a more attractive destination for inbound tourists as prices would be relatively cheaper."

But most people in the tourist industry are hoping for a remain vote on June 23.

The Houses of Parliament - an iconic London site that attracts visitors from all over the world.

Tourism is now worth 22.1 billion pounds (32 billion US dollars) annually to the UK, according to Visit Britain, Britain's national tourism agency.

Visit Britain also said that last year there were 36.1 million tourist visits, with 67 percent from the European Union.

On 23 June, the UK will vote in a referendum whether to stay in or out of the EU and many in the tourist industry are concerned that a possible leave vote will jeopardise the European holiday market.

One of those is Kyle Haughton, managing director of City Cruises.

His cruise ships carry 6 million passengers a year - in the height of summer 60 percent are from abroad, the majority from the EU.

Of the 240 staff that he employs, 50 percent are from outside the UK, mostly from the EU.

"Any change or decline in passengers coming into the country is going to affect our business quite lot and there are reports that people in Germany, Italy and France are less likely to come to the UK if we leave the EU than if we stay."

His fears are backed up by UK Inbound, which represents 360 tourist businesses.

Deidre Wells, chief executive of UKinbound has called leaving the EU "economic suicide."

"Why would you remove yourself from a market that provides two thirds of our business for our members," she said.

Tourists had mixed views about a UK "brexit".

Marco Ghiribelli, an Italian tourist, said he thought the UK would be economically better outside.

"It's not economically convenient for the UK to stay in the EU. Brexit makes sense economically as the UK economy is stronger than most of the EU countries."

Others such as Babette Pascalev, a tourist from Germany, said: "I think it is hard now because the idea is to get Europe together not apart."

But others say a Brexit would not make any difference to the tourism business.

They say nothing will change.

Alexander Goransson, travel analyst at Euromonitor International believes the expected drop in sterling following a brexit vote would attract tourists due to an increased spending power.

"In the short term I would expect to see a depreciation of the pound which will have both a positive and negative impact on tourism. UK tourists would be less likely to travel abroad and stay at home, whereas on the other hand the UK would actually become a more attractive destination for inbound tourists as prices would be relatively cheaper."

But most people in the tourist industry are hoping for a remain vote on June 23.

London - 2 June 2016

1. Houses of Parliament seen from a river cruise boat

2. Woman taking picture of the Houses of Parliament

3. The London Eye seen from a river cruise boat

4. Part of the London Eye

5. Woman taking photo

6. People on board the river cruise boat

7. St Paul's Cathedral and other buildings

8. River cruise boat approaching Tower Bridge

9. Set up of Kyle Haughton, managing director of City Cruises

10. SOUNDBITE (English) Kyle Haughton, managing director of City Cruises:

"At City Cruises we carry 4 million passengers a year and over half of them come from overseas, the majority of which coming from EU countries, so any change or decline in passengers coming into the country is going to affect our business quite lot and there are reports that people in Germany, Italy and France are less likely to come to the UK if we leave the EU than if we stay."

London - 1 June 2016

11. Various of Deidre Wells, chief executive of UKinbound, at her desk

12. SOUNDBITE (English) Deidre Wells, chief executive of UKinbound:

"I've described it as economic suicide in the past. Why would you deliberately remove yourself from a market that provides two thirds of our business for our members."

London - 2 June 2016

13. People on board the river cruise boat with the Shard in the background

14. Set up of French tourist Kahina Berroua

15. SOUNDBITE (French) Kahina Berroua, French tourist:

"I will be sad. The UK has a lot of power in Europe so it won't be the same."

16. Various of tourists inside the river cruise boat

17. Set up of Marco Ghiribelli, Italian tourist

18. SOUNDBITE (Italian) Marco Ghiribelli, Italian tourist:

"It's not economically convenient for the UK to stay in the EU. Brexit makes sense economically as the UK economy is stronger than most of the EU countries."

19. SOUNDBITE (German) Babette Pascalev, tourist from Germany:

"I think it is hard now because the idea is to get Europe together not apart."

20. Houses of Parliament with open top tourist bus driving past

21. Union Jack flag on top of the Houses of Parliament

22. People on open top bus driving past the Houses of Parliament

23. People on bus

24. People on bus driving past flags

25. Various of Alexander Goransson, travel analyst at Euromonitor International, on laptop

26. SOUNDBITE Alexander Goransson, travel analyst at Euromonitor International:

"In the short term I would expect to see a depreciation of the pound which will have both a positive and negative impact on tourism. UK tourists would be less likely to travel abroad and stay at home, whereas on the other hand the UK would actually become a more attractive destination for inbound tourists as prices would be relatively cheaper."

27. People on open top bus

28. View of London black cabs and Union Jack flags

LEAD IN:

Torrential rain has halted the first day of the Farnborough International Airshow, after organisers asked visitors to leave the site early due to safety concerns.

But the British summer weather is not the only thing casting gloom over the event.

The airshow is opening amid the economic uncertainty surrounding Britain's recent vote to leave the EU, with some analysts predicting fewer orders compared with the previous show in 2014.

STORY-LINE:

Black clouds loom over the Farnborough International Airshow and soon a torrential downpour drenches the site.

Organisers were forced to cancel the day's flying display and close the show early, saying they were concerned about safety.

Earlier in the day, the grey clouds were already building.

And aviation experts are predicting a similarly dreary outlook for commercial orders at the week-long aviation industry extravaganza.

Economic uncertainty and production backlogs mean many anticipate this year's event will not be able to compete with 2014's record-breaking level of orders and commitments.

According to Farnborough Airshow, 2014's event reached 204 billion US dollars in orders and commitments.

"I think there's a couple of issues at play," explains Richard Aboulafia, vice-president of the aviation industry analysts, Teal Group.

"One is that backlogs are enormous so if anything this should be a story about execution rather than bringing in additional orders. The second, of course, is just the macro-economic bleak outlook, we're waiting for that to impact the aviation business. It hasn't happened yet, but people are concerned."

Independent aerospace industry expert Howard Wheeldon is more upbeat, saying the expected drop in orders is part of the aviation industry's cycle.

"There'll certainly be fewer orders this year than there were two years ago at this show which in itself was lower than the show two years before. I think that you have to remember that the commercial aircraft industry has gone through a very big hiatus over the last 10 years. Orders doubled, it didn't just grow, they doubled, in some cases trebled. So we have to work our way through that," he says.

"The commercial aircraft manufacturers have got 10 years' worth of orders in hand, the manufacturers themselves have got a big issue in insuring that they can get those aircraft out of the door, with their component suppliers working alongside. So, it's probably no bad thing that we're going through a bit of a dip. It is still a cyclical industry, oil is still a determining factor, so there are many, many issues."

Rather than sales, analysts predict there'll be an increased focus on efficiency, as airlines attempt to squeeze everything they can from current aircraft in their fleets.

Boeing claim this new 737 MAX will deliver eight percent lower operating costs than its main competitor.

Early on Monday, China's Donghai Airlines and Boeing announced the airline intends to purchase 25 737 MAX 8s and five 787-9 Dreamliners in a deal valued at more than four billion US dollars.

"You know, fuel prices of course have come down quite a bit," says Aboulafia.

"But people are still scarred from all those years of very high fuel so they're trying to do their best to cope with that by adopting the latest and most efficient jet engines and of course squeezing as many people as they can into a given tube. These are the ways you cope with high jet prices, high fuel prices."

One area where industry experts believe there may be significant activity is in military and defence, including fighter jets and drones.

At a recent summit in Warsaw, NATO allies agreed to provide increased military support to countries in the Middle East and North Africa that are targets of Islamic extremism.

In the first big deal of the airshow, Britain signed a contract for nine new P-8A Poseidon military aircraft.

"I think defence is going to play a very big role in this show and that of course is the flipped of the global uncertainty we're seeing out there," says Aboulafia.

"It really is having a positive effect on defence spending, sad commentary on the times I suppose. You'll probably see some announcements, the problem is that defence, typically that doesn't show up in the form of actual sales activity at airshows, it's more just talks, agreements, things like that. It's not the same as airlines showing up and placing an order for 100 jets that actually means something."

The week-long event comes just weeks after Britain's vote to leave the European Union.

The pound hit a new 31-year record low and stock markets declined across Europe following the result.

