FOR CLEAN VERSION SEE STORY NUMBER: 4080859

LEAD IN:

London has always been one of the world's leading lights in the fashion industry - but has Brexit dulled some of its shine?

At the Pure London fashion retail show - and with London Fashion Week on the horizon - brand owners and designers give their views on doing business in Brexit Britain.

STORY-LINE:

On the catwalk at Pure London it's business as usual.

The models strut their stuff to the music and packed crowds squeeze in for a glimpse of the latest trends.

But behind the flash and the glamour - is London still an attractive venue for fashion brands?

With Britain voting to leave the EU, and uncertainty hanging over all sectors of industry, the UK's fashion talent is preparing to weather the storm.

Maggie Song studied fashion in Beijing but came to the UK 13 years ago to make her name in the industry she loves.

In this time she has founded three labels, her most successful brand is Jolie Moi which can be found in some of the UK's largest department stores (John Lewis, Debenhams, House of Fraser).

She considers her business to be small to medium sized. Her clothes are designed in the UK but the materials and production happen in China.

When the result of the Brexit vote was announced she was on a business trip in Beijing and recalls her horror at hearing the news.

"I was shocked (when she heard the Brexit result). I couldn't think anything and also I couldn't speak, so, I was watching the exchange rate on the Internet, I can see the drop, the pound, this dramatic drop to the dollar and immediately I realised how tough it will be for small business," she says.

Song is expecting a tough 2017 as the low value of the pound starts to bite. She expects she will have to lower her margins to absorb the impact of Brexit.

But not everybody is suffering from the falling pound, according to Pure London's show director Julie Driscoll.

"So the exchange rate means for international brands it's really easy for them to enter the UK market, so more than ever before we're seeing international companies, international fashion collections wanting to come to the UK to explore opportunities and indeed this means this is our largest Pure London ever," she says.

One of the foreign fashion brands visiting Pure London for the first time is French jewellery maker Pas Si Sages Bijoux (Not So Wise) from Lyon.

Their funky, Bohemian-inspired jewellery is low/to mid priced and is all designed and produced in France. They are now looking to expand into the British market.

Chloe Chenu, the director of Pas Si Sages Bijoux, demonstrates the latest product - a back necklace.

She believes Brexit has not changed anything in the fashion world and thinks the UK is still a great place to do business... perhaps thanks to the eccentric English style.

"London is always the place for fashion, the most important in the world, even after Brexit, that doesn't change anything. We always come to sell products, English people are always eccentric and they want French products," she says.

It's the same story for Turkish designer Ece Kavran, whose range called Urun features minimalist, classic pieces.

She says London is still top of her list for places to do business because of its pace and willingness to try new brands. She says in France and Italy the market is much slower and more traditional.

"But England is an expandable market, it's forever open to the new idea, to the new brand, and I think that's what makes it, England, very compelling for us," she says.

But fashion is more than just sales and spreadsheets, it's about creating brands - and there is no bigger brand than a country itself. So has brand Britain been tarnished by its decision to leave the EU?

Personal stylist Justyna Szal is at the show to soak up inspiration for new season looks.

She is originally from near Krakow in Poland, but works in London - dressing and making her clients look as on trend as possible.

Szal likes the idea of Brexit and does not feel it has had any negative impact on London as a fashion hub. In fact, she's quite enjoying all the attention, with the eyes of the world turning to Britain.

"No, I haven't found it less interesting. I actually found it more interesting because of the whole situation people are starting to be more interested in the UK and I think actually it's a pleasant advantage and the fashion business hasn't been more in bloom than it is nowadays," she says.

According to an industry report, compiled by Inside Retail, fashion is worth 50 billion UK pounds (approx. 62 billion US dollars) per annum in the UK - the second most important retail sector only behind food.

The British Retail Consortium estimates that in October 2015, online accounted for 26.3 per cent of total clothing sales - even higher for footwear.

The UK is already the world leader in online fashion sales, leading France, Germany, Japan and the USA.

Keely Stocker is the editor of Drapers, a long-running fashion industry magazine.

In a typically British way, she thinks this is a time to keep calm and carry on.

"I think it's definitely a challenging time, mainly because of the uncertainty more than anything else," she says. "But I think those people that are doing well are the ones that are really focusing on their customer, focusing on their product and just getting on with it until we know exactly what that (Brexit) is going to mean."

One of those at the show who is hoping to do just that is Bilguun Brower, owner of Mongolian Kingdom.

He is buying high-end Mongolian woollen products and selling them in the UK. The fall in value of the pound is an issue he will have to contend with in the coming years, but Brower believes there is a strong market for his products in the UK because of its damp, cold climate.

Exhibiting for the first time, he is introducing his new line of yak's wool scarves.

Brower, and the other small British business owners at Pure, will all be hoping the UK can secure strong trade deals as quickly as possible.

Pure London is one of the leading fashion retail shows in the Europe, with over 11,000 buyers visiting the show between February 12-14.

London, UK - 12 February 2017

1. Mid of woman on catwalk in furry coat and sunglasses

2. Various of woman in camel coat with long scarf on catwalk

3. Cutaway of woman taking photo of catwalk

4. Mid of woman in grey dress with metal bead shoulder attachments

5. Various set up shots of Maggie Song, owner of labels, Jolie Moi and Emily & Me, taking red dress from peg

6. SOUNDBITE: (English) Maggie Song, British fashion labels owner (Jolie Moi and Emily & Me):

"I was shocked (when she heard the Brexit result). I couldn't think anything and also I couldn't speak, so, I was watching the exchange rate on the internet, I can see the drop, the pound, this dramatic drop to the dollar and immediately I realised how tough it will be for small business."

7. Mid of show visitors walking

8. Mid of woman hanging jacket

9. Various of man looking at shoes

10. Various set up shots of Pure London show director, Julie Driscoll looking at scarf

11. SOUNDBITE: (English) Julie Driscoll, Pure London show director:

"So the exchange rate means for international brands it's really easy for them to enter the UK market, so more than ever before we're seeing international companies, international fashion collections wanting to come to the UK to explore opportunities and indeed that means this is our largest Pure London ever."

12. Pan right of Pas Si Sages Bijoux jewellery from Lyon, France

13. Pull focus of bracelets

14. Tilt up from bracelets to earrings

15. Tilt up of back necklace

16. Mid of Chloe Chenu demonstrating how the back necklace is worn

17. Close details of necklace

18. SOUNDBITE: (French) Chloe Chenu, director, Pas Si Sages Bijoux:

"London is always the place for fashion, the most important in the world, even after Brexit, that doesn't change anything. We always come to sell products, English people are always eccentric and they want French products."

19. Close tilt up of two-tone leather skirt by Urun (from Turkey)

20. Close pan left of designer Ece Kavran showing colleague her new skirt design

21. Mid of same

22. Close of Kavran

23. SOUNDBITE: (English) Ece Kavran, designer, Urun:

"But England is an expandable market, it's forever open to the new idea, to the new brand, and I think that's what makes it, England, very compelling for us."

24. Wide of woman in gothic clothing on catwalk

25. Close of woman photographing the show

26. Wide pull focus of crowd on smartphones watching the show

27. Tilt up of model during gothic show

28. Various set up shots of personal stylist Justyna Szal

29. SOUNDBITE: (English) Justyna Szal, personal stylist:

"No, I haven't found it less interesting. I actually found it more interesting because of the whole situation people actually are starting to be more interested in the UK and I think actually it's a pleasant advantage and the fashion business hasn't been more in bloom than it is nowadays."