Analysts believe it may not affect airlines' long-term plans and orders, but admit it may cause temporary uncertainty at an already difficult time.

"Long-term, I don't think it will be an issue," says Aboulafia.

"There'll be a way to negotiate the worst fears away from this. What is an issue is the uncertainty and there's so much uncertainty in the world, we don't need more, because of course with uncertainty you get companies baulking at investment decisions, like buying jets."

But Wheeldon says he does not expect Brexit to have a particular impact on the activity at this year's show.

"Brexit may be the first thing on people's minds here in the UK at the moment, but it's the last thing on the minds of those here who are thinking about placing orders," he says.

"They will place orders whether Brexit occurs or not, of course it's going to occur, it's not going to change anything, investment is long-term. Yes, there may be changes ten years from now, but it's not going to affect anything that's already here. So, I think it's the last thing on anybody's lips in terms of fearing that anything's going to happen. Though I accept there is a degree of uncertainty caused by it."

The Farnborough International Airshow takes place every two years and runs from 11 to 17 July 2016 - weather permitting.

LEAD IN:

Torrential rain has halted the first day of the Farnborough International Airshow, after organisers asked visitors to leave the site early due to safety concerns.

But the British summer weather is not the only thing casting gloom over the event.

The airshow is opening amid the economic uncertainty surrounding Britain's recent vote to leave the EU, with some analysts predicting fewer orders compared with the previous show in 2014.

STORY-LINE:

Black clouds loom over the Farnborough International Airshow and soon a torrential downpour drenches the site.

Organisers were forced to cancel the day's flying display and close the show early, saying they were concerned about safety.

Earlier in the day, the grey clouds were already building.

And aviation experts are predicting a similarly dreary outlook for commercial orders at the week-long aviation industry extravaganza.

Economic uncertainty and production backlogs mean many anticipate this year's event will not be able to compete with 2014's record-breaking level of orders and commitments.

According to Farnborough Airshow, 2014's event reached 204 billion US dollars in orders and commitments.

"I think there's a couple of issues at play," explains Richard Aboulafia, vice-president of the aviation industry analysts, Teal Group.

"One is that backlogs are enormous so if anything this should be a story about execution rather than bringing in additional orders. The second, of course, is just the macro-economic bleak outlook, we're waiting for that to impact the aviation business. It hasn't happened yet, but people are concerned."

Independent aerospace industry expert Howard Wheeldon is more upbeat, saying the expected drop in orders is part of the aviation industry's cycle.

"There'll certainly be fewer orders this year than there were two years ago at this show which in itself was lower than the show two years before. I think that you have to remember that the commercial aircraft industry has gone through a very big hiatus over the last 10 years. Orders doubled, it didn't just grow, they doubled, in some cases trebled. So we have to work our way through that," he says.

"The commercial aircraft manufacturers have got 10 years' worth of orders in hand, the manufacturers themselves have got a big issue in insuring that they can get those aircraft out of the door, with their component suppliers working alongside. So, it's probably no bad thing that we're going through a bit of a dip. It is still a cyclical industry, oil is still a determining factor, so there are many, many issues."

Rather than sales, analysts predict there'll be an increased focus on efficiency, as airlines attempt to squeeze everything they can from current aircraft in their fleets.

Boeing claim this new 737 MAX will deliver eight percent lower operating costs than its main competitor.

Early on Monday, China's Donghai Airlines and Boeing announced the airline intends to purchase 25 737 MAX 8s and five 787-9 Dreamliners in a deal valued at more than four billion US dollars.

"You know, fuel prices of course have come down quite a bit," says Aboulafia.

"But people are still scarred from all those years of very high fuel so they're trying to do their best to cope with that by adopting the latest and most efficient jet engines and of course squeezing as many people as they can into a given tube. These are the ways you cope with high jet prices, high fuel prices."

One area where industry experts believe there may be significant activity is in military and defence, including fighter jets and drones.

At a recent summit in Warsaw, NATO allies agreed to provide increased military support to countries in the Middle East and North Africa that are targets of Islamic extremism.

In the first big deal of the airshow, Britain signed a contract for nine new P-8A Poseidon military aircraft.

"I think defence is going to play a very big role in this show and that of course is the flipped of the global uncertainty we're seeing out there," says Aboulafia.

"It really is having a positive effect on defence spending, sad commentary on the times I suppose. You'll probably see some announcements, the problem is that defence, typically that doesn't show up in the form of actual sales activity at airshows, it's more just talks, agreements, things like that. It's not the same as airlines showing up and placing an order for 100 jets that actually means something."

The week-long event comes just weeks after Britain's vote to leave the European Union.

The pound hit a new 31-year record low and stock markets declined across Europe following the result.

Analysts believe it may not affect airlines' long-term plans and orders, but admit it may cause temporary uncertainty at an already difficult time.

"Long-term, I don't think it will be an issue," says Aboulafia.

"There'll be a way to negotiate the worst fears away from this. What is an issue is the uncertainty and there's so much uncertainty in the world, we don't need more, because of course with uncertainty you get companies baulking at investment decisions, like buying jets."

But Wheeldon says he does not expect Brexit to have a particular impact on the activity at this year's show.

"Brexit may be the first thing on people's minds here in the UK at the moment, but it's the last thing on the minds of those here who are thinking about placing orders," he says.

"They will place orders whether Brexit occurs or not, of course it's going to occur, it's not going to change anything, investment is long-term. Yes, there may be changes ten years from now, but it's not going to affect anything that's already here. So, I think it's the last thing on anybody's lips in terms of fearing that anything's going to happen. Though I accept there is a degree of uncertainty caused by it."

The Farnborough International Airshow takes place every two years and runs from 11 to 17 July 2016 - weather permitting.

AP Television

Farnborough, UK - 11 July 2016

1. Wide of black rain clouds over Farnborough International Airshow

2. Mid of fighter jet taxiing as rain starts to fall

3. Mid of pilot in cockpit as heavy rain falls

4. Wide of airshow under heavy rain with camera lens covered in raindrops

5. Tilt up to high shot of Farnborough International Airshow earlier in the day

6. Wide of Qatar Airways passenger aircraft nose

7. Flags flying in the wind

8. Various of Qatar Airways passenger aircraft

9. SOUNDBITE (English) Richard Aboulafia, Vice-President of Teal Group:

"I think there's a couple of issues at play. One is that backlogs are enormous, so if anything this should be a story about execution rather than bringing in additional orders. The second, of course, is just the macro-economic bleak outlook, we're waiting for that to impact the aviation business. It hasn't happened yet, but people are concerned."

10. Various of Airbus A380 passenger aircraft

11. Wide of airshow visitors

12. SOUNDBITE (English) Howard Wheeldon, Independent Aerospace Industry Expert:

"There'll certainly be fewer orders this year than there were two years ago at this show which in itself was lower than the show two years before. I think that you have to remember that the commercial aircraft industry has gone through a very big hiatus over the last 10 years. Orders doubled, it didn't just grow, they doubled, in some cases trebled. So we have to work our way through that. The commercial aircraft manufacturers have got 10 years' worth of orders in hand, the manufacturers themselves have got a big issue in insuring that they can get those aircraft out of the door, with their component suppliers working alongside. So, it's probably no bad thing that we're going through a bit of a dip. It is still a cyclical industry, oil is still a determining factor, so there are many, many issues."

13. Various of Qatar Airways executive jet

14. Various of Boeing 737 MAX

15. SOUNDBITE (English) Richard Aboulafia, Vice-President of Teal Group:

"You know, fuel prices of course have come down quite a bit, but people are still scarred from all those years of very high fuel, so they're trying to do their best to cope with that by adopting the latest and most efficient jet engines and of course squeezing as many people as they can into a given tube. These are the ways you cope with high jet prices, high fuel prices."

16. Tilt up to wide high shot of military and defence area of Farnborough International Airshow

17. Wide of Raytheon T-100 jet

18. Wide of two fighter jets

19. Wide of Royal Navy helicopter

20. SOUNDBITE (English) Richard Aboulafia, Vice-President of Teal Group:

"I think defence is going to play a very big role in this show and that of course is the flip side of the global uncertainty we're seeing out there. It really is having a positive effect on defence spending, sad commentary on the times I suppose. You'll probably see some announcements, the problem is that defence, typically that doesn't show up in the form of actual sales activity at airshows, it's more just talks, agreements, things like that. It's not the same as airlines showing up and placing an order for 100 jets that actually means something."

21. Pan left of military and defence area

22. Close of jet engines

23. Wide of military personnel standing on top of helicopter

24. Wide of military helicopter

25. SOUNDBITE (English) Richard Aboulafia, Vice-President of Teal Group:

"Long-term, I don't think it will be an issue. There'll be a way to negotiate the worst fears away from this. What is an issue is the uncertainty and there's so much uncertainty in the world, we don't need more, because of course with uncertainty you get companies baulking at investment decisions - like buying jets."

26. Wide of Bombardier C Series passenger aircraft

27. Wide of Iberia Regional passenger aircraft

28. SOUNDBITE (English) Howard Wheeldon, Independent Aerospace Industry Expert:

"Brexit may be the first thing on people's minds here in the UK at the moment, but it's the last thing on the minds of those here who are thinking about placing orders. They will place orders whether Brexit occurs or not, of course it's going to occur, it's not going to change anything, investment is long-term. Yes, there may be changes ten years from now, but it's not going to affect anything that's already here. So, I think it's the last thing on anybody's lips in terms of fearing that anything's going to happen. Though I accept there is a degree of uncertainty caused by it."

29. Wide of visitors walking through airshow, Airbus 737 MAX in background

LENGTH: 5:19

US Secretary of State John Kerry addressed the Oxford Union on Wednesday, speaking on a diverse range of issues, including corruption, Brexit and the problems that face Syria.

Kerry, who planned to attend UK Prime Minister David Cameron's anti-corruption conference on Thursday, appeared to give the prime minister some political cover by describing Nigeria's corruption as a problem its current leaders were working faithfully to address.

Fielding a question on Brexit, he reiterated US President Obama's stance that the US would be looking to make a trade agreement with 27 countries, not one.

Kerry also said that if Russia and Iran don't push Syrian President Bashar Assad to embrace their vision for Syria's future, the there ceasefire would completely fall apart.

US Secretary of State John Kerry addressed the Oxford Union on Wednesday, speaking on a diverse range of issues, including corruption, Brexit and the problems that face Syria.

Kerry, who planned to attend UK Prime Minister David Cameron's anti-corruption conference on Thursday, appeared to give the prime minister some political cover by describing Nigeria's corruption as a problem its current leaders were working faithfully to address.

Fielding a question on Brexit, he reiterated US President Obama's stance that the US would be looking to make a trade agreement with 27 countries, not one.

Kerry also said that if Russia and Iran don't push Syrian President Bashar Assad to embrace their vision for Syria's future, the there ceasefire would completely fall apart.

Oxford - 11 May 2016

1. US Secretary of State John Kerry enters Oxford Union

2. Various of audience

3. SOUNDBITE (English) John Kerry, US Secretary of State:

"We have to stop and ask on an international basis how it is that a bunch of generals in a country like Nigeria, which had happened previously, and the new president (Buhari) has run against all this, and we are working with him now to change it, but Nigeria saw tens of billions of dollars taken out of the country. Those were schools, those were health care, those were infrastructure, new jobs, hidden in bank accounts around the world."

4. Cutaway

5. SOUNDBITE (English) John Kerry, US Secretary of State:

"We believe the presence of Britain in EU magnifies its voice, strengthens its ability to be able to impact on global effects, and if indeed the decision were made and your voters make that decision, of course we respect it. But the reality is that in a trade agreement, we're going to be looking to 27 countries, not one. We're going to try and maximize the market place and get the rules in as many countries as we can, because that's the way it's effective, so certainly it will have impacts like that."

6. Cutaway

7. SOUNDBITE (English) John Kerry, US Secretary of State:

"A political negotiation, a transitional governance body that would run Syria while the constitution is being written and implemented, and then a cease-fire, nation-wide and then and election in a year and a half. Now we are now already five months in so it would be a year and whatever. But that's the envisioned outcome of Iran and Russia. It's pretty similar to ours. The issue is are they going to really push (Syrian President) Assad to embrace it. If he doesn't, the ceasefire will completely fall apart, they will go back to war baring some other kind of intervention that I don't necessarily see on the horizon right now."

8. Kerry finishes Oxford address to applause

FOR CLEAN VERSION SEE STORY NUMBER: 4053826

LEAD IN:

Chocolates made with reindeer moss and 'duck crackling' are among the innovations at a speciality food fair in London.

Since the Brexit vote, many British producers are concerned that they can no longer rely on the EU market and are beginning to look to the east.

STORY-LINE:

It looks like intricately stitched fabric, but these are colourful cakes based on eastern henna designs.

The bright gold reds and pinks are aiming at markets all over the world. The company is called Sari after the ornately designed garments traditionally worn by women in India.

The foods and drinks found here are aimed at the top end of the market.

Many stall holders are hoping to find favour with restaurateurs, luxury food wholesalers, or high end supermarkets.

The director of the Speciality and Fine Food Fair is Soraya Gadelrab.

Gadelrab believes the UK especially London has an international cuisine that other markets are opening up to.

That's why next year there will see the launch of the Asian Speciality Food Fair in Singapore, a lucrative market chosen because consumers there are wealthy and becoming more cosmopolitan.

Gadelrab says: "People see the UK and London as ahead of the trends when it comes to food and drink and the latest products, the latest ways of eating, the latest styles, the latest diets, and I think that's something that countries around the world sometimes look to the UK and more specifically London to see what we're doing and at this show there's so many countries represented, there's so much food from around the world and we eat globally here in the UK every day. But not all countries do that and what we're finding is that other countries are starting to catch up with us so we're actually taking this show to Singapore next year and launching Speciality and Fine Food Asia."

Despite warnings from President Obama at the G20 summit in China at the weekend, Gadelrab is not gloomy about Britain's food industry after the UK leaves Britain.

She says: "Artisan biscuits, pies, it's a huge market there's the expat(riot) community, but there's also quite an affluent consumer there and they want the latest, the greatest products imported from all around the world and British food is really up there."

This company has been exporting gourmet Italian foods into Britain for forty years.

It's owner Toni Pirozzi helped to blaze the trail which has ensured that many people in Britain consume cheeses, hams, pastas and sauces which wouldn't have been easily available a few decades ago.

Exporters like Pirozzi see the UK as an important market.

While he isn't gloomy about the luxury food market, he believes there will be a downward pressure on prices.

According to Pirozzi: "Being in the exit (Brexit from EU) from the common market I think it's going to be a little problem for the Italian product. But not too much because the product is not going to be successful, but it's going to be a little outpriced and quite a lot of imitations, they're coming out produced in every part of the world, which they call Italian product, but they are not original."

Concern about authenticity is something that many food producers are worried about.

Tight restrictions in EU law ensure that the products of particular regions are protected.

For example you can't make sparkling wine and call champagne unless it's from the champagne produce region in France.

Pirozzi gives the example of a particular kind of Sicilian tomato.

"If you look at the ciliegino di Pachino, the original ciliegino di Pachino, only from Pachino do you have a different flavour, the vitamins, everything inside is beautiful because the area of Pachino is an area which is very salty, very windy and very hot. Now if you go only thirty kilometres from Pachino, you buy the same ciliegino, it looks the same. Now ciliegino comes from everywhere and the price...(gesticulates that the price goes down)."

A concern for luxury food producers in the UK is whether shoppers post-Brexit will still be happy to pay more for specialist products.

Gadelrab is optimistic: "People still want those beautiful indulgences and this is what this fair is all about, the handcrafted products with all the best ingredients, full of flavour, exciting flavour combinations and I think that's not something that's going to go away because when times are tough, maybe people scrimp on holidays and big TVs, but they're still going to treat themselves to a beautiful cake, or some lovely ham, or some hand reared beef, so it's here to stay."

New ideas and producers are developing all the time.

Adam Wilding is launching his new product here at the fair after three long years of testing and developing a 'duck crackling' to take on the British pork crackling market.

Crispy duck skins are sold in delicatessens in France and of course the Chinese gourmands have been creating crispy duck skin for centuries, but Wilding believes he's the first to think of marketing it in this way.