30. Various set up shots of fashion editor Keely Stocker looking at show

31. SOUNDBITE: (English) Keely Stocker, editor of Drapers magazine:

"I think it's definitely a challenging time, mainly because of the uncertainty more than anything else but I think those people that are doing well are the ones that are really focusing on their customer, focusing on their product and just getting on with it until we know exactly what that (Brexit) is going to mean."

32. Close pull from Mongolian/UK flag to Bilguun Brower, owner of Mongolian Kingdom

33. Close tilt down to yak

34. Various of Brower looking at Mongolian yak scarf

35. Various of fashion show with models in red dresses

LEAD IN:

London has always been one of the world's leading lights in the fashion industry - but has Brexit dulled some of its shine?

At the Pure London fashion retail show - and with London Fashion Week on the horizon - brand owners and designers give their views on doing business in Brexit Britain.

STORY-LINE:

On the catwalk at Pure London it's business as usual.

The models strut their stuff to the music and packed crowds squeeze in for a glimpse of the latest trends.

But behind the flash and the glamour - is London still an attractive venue for fashion brands?

With Britain voting to leave the EU, and uncertainty hanging over all sectors of industry, the UK's fashion talent is preparing to weather the storm.

Maggie Song studied fashion in Beijing but came to the UK 13 years ago to make her name in the industry she loves.

In this time she has founded three labels, her most successful brand is Jolie Moi which can be found in some of the UK's largest department stores (John Lewis, Debenhams, House of Fraser).

She considers her business to be small to medium sized. Her clothes are designed in the UK but the materials and production happen in China.

When the result of the Brexit vote was announced she was on a business trip in Beijing and recalls her horror at hearing the news.

"I was shocked (when she heard the Brexit result). I couldn't think anything and also I couldn't speak, so, I was watching the exchange rate on the Internet, I can see the drop, the pound, this dramatic drop to the dollar and immediately I realised how tough it will be for small business," she says.

Song is expecting a tough 2017 as the low value of the pound starts to bite. She expects she will have to lower her margins to absorb the impact of Brexit.

But not everybody is suffering from the falling pound, according to Pure London's show director Julie Driscoll.

"So the exchange rate means for international brands it's really easy for them to enter the UK market, so more than ever before we're seeing international companies, international fashion collections wanting to come to the UK to explore opportunities and indeed this means this is our largest Pure London ever," she says.

One of the foreign fashion brands visiting Pure London for the first time is French jewellery maker Pas Si Sages Bijoux (Not So Wise) from Lyon.

Their funky, Bohemian-inspired jewellery is low/to mid priced and is all designed and produced in France. They are now looking to expand into the British market.

Chloe Chenu, the director of Pas Si Sages Bijoux, demonstrates the latest product - a back necklace.

She believes Brexit has not changed anything in the fashion world and thinks the UK is still a great place to do business... perhaps thanks to the eccentric English style.

"London is always the place for fashion, the most important in the world, even after Brexit, that doesn't change anything. We always come to sell products, English people are always eccentric and they want French products," she says.

It's the same story for Turkish designer Ece Kavran, whose range called Urun features minimalist, classic pieces.

She says London is still top of her list for places to do business because of its pace and willingness to try new brands. She says in France and Italy the market is much slower and more traditional.

"But England is an expandable market, it's forever open to the new idea, to the new brand, and I think that's what makes it, England, very compelling for us," she says.

But fashion is more than just sales and spreadsheets, it's about creating brands - and there is no bigger brand than a country itself. So has brand Britain been tarnished by its decision to leave the EU?

Personal stylist Justyna Szal is at the show to soak up inspiration for new season looks.

She is originally from near Krakow in Poland, but works in London - dressing and making her clients look as on trend as possible.

Szal likes the idea of Brexit and does not feel it has had any negative impact on London as a fashion hub. In fact, she's quite enjoying all the attention, with the eyes of the world turning to Britain.

"No, I haven't found it less interesting. I actually found it more interesting because of the whole situation people are starting to be more interested in the UK and I think actually it's a pleasant advantage and the fashion business hasn't been more in bloom than it is nowadays," she says.

According to an industry report, compiled by Inside Retail, fashion is worth 50 billion UK pounds (approx. 62 billion US dollars) per annum in the UK - the second most important retail sector only behind food.

The British Retail Consortium estimates that in October 2015, online accounted for 26.3 per cent of total clothing sales - even higher for footwear.

The UK is already the world leader in online fashion sales, leading France, Germany, Japan and the USA.

Keely Stocker is the editor of Drapers, a long-running fashion industry magazine.

In a typically British way, she thinks this is a time to keep calm and carry on.

"I think it's definitely a challenging time, mainly because of the uncertainty more than anything else," she says. "But I think those people that are doing well are the ones that are really focusing on their customer, focusing on their product and just getting on with it until we know exactly what that (Brexit) is going to mean."

One of those at the show who is hoping to do just that is Bilguun Brower, owner of Mongolian Kingdom.

He is buying high-end Mongolian woollen products and selling them in the UK. The fall in value of the pound is an issue he will have to contend with in the coming years, but Brower believes there is a strong market for his products in the UK because of its damp, cold climate.

Exhibiting for the first time, he is introducing his new line of yak's wool scarves.

Brower, and the other small British business owners at Pure, will all be hoping the UK can secure strong trade deals as quickly as possible.

Pure London is one of the leading fashion retail shows in the Europe, with over 11,000 buyers visiting the show between February 12-14.

London, UK - 12 February 2017

1. Mid of woman on catwalk in furry coat and sunglasses

2. Various of woman in camel coat with long scarf on catwalk

3. Cutaway of woman taking photo of catwalk

4. Mid of woman in grey dress with metal bead shoulder attachments

5. Various set up shots of Maggie Song, owner of labels, Jolie Moi and Emily & Me, taking red dress from peg

6. SOUNDBITE: (English) Maggie Song, British fashion labels owner (Jolie Moi and Emily & Me):

"I was shocked (when she heard the Brexit result). I couldn't think anything and also I couldn't speak, so, I was watching the exchange rate on the internet, I can see the drop, the pound, this dramatic drop to the dollar and immediately I realised how tough it will be for small business."

7. Mid of show visitors walking

8. Mid of woman hanging jacket

9. Various of man looking at shoes

10. Various set up shots of Pure London show director, Julie Driscoll looking at scarf

11. SOUNDBITE: (English) Julie Driscoll, Pure London show director:

"So the exchange rate means for international brands it's really easy for them to enter the UK market, so more than ever before we're seeing international companies, international fashion collections wanting to come to the UK to explore opportunities and indeed that means this is our largest Pure London ever."

12. Pan right of Pas Si Sages Bijoux jewellery from Lyon, France

13. Pull focus of bracelets

14. Tilt up from bracelets to earrings

15. Tilt up of back necklace

16. Mid of Chloe Chenu demonstrating how the back necklace is worn

17. Close details of necklace

18. SOUNDBITE: (French) Chloe Chenu, director, Pas Si Sages Bijoux:

"London is always the place for fashion, the most important in the world, even after Brexit, that doesn't change anything. We always come to sell products, English people are always eccentric and they want French products."