He says: "We've a good connection with pork crackling, this idea came about when I was running a menu for a canape event and just as I was going to sleep I thought, you know these ideas come to you sometimes at night, but the idea was to have crispy duck skin as a canape base. On top of that we put some duck pate and it kind of went so well that a little spark went off."

This product has yet to be distributed and Wilding doesn't want disclose who he is in talks with, but he says it is going well.

"There's an overwhelming interest, you can see this moment where people's brains, they compute the idea and they suddenly get it and they are like 'oh yes, I understand what this is'."

After a savoury snack, it's time for something sweet - and another launch of a very unusual product.

Not this actual size shoe adorned with artificial pearls, but something that Nordic and Scandinavian countries will recognise.

Chocolala is an Estonian company which has high hopes for these little bundles of reindeer moss chocolates

It's run by Kristi Lehtis, who goes hunting for the moss in the forests near her home, rather like the reindeer do.

She also forages for wild fruits to put in her chocolates.

"Blueberries and moss they grow together and while I was picking blueberries I thought it would be nice to take something from the forest along, something more and the moss is actually widely used by the chefs as well at the restaurants," she says.

"You can make it with beetroot for example and it's a pink moss, but we make it with chocolate you can caramelise it, we have lots of different ways and it gives texture because it's nice to have the chocolate plus the texture so together it's a great product and something that people haven't tried. There are a lot of people who want something special who have tried everything and they don't know what to give as a present, so this something that they haven't tried."

It remains to be seen whether chocolate moss will be appearing on people's Christmas lists this year.

London, UK - 4 September 2016

1. Close tilt up of ornately decorated cake inspired by henna designs

2. Close zoom out of silver cake

3. Pan of differently decorated cakes

4. Close zoom in on giant chocolate nuts and small glazed chocolates

5. Wide of chocolate producer talking to potential client

6. Wide of chocolate box with graphic designs

7. Close zoom in to artisanal Scotch eggs

8. Mid of man on pie stall chopping eggs for people to taste

9. Close of eggs

10. Wide of specialist bread and cake stall

11. Close tilt up of pies and breads

12. Zoom in to barrel of cheese

13. Mid of staff on Italian food stall

14. Various of event director Soraya Gadelrab trying specialist cheese at Italian stall

15. SOUNDBITE: (English) Soraya Gadelrab, director, Speciality and Fine Food Fair

"People see the UK and London as ahead of the trends when it comes to food and drink and the latest products, the latest ways of eating, the latest styles, the latest diets, and I think that's something that countries around the world sometimes look to the UK and more specifically London to see what we're doing and at this show there's so many countries represented, there's so much food from around the world and we eat globally here in the UK every day. But not all countries do that and what we're finding is that other countries are starting to catch up with us so we're actually taking this show to Singapore next year and launching Speciality and Fine Food Asia."

16. Mid zoom in on large flavoured meringues

17. Wide pan of chocolate shop

18. SOUNDBITE: (English) Soraya Gadelrab, director, Speciality and Fine Food Fair

"Artisan biscuits, pies, it's a huge market there's the expat(riot) community, but there's also quite an affluent consumer there and they want the latest, the greatest products imported from all around the world and British food is really up there."

19. Close of spoon scooping out Gorgonzola cheese

20. Mid of Toni Pirozzi, Italian food and specialist cheese exporter, giving his colleague the spoonful of Gorgonzola

21. Close of man tasting and savouring cheese

22. Close zoom in to Gorgonzola

23. SOUNDBITE: (English) Toni Pirozzi, Italian food exporter

"Being in the exit (Brexit from EU) from the common market, I think it's going to be a little problem for the Italian product. But not too much because the product is not going to be successful, but it's going to be a little outpriced and quite a lot of imitations, they're coming out produced in every part of the world, which they call Italian product, but they are not original."

24. Close of Gorgonzola being scooped out

25. SOUNDBITE: (English) Toni Pirozzi, Italian food exporter

"If you look at the ciliegino di Pachino, the original ciliegino di Pachino, only from Pachino do you have a different flavour, the vitamins, everything inside is beautiful because the area of Pachino is an area which is very salty, very windy and very hot. Now if you go only thirty kilometres from Pachino, you buy the same ciliegino, it looks the same. Now ciliegino comes from everywhere and the price...(gesticulates that the price goes down)."

26. Wide of food fair

27. Top mid of specialist food seller speaking to client

28. SOUNDBITE: (English) Soraya Gadelrab, Speciality and Fine Food Fair

"People still want those beautiful indulgences and this is what this fair is all about, the handcrafted products with all the best ingredients, full of flavour, exciting flavour combinations and I think that's not something that's going to go away because when times are tough, maybe people scrimp on holidays and big TVs, but they're still going to treat themselves to a beautiful cake, or some lovely ham, or some hand reared beef, so it's here to stay."

29. Mid of passerby being offered taste of crispy duck skin snacks described as duck crackling

30. SOUNDBITE: (English) Adam Wilding, chef and inventor of "Duck Crackling"

"We've a good connection with pork crackling, this idea came about when I was running a menu for a canape event and just as I was going to sleep I thought, you know these ideas come to you sometimes at night, but the idea was to have crispy duck skin as a canape base. On top of that we put some duck pate and it kind of went so well that a little spark went off."

31. Close of duck crackling in pots on tray

32. Mid of Wilding talking to colleague

33. Close of Wilding

34. Close of pots

35. SOUNDBITE: (English) Adam Wilding, chef and inventor of "Duck Crackling"

"There's an overwhelming interest, you can see this moment where people's brains, they compute the idea and they suddenly get it and they are like 'oh yes, I understand what this is'."

36. Close of chocolate shoe in real shoe size

37. Various of chocolate shoe being held outside of box

38. Close of reindeer moss chocolates being put into gift box

39. Close of moss chocolate

40. SOUNDBITE: (English) Kristi Lehtis, specialist chocolate maker, Chocolala

"So moss is a very special product."

41. Close of reindeer moss chocolate

42. SOUNDBITE: (English) Kristi Lehtis, specialist chocolate maker, Chocolala

"Blueberries and moss they grow together and while I was picking blueberries I thought it would be nice to take something from the forest along, something more and the moss is actually widely used by the chefs as well at the restaurants because you can make it with beetroot for example and it's a pink moss, but we make it with chocolate you can caramelise it we have lots of different ways and it gives texture because it's nice to have the chocolate plus the texture so together it's a great product and something that people haven't tried. There are a lot of people who want something special who have tried everything and they don't know what to give as a present, so this something that they haven't tried."

43. Close of carton filled with reindeer moss

44. Close of Lehtis

45. Mid of Lehtis filling gift box

LEAD IN:

Chocolates made with reindeer moss and 'duck crackling' are among the innovations at a speciality food fair in London.

Since the Brexit vote, many British producers are concerned that they can no longer rely on the EU market and are beginning to look to the east.

STORY-LINE:

It looks like intricately stitched fabric, but these are colourful cakes based on eastern henna designs.

The bright gold reds and pinks are aiming at markets all over the world. The company is called Sari after the ornately designed garments traditionally worn by women in India.

The foods and drinks found here are aimed at the top end of the market.

Many stall holders are hoping to find favour with restaurateurs, luxury food wholesalers, or high end supermarkets.

The director of the Speciality and Fine Food Fair is Soraya Gadelrab.

Gadelrab believes the UK especially London has an international cuisine that other markets are opening up to.

That's why next year there will see the launch of the Asian Speciality Food Fair in Singapore, a lucrative market chosen because consumers there are wealthy and becoming more cosmopolitan.

Gadelrab says: "People see the UK and London as ahead of the trends when it comes to food and drink and the latest products, the latest ways of eating, the latest styles, the latest diets, and I think that's something that countries around the world sometimes look to the UK and more specifically London to see what we're doing and at this show there's so many countries represented, there's so much food from around the world and we eat globally here in the UK every day. But not all countries do that and what we're finding is that other countries are starting to catch up with us so we're actually taking this show to Singapore next year and launching Speciality and Fine Food Asia."

Despite warnings from President Obama at the G20 summit in China at the weekend, Gadelrab is not gloomy about Britain's food industry after the UK leaves Britain.

She says: "Artisan biscuits, pies, it's a huge market there's the expat(riot) community, but there's also quite an affluent consumer there and they want the latest, the greatest products imported from all around the world and British food is really up there."

This company has been exporting gourmet Italian foods into Britain for forty years.

It's owner Toni Pirozzi helped to blaze the trail which has ensured that many people in Britain consume cheeses, hams, pastas and sauces which wouldn't have been easily available a few decades ago.

Exporters like Pirozzi see the UK as an important market.

While he isn't gloomy about the luxury food market, he believes there will be a downward pressure on prices.

According to Pirozzi: "Being in the exit (Brexit from EU) from the common market I think it's going to be a little problem for the Italian product. But not too much because the product is not going to be successful, but it's going to be a little outpriced and quite a lot of imitations, they're coming out produced in every part of the world, which they call Italian product, but they are not original."

Concern about authenticity is something that many food producers are worried about.

Tight restrictions in EU law ensure that the products of particular regions are protected.

For example you can't make sparkling wine and call champagne unless it's from the champagne produce region in France.

Pirozzi gives the example of a particular kind of Sicilian tomato.

"If you look at the ciliegino di Pachino, the original ciliegino di Pachino, only from Pachino do you have a different flavour, the vitamins, everything inside is beautiful because the area of Pachino is an area which is very salty, very windy and very hot. Now if you go only thirty kilometres from Pachino, you buy the same ciliegino, it looks the same. Now ciliegino comes from everywhere and the price...(gesticulates that the price goes down)."

A concern for luxury food producers in the UK is whether shoppers post-Brexit will still be happy to pay more for specialist products.

Gadelrab is optimistic: "People still want those beautiful indulgences and this is what this fair is all about, the handcrafted products with all the best ingredients, full of flavour, exciting flavour combinations and I think that's not something that's going to go away because when times are tough, maybe people scrimp on holidays and big TVs, but they're still going to treat themselves to a beautiful cake, or some lovely ham, or some hand reared beef, so it's here to stay."

New ideas and producers are developing all the time.

Adam Wilding is launching his new product here at the fair after three long years of testing and developing a 'duck crackling' to take on the British pork crackling market.

Crispy duck skins are sold in delicatessens in France and of course the Chinese gourmands have been creating crispy duck skin for centuries, but Wilding believes he's the first to think of marketing it in this way.

He says: "We've a good connection with pork crackling, this idea came about when I was running a menu for a canape event and just as I was going to sleep I thought, you know these ideas come to you sometimes at night, but the idea was to have crispy duck skin as a canape base. On top of that we put some duck pate and it kind of went so well that a little spark went off."

This product has yet to be distributed and Wilding doesn't want disclose who he is in talks with, but he says it is going well.

"There's an overwhelming interest, you can see this moment where people's brains, they compute the idea and they suddenly get it and they are like 'oh yes, I understand what this is'."

After a savoury snack, it's time for something sweet - and another launch of a very unusual product.

Not this actual size shoe adorned with artificial pearls, but something that Nordic and Scandinavian countries will recognise.

Chocolala is an Estonian company which has high hopes for these little bundles of reindeer moss chocolates

It's run by Kristi Lehtis, who goes hunting for the moss in the forests near her home, rather like the reindeer do.

She also forages for wild fruits to put in her chocolates.

"Blueberries and moss they grow together and while I was picking blueberries I thought it would be nice to take something from the forest along, something more and the moss is actually widely used by the chefs as well at the restaurants," she says.

"You can make it with beetroot for example and it's a pink moss, but we make it with chocolate you can caramelise it, we have lots of different ways and it gives texture because it's nice to have the chocolate plus the texture so together it's a great product and something that people haven't tried. There are a lot of people who want something special who have tried everything and they don't know what to give as a present, so this something that they haven't tried."

It remains to be seen whether chocolate moss will be appearing on people's Christmas lists this year.

London, UK - 4 September 2016

1. Close tilt up of ornately decorated cake inspired by henna designs

2. Close zoom out of silver cake

3. Pan of differently decorated cakes

4. Close zoom in on giant chocolate nuts and small glazed chocolates

5. Wide of chocolate producer talking to potential client

6. Wide of chocolate box with graphic designs

7. Close zoom in to artisanal Scotch eggs

8. Mid of man on pie stall chopping eggs for people to taste

9. Close of eggs

10. Wide of specialist bread and cake stall

11. Close tilt up of pies and breads

12. Zoom in to barrel of cheese

13. Mid of staff on Italian food stall

14. Various of event director Soraya Gadelrab trying specialist cheese at Italian stall

15. SOUNDBITE: (English) Soraya Gadelrab, director, Speciality and Fine Food Fair

"People see the UK and London as ahead of the trends when it comes to food and drink and the latest products, the latest ways of eating, the latest styles, the latest diets, and I think that's something that countries around the world sometimes look to the UK and more specifically London to see what we're doing and at this show there's so many countries represented, there's so much food from around the world and we eat globally here in the UK every day. But not all countries do that and what we're finding is that other countries are starting to catch up with us so we're actually taking this show to Singapore next year and launching Speciality and Fine Food Asia."

16. Mid zoom in on large flavoured meringues

17. Wide pan of chocolate shop

18. SOUNDBITE: (English) Soraya Gadelrab, director, Speciality and Fine Food Fair

"Artisan biscuits, pies, it's a huge market there's the expat(riot) community, but there's also quite an affluent consumer there and they want the latest, the greatest products imported from all around the world and British food is really up there."

19. Close of spoon scooping out Gorgonzola cheese

20. Mid of Toni Pirozzi, Italian food and specialist cheese exporter, giving his colleague the spoonful of Gorgonzola

21. Close of man tasting and savouring cheese

22. Close zoom in to Gorgonzola

23. SOUNDBITE: (English) Toni Pirozzi, Italian food exporter

"Being in the exit (Brexit from EU) from the common market, I think it's going to be a little problem for the Italian product. But not too much because the product is not going to be successful, but it's going to be a little outpriced and quite a lot of imitations, they're coming out produced in every part of the world, which they call Italian product, but they are not original."

24. Close of Gorgonzola being scooped out

25. SOUNDBITE: (English) Toni Pirozzi, Italian food exporter

"If you look at the ciliegino di Pachino, the original ciliegino di Pachino, only from Pachino do you have a different flavour, the vitamins, everything inside is beautiful because the area of Pachino is an area which is very salty, very windy and very hot. Now if you go only thirty kilometres from Pachino, you buy the same ciliegino, it looks the same. Now ciliegino comes from everywhere and the price...(gesticulates that the price goes down)."

26. Wide of food fair

27. Top mid of specialist food seller speaking to client

28. SOUNDBITE: (English) Soraya Gadelrab, Speciality and Fine Food Fair

"People still want those beautiful indulgences and this is what this fair is all about, the handcrafted products with all the best ingredients, full of flavour, exciting flavour combinations and I think that's not something that's going to go away because when times are tough, maybe people scrimp on holidays and big TVs, but they're still going to treat themselves to a beautiful cake, or some lovely ham, or some hand reared beef, so it's here to stay."

29. Mid of passerby being offered taste of crispy duck skin snacks described as duck crackling

30. SOUNDBITE: (English) Adam Wilding, chef and inventor of "Duck Crackling"

"We've a good connection with pork crackling, this idea came about when I was running a menu for a canape event and just as I was going to sleep I thought, you know these ideas come to you sometimes at night, but the idea was to have crispy duck skin as a canape base. On top of that we put some duck pate and it kind of went so well that a little spark went off."

31. Close of duck crackling in pots on tray

32. Mid of Wilding talking to colleague

33. Close of Wilding

34. Close of pots

35. SOUNDBITE: (English) Adam Wilding, chef and inventor of "Duck Crackling"

"There's an overwhelming interest, you can see this moment where people's brains, they compute the idea and they suddenly get it and they are like 'oh yes, I understand what this is'."

36. Close of chocolate shoe in real shoe size

37. Various of chocolate shoe being held outside of box

38. Close of reindeer moss chocolates being put into gift box

39. Close of moss chocolate

40. SOUNDBITE: (English) Kristi Lehtis, specialist chocolate maker, Chocolala

"So moss is a very special product."