19. Close tilt up of two-tone leather skirt by Urun (from Turkey)

20. Close pan left of designer Ece Kavran showing colleague her new skirt design

21. Mid of same

22. Close of Kavran

23. SOUNDBITE: (English) Ece Kavran, designer, Urun:

"But England is an expandable market, it's forever open to the new idea, to the new brand, and I think that's what makes it, England, very compelling for us."

24. Wide of woman in gothic clothing on catwalk

25. Close of woman photographing the show

26. Wide pull focus of crowd on smartphones watching the show

27. Tilt up of model during gothic show

28. Various set up shots of personal stylist Justyna Szal

29. SOUNDBITE: (English) Justyna Szal, personal stylist:

"No, I haven't found it less interesting. I actually found it more interesting because of the whole situation people actually are starting to be more interested in the UK and I think actually it's a pleasant advantage and the fashion business hasn't been more in bloom than it is nowadays."

30. Various set up shots of fashion editor Keely Stocker looking at show

31. SOUNDBITE: (English) Keely Stocker, editor of Drapers magazine:

"I think it's definitely a challenging time, mainly because of the uncertainty more than anything else but I think those people that are doing well are the ones that are really focusing on their customer, focusing on their product and just getting on with it until we know exactly what that (Brexit) is going to mean."

32. Close pull from Mongolian/UK flag to Bilguun Brower, owner of Mongolian Kingdom

33. Close tilt down to yak

34. Various of Brower looking at Mongolian yak scarf

35. Various of fashion show with models in red dresses

FOR CLEAN VERSION SEE STORY NUMBER: 4038463

LEAD IN:

UK wine industry experts are eyeing the upcoming vote on whether to leave the European Union with mixed feelings.

With producers and suppliers heavily reliant on pan-European trade, many remain unsure how Brexit will impact upon business.

STORY-LINE:

Sparkling wine on a summer's day in the English capital.

Glistening flutes and bottles in abundance, and a crowd of happy lunchtime drinkers add to the atmosphere of excitement and discovery, along with an impromptu game of ping pong.

It must be London Wine Week.

This is the third year of the festival, and this year is the most popular to date.

Festival director Emma Murphy says "It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved" .

But although these flutes of fizz are English sparkling wine, much of the wine the festival goers here are tasting is from EU member states such as France, Spain, Portugal, Italy and Germany.

The June 23 referendum on whether to quit the European Union is fast approaching. So is this something the industry should fear?

"I wouldn't have said so," says Murphy.

"Wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

At the festival hub on London's Devonshire Square, there are pop-up bars featuring wines from across Europe.

These two young graduate trainees are enjoying wines from Portugal, and with their festival wristband, it costs them just five British Pounds for a flight of three.

Oscar Stenbom and Anna Rogers both agree that things may well be different if Britain leaves the union.

"If it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be," says Anna, while Oscar is concerned about regulation and labelling:

"It would also be more difficult to know what you are drinking because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

The New Street wine shop has been taken over by the wine festival. They sell wines from all over the world but today they are holding a tasting featuring wines from Ribera del Duero in northern Spain.

Most wine drinkers know about the region of Rioja, but Bettina Lemm is informing these festival goers about the region she represents.

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero but I think that we're still establishing ourselves."

But if the UK is an important export market, is Brexit going to throw the proverbial spanner into the works? Lemm doesn't seem too worried "I think at the moment we're pretty confident as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment," she says.

Wine used to have a rather old fashioned reputation and a comparatively elderly demographic, but this has changed enormously in recent years.

The prevalence of wine clubs popping up in the UK is an indicator of wine's increasing popularity.

Tom Harrow of Honest Grapes explains why this is "I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people," he says.

With 125 venues across the metropolis taking part in this festival, there's plenty of opportunity to enjoy it with friends.

But with such enthusiasm for wine spreading across the country, June 23 could bring disruption, according to Harrow "It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up" .

However, the future might be bright in other, unexpected ways.

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least," says Harrow, and with apologies to climate change icon Al Gore, he adds that "global warming is a good thing for the UK sparkling wine trade."

Reports by the WSTA (Wine and Spirit Trade Association) suggest there is still some way to go as the UK comes in at number six on the list of sales of sparkling wine by origin - but it's rising year on year.

600 million bottles of wine are bottled in the UK.

This makes the UK wine market the sixth largest in the world, generating 173 billion British pounds of economic activity, according to the WSTA. 10 billion British pounds are made through sales.

Also being showcased here is one of the new kids on the alcohol block, Regal Rogue Vermouth.

According to brand founder Mark Ward, vermouth, by definition, is 75 percent wine. It must have wormwood and it must have an ABV (alcohol by volume) of 15 to 24 percent. These three things have to be in place for a producer to put vermouth on the bottle or it flouts recent EU regulations.

Ward, who was brought up in hospitality, began the project in Australia where he worked closely with top Australian chefs who introduced him to indigenous herbs and spices.

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort." he says.

Ward is attempting to educate the wine drinking market which, he believes, is mostly unaware of the fact that vermouth is fundamentally a wine.

This can only be helped by a new pop up for 2016, the Vermouth Bar.

The parent company of London Wine Week is the aptly named "Drink Up London", and they're already preparing for the 2017 event - Brexit or no Brexit.

FOR CLEAN VERSION SEE STORY NUMBER: 4038463

LEAD IN:

UK wine industry experts are eyeing the upcoming vote on whether to leave the European Union with mixed feelings.

With producers and suppliers heavily reliant on pan-European trade, many remain unsure how Brexit will impact upon business.

STORY-LINE:

Sparkling wine on a summer's day in the English capital.

Glistening flutes and bottles in abundance, and a crowd of happy lunchtime drinkers add to the atmosphere of excitement and discovery, along with an impromptu game of ping pong.

It must be London Wine Week.

This is the third year of the festival, and this year is the most popular to date.

Festival director Emma Murphy says "It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved" .

But although these flutes of fizz are English sparkling wine, much of the wine the festival goers here are tasting is from EU member states such as France, Spain, Portugal, Italy and Germany.

The June 23 referendum on whether to quit the European Union is fast approaching. So is this something the industry should fear?

"I wouldn't have said so," says Murphy.

"Wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

At the festival hub on London's Devonshire Square, there are pop-up bars featuring wines from across Europe.

These two young graduate trainees are enjoying wines from Portugal, and with their festival wristband, it costs them just five British Pounds for a flight of three.

Oscar Stenbom and Anna Rogers both agree that things may well be different if Britain leaves the union.

"If it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be," says Anna, while Oscar is concerned about regulation and labelling:

"It would also be more difficult to know what you are drinking because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

The New Street wine shop has been taken over by the wine festival. They sell wines from all over the world but today they are holding a tasting featuring wines from Ribera del Duero in northern Spain.

Most wine drinkers know about the region of Rioja, but Bettina Lemm is informing these festival goers about the region she represents.

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero but I think that we're still establishing ourselves."

But if the UK is an important export market, is Brexit going to throw the proverbial spanner into the works? Lemm doesn't seem too worried "I think at the moment we're pretty confident as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment," she says.

Wine used to have a rather old fashioned reputation and a comparatively elderly demographic, but this has changed enormously in recent years.

The prevalence of wine clubs popping up in the UK is an indicator of wine's increasing popularity.

Tom Harrow of Honest Grapes explains why this is "I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people," he says.

With 125 venues across the metropolis taking part in this festival, there's plenty of opportunity to enjoy it with friends.

But with such enthusiasm for wine spreading across the country, June 23 could bring disruption, according to Harrow "It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up" .

However, the future might be bright in other, unexpected ways.

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least," says Harrow, and with apologies to climate change icon Al Gore, he adds that "global warming is a good thing for the UK sparkling wine trade."

Reports by the WSTA (Wine and Spirit Trade Association) suggest there is still some way to go as the UK comes in at number six on the list of sales of sparkling wine by origin - but it's rising year on year.

600 million bottles of wine are bottled in the UK.

This makes the UK wine market the sixth largest in the world, generating 173 billion British pounds of economic activity, according to the WSTA. 10 billion British pounds are made through sales.

Also being showcased here is one of the new kids on the alcohol block, Regal Rogue Vermouth.

According to brand founder Mark Ward, vermouth, by definition, is 75 percent wine. It must have wormwood and it must have an ABV (alcohol by volume) of 15 to 24 percent. These three things have to be in place for a producer to put vermouth on the bottle or it flouts recent EU regulations.

Ward, who was brought up in hospitality, began the project in Australia where he worked closely with top Australian chefs who introduced him to indigenous herbs and spices.

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort." he says.

Ward is attempting to educate the wine drinking market which, he believes, is mostly unaware of the fact that vermouth is fundamentally a wine.

This can only be helped by a new pop up for 2016, the Vermouth Bar.

The parent company of London Wine Week is the aptly named "Drink Up London", and they're already preparing for the 2017 event - Brexit or no Brexit.

AP Television

London - 27 May 2016

1. Close of wine glasses

2. Bartender pouring sparkling wine

3. Tilt down on central courtyard at Devonshire Square, the hub for London Wine Week

4. Group of friends enjoying English sparkling wine

5. Men playing table tennis

6. Sign reading (English) "London Wine Week"

7. Set up shot of Emma Murphy, director of London Wine Week

8. SOUNDBITE (English) Emma Murphy, director of London Wine Week

"What's unique about it? It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved whether that's with offers, special menus or ticketed events across the week."

9. Two women with wine flight selection

10. SOUNDBITE (English) Emma Murphy, director of London Wine Week

(Responding to the question Do you think a Brexit will affect the wine industry negatively?)

"I wouldn't have said so, because I mean, I think, you know, wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

11. Sign reading (English) "Pop into our pop up wine bars"

12. Various of Portuguese wine pop up

13. Mid of graduate trainees in insurance Oscar Stenpom and Anna Rogers

14. Flight of Portuguese wines

15. SOUNDBITE (English) Oscar Stenbom and Anna Rogers, Insurance Graduate Trainees:

(Responding to question Do you think a Brexit will mean it will be more difficult for people to access quality wine?)

Stenbom: "Yes,"

Rogers: "I guess so, I mean if it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be."

Stenbom: "It would also be more difficult to know what you're drinking, because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

16. Pull focus of Spanish wine labels

17. Vintage bottles of fortified wine

18. Side view of Spanish wine bottles

19. Set up shot of Bettina Lemm with wines from Ribera del Duero in northern Spain

20. SOUNDBITE (English) Bettina Lemm, Westbury Communications (which represents the Ribera del Duero region in the UK):

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero, but I think that we're still establishing ourselves. A lot of people know some big names from the region, and we're just trying to bring attention to some other grape producers who might not yet have the same recognition."

21. Close of wine labels

22. SOUNDBITE (English) Bettina Lemm, Westbury Communications (who represent the Ribera del Duero region in the UK):

(Responding to the question are you worried about the possibility of a Brexit affecting your export market?)

"I think at the moment we're pretty confident, as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment."

23. Pan from mediaeval knight sculpture to pop up courtyard

24. Mid of Provence wines pop up

25. Establisher shot of Tom Harrow, wine director of Honest Grapes Wine Club

26. Close of Harrow eyeing the wine

27. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"There's been a real rise in wine clubs in London and the UK generally of late, and I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people."

28. Mid of woman laughing over a glass of wine

29. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and then bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up."

30. Woman at table with wine

31. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least - and even the whites, and to an extent the reds are really coming up. So I have to say it - sorry Al Gore - global warming is a good thing for the UK sparkling wine trade."

32. Various of English rose and white sparkling wines

33. Vermouth being poured into a glass

34. Various of "Regal Rogue" Vermouth bottle

35. Tilt up of Mark Ward, founder of Regal Rogue vermouth, and his produce

36. SOUNDBITE (English) Mark Ward, founder of Regal Rogue vermouth:

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort."

37. Crowd of London Wine Week attendees at the Vermouth Bar

38. Mid of vermouth cocktails being made

39. Focus pull of sign reading (English) "Drink Up"

LENGTH: 6:02

LEAD IN:

UK wine industry experts are eyeing the upcoming vote on whether to leave the European Union with mixed feelings.

With producers and suppliers heavily reliant on pan-European trade, many remain unsure how Brexit will impact upon business.

STORY-LINE:

Sparkling wine on a summer's day in the English capital.

Glistening flutes and bottles in abundance, and a crowd of happy lunchtime drinkers add to the atmosphere of excitement and discovery, along with an impromptu game of ping pong.

It must be London Wine Week.

This is the third year of the festival, and this year is the most popular to date.

Festival director Emma Murphy says "It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved" .

But although these flutes of fizz are English sparkling wine, much of the wine the festival goers here are tasting is from EU member states such as France, Spain, Portugal, Italy and Germany.

The June 23 referendum on whether to quit the European Union is fast approaching. So is this something the industry should fear?

"I wouldn't have said so," says Murphy.

"Wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

At the festival hub on London's Devonshire Square, there are pop-up bars featuring wines from across Europe.

These two young graduate trainees are enjoying wines from Portugal, and with their festival wristband, it costs them just five British Pounds for a flight of three.

Oscar Stenbom and Anna Rogers both agree that things may well be different if Britain leaves the union.

"If it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be," says Anna, while Oscar is concerned about regulation and labelling:

"It would also be more difficult to know what you are drinking because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

The New Street wine shop has been taken over by the wine festival. They sell wines from all over the world but today they are holding a tasting featuring wines from Ribera del Duero in northern Spain.

Most wine drinkers know about the region of Rioja, but Bettina Lemm is informing these festival goers about the region she represents.

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero but I think that we're still establishing ourselves."

But if the UK is an important export market, is Brexit going to throw the proverbial spanner into the works? Lemm doesn't seem too worried "I think at the moment we're pretty confident as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment," she says.

Wine used to have a rather old fashioned reputation and a comparatively elderly demographic, but this has changed enormously in recent years.

The prevalence of wine clubs popping up in the UK is an indicator of wine's increasing popularity.

Tom Harrow of Honest Grapes explains why this is "I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people," he says.

With 125 venues across the metropolis taking part in this festival, there's plenty of opportunity to enjoy it with friends.

But with such enthusiasm for wine spreading across the country, June 23 could bring disruption, according to Harrow "It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up" .

However, the future might be bright in other, unexpected ways.