41. Close of reindeer moss chocolate

42. SOUNDBITE: (English) Kristi Lehtis, specialist chocolate maker, Chocolala

"Blueberries and moss they grow together and while I was picking blueberries I thought it would be nice to take something from the forest along, something more and the moss is actually widely used by the chefs as well at the restaurants because you can make it with beetroot for example and it's a pink moss, but we make it with chocolate you can caramelise it we have lots of different ways and it gives texture because it's nice to have the chocolate plus the texture so together it's a great product and something that people haven't tried. There are a lot of people who want something special who have tried everything and they don't know what to give as a present, so this something that they haven't tried."

43. Close of carton filled with reindeer moss

44. Close of Lehtis

45. Mid of Lehtis filling gift box

LEAD IN:

London has always been one of the world's leading lights in the fashion industry - but has Brexit dulled some of its shine?

At the Pure London fashion retail show - and with London Fashion Week on the horizon - brand owners and designers give their views on doing business in Brexit Britain.

STORY-LINE:

On the catwalk at Pure London it's business as usual.

The models strut their stuff to the music and packed crowds squeeze in for a glimpse of the latest trends.

But behind the flash and the glamour - is London still an attractive venue for fashion brands?

With Britain voting to leave the EU, and uncertainty hanging over all sectors of industry, the UK's fashion talent is preparing to weather the storm.

Maggie Song studied fashion in Beijing but came to the UK 13 years ago to make her name in the industry she loves.

In this time she has founded three labels, her most successful brand is Jolie Moi which can be found in some of the UK's largest department stores (John Lewis, Debenhams, House of Fraser).

She considers her business to be small to medium sized. Her clothes are designed in the UK but the materials and production happen in China.

When the result of the Brexit vote was announced she was on a business trip in Beijing and recalls her horror at hearing the news.

"I was shocked (when she heard the Brexit result). I couldn't think anything and also I couldn't speak, so, I was watching the exchange rate on the Internet, I can see the drop, the pound, this dramatic drop to the dollar and immediately I realised how tough it will be for small business," she says.

Song is expecting a tough 2017 as the low value of the pound starts to bite. She expects she will have to lower her margins to absorb the impact of Brexit.

But not everybody is suffering from the falling pound, according to Pure London's show director Julie Driscoll.

"So the exchange rate means for international brands it's really easy for them to enter the UK market, so more than ever before we're seeing international companies, international fashion collections wanting to come to the UK to explore opportunities and indeed this means this is our largest Pure London ever," she says.

One of the foreign fashion brands visiting Pure London for the first time is French jewellery maker Pas Si Sages Bijoux (Not So Wise) from Lyon.

Their funky, Bohemian-inspired jewellery is low/to mid priced and is all designed and produced in France. They are now looking to expand into the British market.

Chloe Chenu, the director of Pas Si Sages Bijoux, demonstrates the latest product - a back necklace.

She believes Brexit has not changed anything in the fashion world and thinks the UK is still a great place to do business... perhaps thanks to the eccentric English style.

"London is always the place for fashion, the most important in the world, even after Brexit, that doesn't change anything. We always come to sell products, English people are always eccentric and they want French products," she says.

It's the same story for Turkish designer Ece Kavran, whose range called Urun features minimalist, classic pieces.

She says London is still top of her list for places to do business because of its pace and willingness to try new brands. She says in France and Italy the market is much slower and more traditional.

"But England is an expandable market, it's forever open to the new idea, to the new brand, and I think that's what makes it, England, very compelling for us," she says.

But fashion is more than just sales and spreadsheets, it's about creating brands - and there is no bigger brand than a country itself. So has brand Britain been tarnished by its decision to leave the EU?

Personal stylist Justyna Szal is at the show to soak up inspiration for new season looks.

She is originally from near Krakow in Poland, but works in London - dressing and making her clients look as on trend as possible.

Szal likes the idea of Brexit and does not feel it has had any negative impact on London as a fashion hub. In fact, she's quite enjoying all the attention, with the eyes of the world turning to Britain.

"No, I haven't found it less interesting. I actually found it more interesting because of the whole situation people are starting to be more interested in the UK and I think actually it's a pleasant advantage and the fashion business hasn't been more in bloom than it is nowadays," she says.

According to an industry report, compiled by Inside Retail, fashion is worth 50 billion UK pounds (approx. 62 billion US dollars) per annum in the UK - the second most important retail sector only behind food.

The British Retail Consortium estimates that in October 2015, online accounted for 26.3 per cent of total clothing sales - even higher for footwear.

The UK is already the world leader in online fashion sales, leading France, Germany, Japan and the USA.

Keely Stocker is the editor of Drapers, a long-running fashion industry magazine.

In a typically British way, she thinks this is a time to keep calm and carry on.

"I think it's definitely a challenging time, mainly because of the uncertainty more than anything else," she says. "But I think those people that are doing well are the ones that are really focusing on their customer, focusing on their product and just getting on with it until we know exactly what that (Brexit) is going to mean."

One of those at the show who is hoping to do just that is Bilguun Brower, owner of Mongolian Kingdom.

He is buying high-end Mongolian woollen products and selling them in the UK. The fall in value of the pound is an issue he will have to contend with in the coming years, but Brower believes there is a strong market for his products in the UK because of its damp, cold climate.

Exhibiting for the first time, he is introducing his new line of yak's wool scarves.

Brower, and the other small British business owners at Pure, will all be hoping the UK can secure strong trade deals as quickly as possible.

Pure London is one of the leading fashion retail shows in the Europe, with over 11,000 buyers visiting the show between February 12-14.

London, UK - 12 February 2017

1. Mid of woman on catwalk in furry coat and sunglasses

2. Various of woman in camel coat with long scarf on catwalk

3. Cutaway of woman taking photo of catwalk

4. Mid of woman in grey dress with metal bead shoulder attachments

5. Various set up shots of Maggie Song, owner of labels, Jolie Moi and Emily & Me, taking red dress from peg

6. SOUNDBITE: (English) Maggie Song, British fashion labels owner (Jolie Moi and Emily & Me):

"I was shocked (when she heard the Brexit result). I couldn't think anything and also I couldn't speak, so, I was watching the exchange rate on the internet, I can see the drop, the pound, this dramatic drop to the dollar and immediately I realised how tough it will be for small business."

7. Mid of show visitors walking

8. Mid of woman hanging jacket

9. Various of man looking at shoes

10. Various set up shots of Pure London show director, Julie Driscoll looking at scarf

11. SOUNDBITE: (English) Julie Driscoll, Pure London show director:

"So the exchange rate means for international brands it's really easy for them to enter the UK market, so more than ever before we're seeing international companies, international fashion collections wanting to come to the UK to explore opportunities and indeed that means this is our largest Pure London ever."

12. Pan right of Pas Si Sages Bijoux jewellery from Lyon, France

13. Pull focus of bracelets

14. Tilt up from bracelets to earrings

15. Tilt up of back necklace

16. Mid of Chloe Chenu demonstrating how the back necklace is worn

17. Close details of necklace

18. SOUNDBITE: (French) Chloe Chenu, director, Pas Si Sages Bijoux:

"London is always the place for fashion, the most important in the world, even after Brexit, that doesn't change anything. We always come to sell products, English people are always eccentric and they want French products."

19. Close tilt up of two-tone leather skirt by Urun (from Turkey)

20. Close pan left of designer Ece Kavran showing colleague her new skirt design

21. Mid of same

22. Close of Kavran

23. SOUNDBITE: (English) Ece Kavran, designer, Urun:

"But England is an expandable market, it's forever open to the new idea, to the new brand, and I think that's what makes it, England, very compelling for us."

24. Wide of woman in gothic clothing on catwalk

25. Close of woman photographing the show

26. Wide pull focus of crowd on smartphones watching the show

27. Tilt up of model during gothic show

28. Various set up shots of personal stylist Justyna Szal

29. SOUNDBITE: (English) Justyna Szal, personal stylist:

"No, I haven't found it less interesting. I actually found it more interesting because of the whole situation people actually are starting to be more interested in the UK and I think actually it's a pleasant advantage and the fashion business hasn't been more in bloom than it is nowadays."

30. Various set up shots of fashion editor Keely Stocker looking at show

31. SOUNDBITE: (English) Keely Stocker, editor of Drapers magazine:

"I think it's definitely a challenging time, mainly because of the uncertainty more than anything else but I think those people that are doing well are the ones that are really focusing on their customer, focusing on their product and just getting on with it until we know exactly what that (Brexit) is going to mean."

32. Close pull from Mongolian/UK flag to Bilguun Brower, owner of Mongolian Kingdom

33. Close tilt down to yak

34. Various of Brower looking at Mongolian yak scarf

35. Various of fashion show with models in red dresses

LEAD IN:

Rough waters may be ahead for Britain's luxury yacht industry, but right now it's riding on a wave caused by currency fluctuations at home.

At the annual Southampton Boat Show, British-based Sunseeker, Princess and Fairline say 'Brexit' is causing uncertainty in the luxury market which is ultimately bad for business.

STORY-LINE:

It's not just the weather outlook that looks poor at the Southampton Boat Show, the yacht industry is also bracing for the potential effects of Britain leaving the 28-nation European Union.

Claimed to be one of the top ten boat shows in the world, the annual event boasts two kilometres of pontoons, home to a wealth of yachting luxury and new marine technology.

There are almost 600 brands attending and hundreds of boats on display.

Poole-based Sunseeker Yachts is exhibiting this £6 million British pound (approx. $7.94 million USD), 28-metre 95 Yacht. It sleeps a maximum of ten people, plus four crew members and boasts up to 120 nautical miles in range.

Sunseeker International, owned by Chinese property and cinema conglomerate Dalian Wanda Group, recently announced a return to profit in the second quarter of 2016.

The luxury yacht makers also announced retail orders in excess of £25 million British pounds (approx. $33 million USD) at the recent Cannes Boat Show.

"There's a direct correlation between the numbers of high and ultra-high net-worth individuals and the number of luxury yachts that are sold," says CEO of Sunseeker, Phil Popham.

"Projections around the world is that numbers of high net-worth individuals will grow by about 20 percent between now and 2020. So, if there's a direct correlation we expect that growth in the luxury yacht market to be the same."

Popham admits part of Sunseeker's recent success may be down to the British currency, but lack of confidence caused by Britain's exit from the EU will ultimately effect their business.

"The thing that we really need to focus on is confidence levels, certainty, we've benefited because of the weakness of the pound, but its all about business confidence", he says.

Plymouth-based Princess Yachts is giving this Princess V58 its world premiere in Southampton. Measuring 18.42 (60.4 feet) in length, it boasts 6 berths and can hit tops speeds of 37 knots.

Princess Yachts marketing director, Kiran Haslam says the weak pound has certainly encouraged some buyers to push through transactions sooner.

"Undoubtedly there's an advantage to the currency exchange being where it is, we saw that in Cannes," he says.

"We saw a lot of boats being sold where the transaction was really, really pushed along because of the opportunity to get the benefit out of the exchange rates."

Ultimately though, buying a luxury item such as a yacht all depends on buyer confidence. Something which 'Brexit' is eroding.

"The uncertainty is something which absolutely grips our segment whether it's cars or houses or travel, there's no denying that a yacht - as wonderful as it is - is not a necessity item," says Haslam.

"So it's always a conversation about is it the right time."

But what is it that luxury yacht buyers are really after? Princess Yacht's creative design director, Sarah Verey says people are increasingly looking for personalisation and uniqueness.

"A lot of it's about lifestyle, it's about how they're going to use the boats," she says.

"Our clients really come on to these boats and use them. So they're tending to look for lots of open spaces, luxurious spaces, spaces where they can entertain both inside and out.

"And also, clients nowadays, they want something unique. So they want to work with us on completely personalising their boat and finding something that is unique to them and actually has never been used on other boats."

Fairline Yachts is exhibiting this sleek new Targa 53 OPEN, a new addition to its popular 53-foot range.

Priced at around £659,000 British pounds (approx. $871,000 USD), it boasts four to six berths and a top speed of 34 knots.

Fariline's managing director Russell Currie says Southampton Boat Show is an important event.

"It is the shop window for the British manufacturers," he says.

"Here, customers can come down and compare all the British brands as well as the brands represented from around the world and choose exactly what is for their specific requirement."

Currie says Fairline too has benefited from the weak pound, achieving its best-ever sales at the recent Cannes Boat Show.

"We've had an overnight decrease in the price of our boats in areas such as the European market," he says.

"At Cannes Boat Show last year, our boats were 15 percent more expensive than this year. And at Cannes Boat Show, we saw the most successful show in Fairline's history in that region."

Though the decision proved a huge surprise to many in the financial markets and prompted a dramatic slide in the value of the pound, the real economy has exhibited a relatively high degree of resilience.

Retail sales, house prices and industrial production have all held up - to the surprise of many.

Still, economists say little can yet be read into the seeming resilience, given the lags involved between events and changes in the real economy.

The fact remains that apart from the fall in the value of the pound, which now stands at around $1.32 USD compared with $1.50 USD on the eve of the vote, nothing really has changed. Britain remains a member of the EU and has yet to trigger the so-called Article 50 that kick starts a two-year time frame for actual Brexit.

"Obviously, industry and business need stability and the time it will take to exit from the European Union will be problematic, but we are lobbying government hard," says Howard Pridding, chief executive of British Marine.

"We need to understand what's going to be in these free trade agreements and what's going to happen about the free movement of goods and people within the European community."

The Southampton Boat Show runs 16-25 September.

Southampton, UK - 16 September 2016

1. Wide of Southampton Boat Show 2016, cruise ship in background

2. Tilt down to pontoon, boats and visitors

3. Close of 'Sunseeker' flag

4. Various of Sunseeker 95 Yacht exterior

5. Close of 'Sunseeker' logo

6. Tilt up of Sunseeker 95 Yacht rear

7. Various of Sunseeker 95 Yacht interior

8. SOUNDBITE (English) Phil Popham, CEO of Sunseeker International:

"There's a direct correlation between the numbers of high and ultra-high net-worth individuals and the number of luxury yachts that are sold. Projections around the world is that numbers of high net-worth individuals will grow by about 20 percent between now and 2020. So, if there's a direct correlation we expect that growth in the luxury yacht market to be the same. The fortunate thing is the world is becoming generally a wealthier place so those growth in ultra-high net-worth individuals are in Asia - yes, some of the emerging markets - and Africa. But we're expecting to see a growth in the United States, UK and Europe as well."

9. Tilt up to Sunseeker 95 Yacht top deck

10. Close of champagne glasses

11. Pan left to controls

12. Close of compass

13. Pan right of Sunseeker 95 Yacht master bedroom

14. Close of pillows on bed

15. SOUNDBITE (English) Phil Popham, CEO of Sunseeker International:

"Nearly 50 percent of our business is in Europe so obviously what happens within the European market is of great concern and great interest to Sunseeker. And the thing that we really need to focus on is confidence levels, certainty, we've benefited because of the weakness of the pound, but its all about business confidence."

16. Various of Princess V58 exterior

17. Pan left to controls

18. Tilt up to table

19. Close of martini glasses and gin bottle

20. SOUNDBITE (English) Kiran Haslam, Marketing Director of Princess Yachts International:

"Undoubtedly there's an advantage to the currency exchange being where it is, we saw that in Cannes. We saw a lot of boats being sold where the transaction was really, really pushed along because of the opportunity to get the benefit out of the exchange rates."

21. Tilt down of Princess V58 bedroom

22. Close of sunglasses and magazine on bed

23. High shot of Princess B58 master bedroom

24. Tilt up from magazine on bed to pillows

25. SOUNDBITE (English) Kiran Haslam, Marketing Director of Princess Yachts International:

"The uncertainty is something which absolutely grips our segment, whether it's cars or houses or travel, there's no denying that a yacht - as wonderful as it is - is not a necessity item. So it's always a conversation about is it the right time."

26. Close of glass bottles inside Princess 30M

27. Tilt up of Princess 30M living room area

28. Tilt up of bed in Princess 30M

29. Pan left from bedside table to pillows

30. SOUNDBITE (English) Sarah Verey, Director of Creative Design, Princess Yachts International:

"A lot of it's about lifestyle, it's about how they're going to use the boat. Our clients really come on to these boats and use them. So they're tending to look for lots of open spaces, luxurious spaces, spaces where they can entertain both inside and out. And also, clients nowadays, they want something unique. So they want to work with us on completely personalising their boat and finding something that is unique to them and actually has never been used on other boats."