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least," says Harrow, and with apologies to climate change icon Al Gore, he adds that "global warming is a good thing for the UK sparkling wine trade."

Reports by the WSTA (Wine and Spirit Trade Association) suggest there is still some way to go as the UK comes in at number six on the list of sales of sparkling wine by origin - but it's rising year on year.

600 million bottles of wine are bottled in the UK.

This makes the UK wine market the sixth largest in the world, generating 173 billion British pounds of economic activity, according to the WSTA. 10 billion British pounds are made through sales.

Also being showcased here is one of the new kids on the alcohol block, Regal Rogue Vermouth.

According to brand founder Mark Ward, vermouth, by definition, is 75 percent wine. It must have wormwood and it must have an ABV (alcohol by volume) of 15 to 24 percent. These three things have to be in place for a producer to put vermouth on the bottle or it flouts recent EU regulations.

Ward, who was brought up in hospitality, began the project in Australia where he worked closely with top Australian chefs who introduced him to indigenous herbs and spices.

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort." he says.

Ward is attempting to educate the wine drinking market which, he believes, is mostly unaware of the fact that vermouth is fundamentally a wine.

This can only be helped by a new pop up for 2016, the Vermouth Bar.

The parent company of London Wine Week is the aptly named "Drink Up London", and they're already preparing for the 2017 event - Brexit or no Brexit.

LEAD IN:

UK wine industry experts are eyeing the upcoming vote on whether to leave the European Union with mixed feelings.

With producers and suppliers heavily reliant on pan-European trade, many remain unsure how Brexit will impact upon business.

STORY-LINE:

Sparkling wine on a summer's day in the English capital.

Glistening flutes and bottles in abundance, and a crowd of happy lunchtime drinkers add to the atmosphere of excitement and discovery, along with an impromptu game of ping pong.

It must be London Wine Week.

This is the third year of the festival, and this year is the most popular to date.

Festival director Emma Murphy says "It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved" .

But although these flutes of fizz are English sparkling wine, much of the wine the festival goers here are tasting is from EU member states such as France, Spain, Portugal, Italy and Germany.

The June 23 referendum on whether to quit the European Union is fast approaching. So is this something the industry should fear?

"I wouldn't have said so," says Murphy.

"Wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

At the festival hub on London's Devonshire Square, there are pop-up bars featuring wines from across Europe.

These two young graduate trainees are enjoying wines from Portugal, and with their festival wristband, it costs them just five British Pounds for a flight of three.

Oscar Stenbom and Anna Rogers both agree that things may well be different if Britain leaves the union.

"If it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be," says Anna, while Oscar is concerned about regulation and labelling:

"It would also be more difficult to know what you are drinking because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

The New Street wine shop has been taken over by the wine festival. They sell wines from all over the world but today they are holding a tasting featuring wines from Ribera del Duero in northern Spain.

Most wine drinkers know about the region of Rioja, but Bettina Lemm is informing these festival goers about the region she represents.

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero but I think that we're still establishing ourselves."

But if the UK is an important export market, is Brexit going to throw the proverbial spanner into the works? Lemm doesn't seem too worried "I think at the moment we're pretty confident as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment," she says.

Wine used to have a rather old fashioned reputation and a comparatively elderly demographic, but this has changed enormously in recent years.

The prevalence of wine clubs popping up in the UK is an indicator of wine's increasing popularity.

Tom Harrow of Honest Grapes explains why this is "I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people," he says.

With 125 venues across the metropolis taking part in this festival, there's plenty of opportunity to enjoy it with friends.

But with such enthusiasm for wine spreading across the country, June 23 could bring disruption, according to Harrow "It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up" .

However, the future might be bright in other, unexpected ways.

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least," says Harrow, and with apologies to climate change icon Al Gore, he adds that "global warming is a good thing for the UK sparkling wine trade."

Reports by the WSTA (Wine and Spirit Trade Association) suggest there is still some way to go as the UK comes in at number six on the list of sales of sparkling wine by origin - but it's rising year on year.

600 million bottles of wine are bottled in the UK.

This makes the UK wine market the sixth largest in the world, generating 173 billion British pounds of economic activity, according to the WSTA. 10 billion British pounds are made through sales.

Also being showcased here is one of the new kids on the alcohol block, Regal Rogue Vermouth.

According to brand founder Mark Ward, vermouth, by definition, is 75 percent wine. It must have wormwood and it must have an ABV (alcohol by volume) of 15 to 24 percent. These three things have to be in place for a producer to put vermouth on the bottle or it flouts recent EU regulations.

Ward, who was brought up in hospitality, began the project in Australia where he worked closely with top Australian chefs who introduced him to indigenous herbs and spices.

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort." he says.

Ward is attempting to educate the wine drinking market which, he believes, is mostly unaware of the fact that vermouth is fundamentally a wine.

This can only be helped by a new pop up for 2016, the Vermouth Bar.

The parent company of London Wine Week is the aptly named "Drink Up London", and they're already preparing for the 2017 event - Brexit or no Brexit.

AP Television

London - 27 May 2016

1. Close of wine glasses

2. Bartender pouring sparkling wine

3. Tilt down on central courtyard at Devonshire Square, the hub for London Wine Week

4. Group of friends enjoying English sparkling wine

5. Men playing table tennis

6. Sign reading (English) "London Wine Week"

7. Set up shot of Emma Murphy, director of London Wine Week

8. SOUNDBITE (English) Emma Murphy, director of London Wine Week

"What's unique about it? It's the largest self-guided wine tasting that there is across London. It's kind of the only event of its kind that we have over here. So we work with 125 bars, restaurants, independent merchants who all get involved whether that's with offers, special menus or ticketed events across the week."

9. Two women with wine flight selection

10. SOUNDBITE (English) Emma Murphy, director of London Wine Week

(Responding to the question Do you think a Brexit will affect the wine industry negatively?)

"I wouldn't have said so, because I mean, I think, you know, wine trade has been going for long enough, even long before the euro, so I wouldn't have thought that would make much difference to be honest with you. Hopefully not anyway."

11. Sign reading (English) "Pop into our pop up wine bars"

12. Various of Portuguese wine pop up

13. Mid of graduate trainees in insurance Oscar Stenpom and Anna Rogers

14. Flight of Portuguese wines

15. SOUNDBITE (English) Oscar Stenbom and Anna Rogers, Insurance Graduate Trainees:

(Responding to question Do you think a Brexit will mean it will be more difficult for people to access quality wine?)

Stenbom: "Yes,"

Rogers: "I guess so, I mean if it's more expensive for them to send the wine here, if there's more tariffs, then yeah I guess it would be."

Stenbom: "It would also be more difficult to know what you're drinking, because there won't be as many restrictions on labelling the wine based on where it's actually from and the grape it's actually come from."

16. Pull focus of Spanish wine labels

17. Vintage bottles of fortified wine

18. Side view of Spanish wine bottles

19. Set up shot of Bettina Lemm with wines from Ribera del Duero in northern Spain

20. SOUNDBITE (English) Bettina Lemm, Westbury Communications (which represents the Ribera del Duero region in the UK):

"I think they (wines of Ribera del Duero) are still an emerging market, especially in the UK. The UK is an important market for Ribera del Duero, it's the seventh-largest export market for Ribera del Duero, but I think that we're still establishing ourselves. A lot of people know some big names from the region, and we're just trying to bring attention to some other grape producers who might not yet have the same recognition."