31. Various of Fairline Targa 53 Open exterior

32. SOUNDBITE (English) Russell Currie, Managing Director of Fairline Yachts:

"It is the shop window for the British manufacturers. Here, customers can come down and compare all the British brands as well as the brands represented from around the world and choose exactly what is for their specific requirement."

33. Close of flowers on Fairline Targa 53 Open

34. Various of Targa 53 Open controls

35. Low shot of bed

36. Tilt down to two beds

37. SOUNDBITE (English) Russell Currie, Managing Director of Fairline Yachts:

"We've had an overnight decrease in the price of our boats in areas such as the European market. At Cannes Boat Show last year, our boats were 15 percent more expensive than this year. And at Cannes Boat Show, we saw the most successful show in Fairline's history in that region."

38. Pull out from cruise ship to Southampton Boat Show pontoon

39. Wide of various boats on marina

40. Close of Sunseeker boat's hull in water

41. SOUNDBITE (English) Howard Pridding, Chief Executive of British Marine:

"Obviously, industry and business need stability and the time it will take to exit from the European Union will be problematic, but we are lobbying government hard, we need to understand what's going to be in these free trade agreements and what's going to happen about the free movement of goods and people within the European community."

42. Wide of Southampton Boat Show 2016, cruise ship in background

LEAD IN:

Designs inspired by the London Underground and Brexit are now on show in the new-look Design Museum in Kensington.

The new space is in a Grade-II listed piece of 1960s modernist architecture, three times larger than the Museum's previous home.

STORY-LINE:

Meet Mimus the mechanical robot who only wants to be your friend.

This 1,200kg industrial arm has been programmed to respond and interact with passersby.

Mimus is the one of the attractions in the new Design Museum in London.

Art critic Estelle Lovatt is one of the first people to get a look around the museum

"You know what I think of the new building, and I use the word sit as well, I love the fact that as soon as you walk in you can walk up the stairs and you can also sit on them. That struck me that there's so much humour here as well. You know I love the fact that this piece here behind me, I don't know whether to laugh at it or be afraid of it but it's the interactiveness of this museum that will make it steps ahead of, leap years ahead of the other museums that we go into now," she says.

The Design Museum outgrew its previous home on the South Bank of the Thames and has moved into Kensington, a district well-known for its important museums, including the Natural History Museum, the Science Museum and the Victoria and Albert Museum.

The new building occupies a Grade-II listed modernist site created in the 1960s for the Commonwealth Institute.

The restoration of the empty building took five years and required an £83 million investment.

Museum director Deyan Sudjic explains the importance of the move.

He says: "The design museum is here in its new home in Kensington, new home? Actually the transformation of a building from the 60s. We've moved from a charming converted banana ripening warehouse next to Tower Bridge here to this great piece of 60s architecture brought back to life. We've moved because we think design is to important to leave to the specialists, to the priesthood, we're trying to do here for contemporary design and architecture what the Tate Modern did for contemporary art. Turning something that was seen as on the margins of the wider conversation into something right at the centre. So we have three times the space, 100,000 square feet, we can offer free admission. We have a chance really to talk to a much wider audience why design is important."

The Design Museum opens with a striking exhibition called Fear and Love, which challenged 11 designers to react to a wide range of issues that affect the modern world.

Dutch designer Christien Meinderstma's installation Fibre Market explores the possibility of recycling our clothes and sorting them into their constituent parts.

The work displays mounds of brightly coloured wools.

A New York architect has created a space that looks at how social networking is affecting our pursuit of sex.

His work explores the phenomenon of the gay networking site Grindr.

One of the most topical works in the exhibition is Pan European Living Room.

In post-Brexit Britain the piece looks at how our interior design is so closely connected across Europe.

It takes a typical living room and furnishes it with furniture, wallpaper and designs from the 28 EU member states.

Justin McGuirk, chief curator at the Design Museum, says: "The average European living room, or our idea of the domestic interior, is really a construct of European cooperation and collaboration, trade agreements, designers from Britain and Holland working with manufacturers in Italy and Sweden and so in some senses the idea that one can pull out of that is an illusion."

The centre-piece of the room is a vertical blind featuring a barcode design of the EU member states' flags.

When the blind opens it reveals a vista of the shattered city of Rotterdam in 1945 at the end of World War II - a stark reminder of what can happen when European countries stop cooperating.

The Design Museum's deputy director Alice Black wants people to feel that they are involved in the evolving story of design.

She created a crowd-sourced feature asking people to nominate items in their everyday lives.

Black explains: "So behind me you will see a crowd-sourced wall, so what we did we asked our audiences what they wanted to see in a design museum, we sort of turned the table on them and said what do you think is good design, what in your every day design objects make a better life or a more beautiful life around you. So they sent us about 850 nominations from about 25 different countries and we selected 250 pieces that are on the wall behind me."

There surely can't be many museums where a Fisher Price talking telephone, a Nintendo Gameboy and the Holy Bible all share the same wall space.

The new Design Museum is expected to attract up to 650,000 visitors in its first year and is free to enter, for the first time.

London, UK - 17 November 2016

1. Wide of robotic arm

2. Close of same

3. Various set up shots of Estelle Lovatt taking selfie with robotic arm

4. SOUNDBITE (English) Estelle Lovatt, independent art critic:

"You know what I think of the new building, and I use the word sit as well, I love the fact that as soon as you walk in you can walk up the stairs and you can also sit on them. That struck me that there's so much humour here as well. You know I love the fact that this piece here behind me, I don't know whether to laugh with it or be afraid of it but it's the interactiveness of this museum that will make it steps ahead, leap years ahead of the other museums that we go into now."

5. Mid of robotic arm

6. Tilt up of entrance to Design Museum with stairs doubling up as seats

7. Wide tilt down from concrete ceiling to museum entrance

8. Various set up shots of walking up stairs and through museum

9. SOUNDBITE (English) Deyan Sudjic, director of Design Museum:

"The design museum is here in its new home in Kensington, new home? Actually the transformation of a building from the 60s. We've moved from a charming converted banana ripening warehouse next to Tower Bridge here to this great piece of 60s architecture brought back to life. We've moved because we think design is to important to leave to the specialists, to the priesthood, we're trying to do here for contemporary design and architecture what the Tate Modern did for contemporary art. Turning something that was seen as on the margins of the wider conversation into something right at the centre. So we have three times the space, 100,000 square feet, we can offer free admission. We have a chance really to talk to a much wider audience about why design is important."

10. Mid of exhibit Room Tone that uses wearable technology to record London city life

11. Various of exhibit Fibre Market that demonstrates how wool clothes can be recycled and sorted by colour

12. Mid of neon panel reading: (English) "Love/Fear"

13. Various of exhibit looking at the Grindr ( gay social network app) phenomenon

14. Various of exhibit by Chinese fashion designer Ma Ke who uses ancient wooden looms to create the fashions

15. Pull focus from Italian Arco lamp to British wallpaper by Nina Campbell

16. Wide of the Pan European Living Room exhibit - a room furnished with designs from each of the 28 member states of the EU

17. Pan left of blinds in the colours of EU member state flags#

18. Mid of Romanian coffee pot by Ero on a coffee table

19. Various set up shots of Justin McGuirk

20. SOUNDBITE (English) Justin McGuirk, chief curator, Design Museum:

"The average European living room, or our idea of the domestic interior, is really a construct of European cooperation and collaboration, trade agreements, designers from Britain and Holland working with manufacturers in Italy and Sweden and so in some senses the idea that one can pull out of that is an illusion."

21. Wide of Pan European Living Room exhibit with photograph of Rotterdam in 1945, destroyed after World War II as a backdrop

22. Various set up shots of Alice Black

23. SOUNDBITE (English) Alice Black, deputy director of the Design Museum:

"So behind me you will see a crowdsourced wall, so what we did we asked our audiences what they wanted to see in a design museum, we sort of turned the table on them and said what do you think is good design, what in your every day design objects make a better life or a more beautiful life around you. So they sent us about 850 nominations from about 25 different countries and we selected 250 pieces that are on the wall behind me."

24. Mid of crowdsourced design wall with Underground sign in centre

25. Close of Fisher Price talking telephone

26. Pan right from violin to Game Boy and Bible

27. Various exterior shots of Design Museum