21. Close of wine labels

22. SOUNDBITE (English) Bettina Lemm, Westbury Communications (who represent the Ribera del Duero region in the UK):

(Responding to the question are you worried about the possibility of a Brexit affecting your export market?)

"I think at the moment we're pretty confident, as we've seen year to year that exports have grown. I think that's going to continue and I don't think it's a worry that we have at the moment."

23. Pan from mediaeval knight sculpture to pop up courtyard

24. Mid of Provence wines pop up

25. Establisher shot of Tom Harrow, wine director of Honest Grapes Wine Club

26. Close of Harrow eyeing the wine

27. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"There's been a real rise in wine clubs in London and the UK generally of late, and I think this is because people want to engage more with what's in the bottle. It's not just liquid, they want to know the stories behind it, they want to meet the people involved. And there's the sociable aspect, you know wine is fundamentally something which we do with other people."

28. Mid of woman laughing over a glass of wine

29. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"It's fair to say that we're a bit concerned about the possibilities of Brexit, I think the rising price of the euro against the pound will have a serious effect on quality wine. At the moment more than 60 percent of wine that comes into the UK is shipped in massive great tankers and then bottled over here and that's not something we get involved with. But that becomes the only affordable way if the pound plummets against the euro. So I think that it won't be a good thing initially for the wine consumer because the prices of these small artisan wines will go up."

30. Woman at table with wine

31. SOUNDBITE (English) Tom Harrow, wine director of Honest Grapes:

"All the English wine makers that I speak to say we are half a degree away from being a perfect climate for sparkling wines at least - and even the whites, and to an extent the reds are really coming up. So I have to say it - sorry Al Gore - global warming is a good thing for the UK sparkling wine trade."

32. Various of English rose and white sparkling wines

33. Vermouth being poured into a glass

34. Various of "Regal Rogue" Vermouth bottle

35. Tilt up of Mark Ward, founder of Regal Rogue vermouth, and his produce

36. SOUNDBITE (English) Mark Ward, founder of Regal Rogue vermouth:

"It seemed like a really obvious thing to do, marrying the herbs and spices with this abundance of Australian wine to create a New World style of vermouth. And you know the tradition of vermouth is really led by the European markets. You know, Italian, French, now Spanish - but now there are vermouths coming out of America, the UK, Germany and obviously Australia. So pretty much anywhere where you find wine now, you will find a vermouth of some sort."

37. Crowd of London Wine Week attendees at the Vermouth Bar

38. Mid of vermouth cocktails being made

39. Focus pull of sign reading (English) "Drink Up"

LENGTH: 6:02

FOR CLEAN VERSION SEE STORY NUMBER: 4063805

LEAD IN:

The art and antique market in post-Brexit Britain is booming, according to London dealers.

A weak pound against the dollar and Euro is seeing American collectors in particular start to snap up bargains.

STORY-LINE:

The art and antiques market in the UK isn't just on target, it's positively booming post Brexit.

Dealers here at the Winter Art and Antiques Fair in Olympia say it's a great time to buy because of the weak pound.

American buyers in particular are attracted to London with the newfound strength of the dollar. Looking to bag a bargain they could save around 25-30 per cent compared to six months earlier.

Craig Carrington is an antique dealer with four decades of experience.

He sells many neo-classical antiques on his stand, but his showcase piece is this bust of a Roman goddess, thought to be designed by Frederic Auguste Bartholdi, the same man who designed the Statue of Liberty.

He says: "As an antique dealer I think a weak pound is very good news because we sell to international clients and if the dollar is strong, the euro is strong then it's very good news for somebody like me, absolutely."

Art dealers are reporting a similar trend.

Tanya Baxter runs a gallery specialising in contemporary pieces. She says since the day of the referendum result, announcing Britain would leave the EU, she's been very busy.

She says many see the art market as a safe investment in uncertain times.

"And with the devaluation of the pound as well as the fact that Brexit has kind of made a cautious and volatile financial market it (art and antiques) is a very, very safe place."

According to Baxter the single largest group of buyers is coming from the USA:

"Well they're so excited particularly American collectors who we are getting calls from saying 'So what have you? Because I want to spend x amount and will fly over to do so.'"

One of the American investors who has come to London to buy is David Ryder.

The retired lawyer, originally from Chicago, had just bought this painting by British artist Amy Pugh. He says it's such a good time to buy, with the strength of the dollar against the pound, that he will return next month to buy more art.

Ryder says: "England is where we have bought probably 90 per cent of the artwork that we have, and we have a lot in numerous houses. We find this is a good country for selection of different artists, both contemporary and old artists, particularly from the auction houses and this is a particularly good time so we're here now and we'll come back in December again to look at more art."

Art and antique dealers haven't just benefited from the dip in the value of the pound. Immediately after the result of Brexit was announced British buyers quickly began to buy art and antiques fearing the collapse in the value of the pound.

Art dealer Julian Hartnoll is calling this a 'double-boom' for the industry.

Hartnoll says: "There's this nice new phrase, the double-boom. It was the English buying immediately after Brexit because they wanted to get out of pounds and get into objects because they were fearing the pound would become valueless. And then the Americans, as the pound subsided, have overcome their fear of terrorism in England and have started to buy again, so for instance last night my only clients were Americans."

Antique jewellery dealers are also benefiting.

Iranian jeweller Morteza Mojarad runs the Persis jewellers off Bond Street in London.

He says: "I've seen a big improvement, to be honest, since Brexit and that's I think because of the exchange rate, dollar to pound and especially Euro to pounds."

But if the situation is good for British based dealers, spare a thought for European antique dealers trying to sell in Britain.

David Lafleur is an antique dealer based in Paris with his shop Gallerie Buter.

The strength of the Euro might be good for some of his compatriots, but when Lafleur sells in the UK he is finding the competition difficult.

However, despite these difficulties he says he will continue to exhibit his Oriental antiques in London because international buyers have been scared away from Paris.

"Because of the economic crisis, you know, the people were afraid because of the terrorists, because of the tax. A lot of things saw the people leave France. So for us, it's better to come here in London because the people are here, the people from other countries are here."

The Winter Art and Antiques Fair in Olympia returns for its 26th year.

Around 100 exhibitors are displaying art and antiques, most are displaying collectibles at the high-end of the market.

It is the only fair in the UK to work with the top two trade associations and there is a strict vetting process for all pieces on sale at the show. Each item must be checked by a team of experts before the fair opens.

The Winter Art and Antiques Fair Olympia runs 31 October - 6 November.

London, UK - 1 November 2016

1. Pull focus of bronze Japanese archer

2. Various of Meiji period Japanese bronze crow with glass eyes

3. Mid of men admiring antique chandelier

4. Various of Dutch walnut armoire from circa 1750 with carved figures (price £35,000/ USD 42,930)

5. Wide of woman reading catalogue

6. Low angle pan right of neo-classical copper bust of Roman goddess by Frederic Auguste Bartholdi (price £16,500/ USD 20,235)

7. Various of Craig Carrington looking at bust

8. SOUNDBITE: (English) Craig Carrington, antique dealer

"As an antique dealer I think a weak pound is very good news because we sell to international clients and if the dollar is strong, the euro is strong then it's very good news for somebody like me, absolutely."

9. Art dealer Tanya Baxter showing painting to visitor

10. Close tilt down of painting 'Paper Bride in Waiting' by Zeng Chuanxing (price £120,000/ USD 147,000)

11. SOUNDBITE: (English) Tanya Baxter, art dealer and gallery owner

"With the devaluation of the pound as well as the fact that Brexit has kind of made a cautious and volatile financial market (art and antiques) it's a very, very safe place."

12. Various cutaways of Tanya Baxter showing 'Paper Bride in Waiting'

13. SOUNDBITE: (English) Tanya Baxter, art dealer and gallery owner

"Well they're so excited particularly American collectors who we are getting calls from saying 'So what have you? Because I want to spend x amount and will fly over to do so.'"

14. Various of art collector David Ryder looking at painting

15. SOUNDBITE: (English) David Ryder, retired lawyer and American art collector

"England is where we have bought probably 90 per cent of the artwork that we have, and we have a lot in numerous houses. We find this is a good country for selection of different artists, both contemporary and old artists, particularly from the auction houses and this is a particularly good time so we're here now and we'll come back in December again to look at more art."

16. Mid of portrait of Angelina Jolie by artist Bambi (price £14,000/ USD 17,000)

17. Tilt up of portrait of Amy Winehouse by artist Bambi (price £16,000/ USD 19,600)

18. Set up shot of art dealer Julian Hartnoll

19. SOUNDBITE: (English) Julian Hartnoll, art dealer and gallery owner

"There's this nice new phrase, the double-boom. It was the English buying immediately after Brexit because they wanted to get out of pounds and get into objects because they were fearing the pound would become valueless. And then the Americans, as the pound subsided, have overcome their fear of terrorism in England and have started to buy again, so for instance last night my only clients were Americans."

20. Various of jewellery seller Morteza Mojarad inspecting antique diamond ring

21. SOUNDBITE: (English) Morteza Mojarad, director of Persis antique jewellery

"I've seen a big improvement, to be honest, since Brexit and that's I think because of the exchange rate, dollar to pound and especially Euro to pounds."

22. Wide pan left of gallery showcasing large marble/ stone artworks

23. Close of 1930s Chinese coral sculpture

24. Various set up shots of David Lafleur, antique dealer based in Paris

25. SOUNDBITE: (English) David Lafleur, antique dealer based in Paris

"Because of the economic crisis, you know, the people were afraid because of the terrorists, because of the tax. A lot of things saw the people leave France. So for us, it's better to come here in London because the people are here, the people from other countries are here."

26. Tilt up of Italian silver and bronze library lamp in style of Pharaoh by Piel Paolo Spaina, circa 1810 (price £8,500/ USD 10,425)

27. Close of marble lioness circa 1780 (price £14,500 USD 17,700)

28. Wide of antique clock stand

29. Wide of grandfather clocks, tilt down

30. Close of Henry Jenkins mahogany table clock circa 1780 (price £75,000/ USD 92,000)

31. Various of woman opening clock and chiming its bells

32. Wide pan left of show floor

LEAD IN:

The art and antique market in post-Brexit Britain is booming, according to London dealers.

A weak pound against the dollar and Euro is seeing American collectors in particular start to snap up bargains.

STORY-LINE:

The art and antiques market in the UK isn't just on target, it's positively booming post Brexit.

Dealers here at the Winter Art and Antiques Fair in Olympia say it's a great time to buy because of the weak pound.

American buyers in particular are attracted to London with the newfound strength of the dollar. Looking to bag a bargain they could save around 25-30 per cent compared to six months earlier.

Craig Carrington is an antique dealer with four decades of experience.

He sells many neo-classical antiques on his stand, but his showcase piece is this bust of a Roman goddess, thought to be designed by Frederic Auguste Bartholdi, the same man who designed the Statue of Liberty.

He says: "As an antique dealer I think a weak pound is very good news because we sell to international clients and if the dollar is strong, the euro is strong then it's very good news for somebody like me, absolutely."

Art dealers are reporting a similar trend.

Tanya Baxter runs a gallery specialising in contemporary pieces. She says since the day of the referendum result, announcing Britain would leave the EU, she's been very busy.

She says many see the art market as a safe investment in uncertain times.

"And with the devaluation of the pound as well as the fact that Brexit has kind of made a cautious and volatile financial market it (art and antiques) is a very, very safe place."

According to Baxter the single largest group of buyers is coming from the USA:

"Well they're so excited particularly American collectors who we are getting calls from saying 'So what have you? Because I want to spend x amount and will fly over to do so.'"

One of the American investors who has come to London to buy is David Ryder.

The retired lawyer, originally from Chicago, had just bought this painting by British artist Amy Pugh. He says it's such a good time to buy, with the strength of the dollar against the pound, that he will return next month to buy more art.

Ryder says: "England is where we have bought probably 90 per cent of the artwork that we have, and we have a lot in numerous houses. We find this is a good country for selection of different artists, both contemporary and old artists, particularly from the auction houses and this is a particularly good time so we're here now and we'll come back in December again to look at more art."

Art and antique dealers haven't just benefited from the dip in the value of the pound. Immediately after the result of Brexit was announced British buyers quickly began to buy art and antiques fearing the collapse in the value of the pound.

Art dealer Julian Hartnoll is calling this a 'double-boom' for the industry.

Hartnoll says: "There's this nice new phrase, the double-boom. It was the English buying immediately after Brexit because they wanted to get out of pounds and get into objects because they were fearing the pound would become valueless. And then the Americans, as the pound subsided, have overcome their fear of terrorism in England and have started to buy again, so for instance last night my only clients were Americans."

Antique jewellery dealers are also benefiting.

Iranian jeweller Morteza Mojarad runs the Persis jewellers off Bond Street in London.

He says: "I've seen a big improvement, to be honest, since Brexit and that's I think because of the exchange rate, dollar to pound and especially Euro to pounds."

But if the situation is good for British based dealers, spare a thought for European antique dealers trying to sell in Britain.

David Lafleur is an antique dealer based in Paris with his shop Gallerie Buter.

The strength of the Euro might be good for some of his compatriots, but when Lafleur sells in the UK he is finding the competition difficult.

However, despite these difficulties he says he will continue to exhibit his Oriental antiques in London because international buyers have been scared away from Paris.

"Because of the economic crisis, you know, the people were afraid because of the terrorists, because of the tax. A lot of things saw the people leave France. So for us, it's better to come here in London because the people are here, the people from other countries are here."

The Winter Art and Antiques Fair in Olympia returns for its 26th year.

Around 100 exhibitors are displaying art and antiques, most are displaying collectibles at the high-end of the market.

It is the only fair in the UK to work with the top two trade associations and there is a strict vetting process for all pieces on sale at the show. Each item must be checked by a team of experts before the fair opens.

The Winter Art and Antiques Fair Olympia runs 31 October - 6 November.

London, UK - 1 November 2016

1. Pull focus of bronze Japanese archer

2. Various of Meiji period Japanese bronze crow with glass eyes

3. Mid of men admiring antique chandelier

4. Various of Dutch walnut armoire from circa 1750 with carved figures (price £35,000/ USD 42,930)

5. Wide of woman reading catalogue

6. Low angle pan right of neo-classical copper bust of Roman goddess by Frederic Auguste Bartholdi (price £16,500/ USD 20,235)

7. Various of Craig Carrington looking at bust

8. SOUNDBITE: (English) Craig Carrington, antique dealer

"As an antique dealer I think a weak pound is very good news because we sell to international clients and if the dollar is strong, the euro is strong then it's very good news for somebody like me, absolutely."

9. Art dealer Tanya Baxter showing painting to visitor

10. Close tilt down of painting 'Paper Bride in Waiting' by Zeng Chuanxing (price £120,000/ USD 147,000)

11. SOUNDBITE: (English) Tanya Baxter, art dealer and gallery owner

"With the devaluation of the pound as well as the fact that Brexit has kind of made a cautious and volatile financial market (art and antiques) it's a very, very safe place."

12. Various cutaways of Tanya Baxter showing 'Paper Bride in Waiting'

13. SOUNDBITE: (English) Tanya Baxter, art dealer and gallery owner

"Well they're so excited particularly American collectors who we are getting calls from saying 'So what have you? Because I want to spend x amount and will fly over to do so.'"

14. Various of art collector David Ryder looking at painting

15. SOUNDBITE: (English) David Ryder, retired lawyer and American art collector

"England is where we have bought probably 90 per cent of the artwork that we have, and we have a lot in numerous houses. We find this is a good country for selection of different artists, both contemporary and old artists, particularly from the auction houses and this is a particularly good time so we're here now and we'll come back in December again to look at more art."

16. Mid of portrait of Angelina Jolie by artist Bambi (price £14,000/ USD 17,000)

17. Tilt up of portrait of Amy Winehouse by artist Bambi (price £16,000/ USD 19,600)

18. Set up shot of art dealer Julian Hartnoll

19. SOUNDBITE: (English) Julian Hartnoll, art dealer and gallery owner

"There's this nice new phrase, the double-boom. It was the English buying immediately after Brexit because they wanted to get out of pounds and get into objects because they were fearing the pound would become valueless. And then the Americans, as the pound subsided, have overcome their fear of terrorism in England and have started to buy again, so for instance last night my only clients were Americans."

20. Various of jewellery seller Morteza Mojarad inspecting antique diamond ring

21. SOUNDBITE: (English) Morteza Mojarad, director of Persis antique jewellery

"I've seen a big improvement, to be honest, since Brexit and that's I think because of the exchange rate, dollar to pound and especially Euro to pounds."

22. Wide pan left of gallery showcasing large marble/ stone artworks

23. Close of 1930s Chinese coral sculpture

24. Various set up shots of David Lafleur, antique dealer based in Paris

25. SOUNDBITE: (English) David Lafleur, antique dealer based in Paris

"Because of the economic crisis, you know, the people were afraid because of the terrorists, because of the tax. A lot of things saw the people leave France. So for us, it's better to come here in London because the people are here, the people from other countries are here."

26. Tilt up of Italian silver and bronze library lamp in style of Pharaoh by Piel Paolo Spaina, circa 1810 (price £8,500/ USD 10,425)

27. Close of marble lioness circa 1780 (price £14,500 USD 17,700)

28. Wide of antique clock stand

29. Wide of grandfather clocks, tilt down

30. Close of Henry Jenkins mahogany table clock circa 1780 (price £75,000/ USD 92,000)

31. Various of woman opening clock and chiming its bells

32. Wide pan left of show floor

As British business owners try to come to terms with the vote to leave the European Union, there are fears of the implications a "Brexit" will have.

London perfume maker, Sarah McCartney, said her businesses future "is not smelling so sweet at the moment".

She said she relies on trade with Europe and not only has the cost of raw materials increased, so too will the amount of paper work.

International trade lawyer, Miriam Gonzalez, said trying to minimise businesses uncertainty should be the governments top priority.

She said businesses need to know what the framework for Britain's negotiations with the EU will be, so they can try and minimise uncertainty.

City of London Corporation Policy Chairman, Mark Boleat, said that those uncertainties mean that "some investment is certainly going to be deterred."

While Edwin Morgan from Institute of Directors said the unknowns mean two thirds of its members think a "Brexit" will be negative for their business and cutting investment, redundancies and relocating are all on the table.

London - 27 June 2016

1. Perfume maker Sarah McCartney working in her factory in west London

2. Close of essence being poured

3. Close of perfume essence being bottled

4. Cap being placed on vial

5. Perfume label reading (English) "Inevitable Crimes of Passion"

6. Label being stuck on vial

7. Finished vials

8. SOUNDBITE (English) Sarah McCartney, 4160 Tuesdays perfume maker:

"I make perfume and the future is not smelling so sweet at the moment. I deal with France and Germany, I buy raw materials from Europe, I sell to Europe. I just think it's going to get a heck of a lot more complicated, and it's already got more expensive."

9. Various of McCartney during interview

10. SOUNDBITE (English) Sarah McCartney, 4160 Tuesdays perfume maker:

"Our market is worldwide and I really, really need to trade with Europe. I buy raw materials from Europe and suddenly they're going to be, well at least, eight per cent more expensive and probably there's going to be ten times as much paperwork."

11. McCartney making perfume

12. Perfume bottles made by 4160 Tuesdays

13. Various of commuters in the City of London

14. Various of financial institutions

15. SOUNDBITE (English) Miriam Gonzalez, International Trade Lawyer:

"There are only a few companies that have really done the nitty-gritty homework to be ready for Brexit. Many of them, they were kind of hoping that it would not happen, so now is the time that they really need to start doing that work."

16. Cutaway of Gonzelez's hands

17. SOUNDBITE (English) Miriam Gonzalez, International Trade Lawyer:

"This country, the businesses in this country need to know what is the framework that the government is aspiring to negotiate, and therefore, whether that is the single market, remaining in the single market or not makes a crucial difference. Trying to minimise the legal uncertainty, I would have thought that is the top priority."

18. Various of painting by John Single Copley called "The Defeat of the Floating Batteries at Gibraltar"

19. SOUNDBITE (English) Mark Boleat, City of London Corporation Policy Chairman:

"I think the authorities have handled the market turmoil as well as they could have done. That was done carefully on Friday and no doubt is continuing today but that's a short term issue. It's some of these longer issues that need resolving. It remains to be seen what impact this will have on the growth of the British economy over the next few months, what impact on tax revenue, what impact on foreign direct investment."

20. Cutaway of painting

21. SOUNDBITE (English) Mark Boleat, City of London Corporation Policy Chairman:

"The fundamentals remain unchanged, Britain is still a very attractive place for business and for investment, but given those sort of uncertainties some investment certainly going to be deterred. Very much depends what the sector is, how important membership of the single market is. But we are going to see some uncertainty and that's going to have an affect on investment."

22. Boleat walking

23. Various aerials of London's business district, Canary Wharf

24. Various exteriors of Parliament

25. Edwin Morgan, Head of Media Relations, Institute of Directors

26. Cutaway of report

27. SOUNDBITE (English) Edwin Morgan, Head of Media Relations, Institute of Directors:

"We asked our members immediately after the referendum result came in, what they thought, how they thought it would affect their businesses. Two thirds said that it was negative for them against only about a quarter who thought it was positive. On the specific questions we asked, we asked about investment and hiring decisions and there was also some quite worrying figures. About 36 percent of our members think that they will have to cut investment as a result and about 5 percent of our members say they might have to make redundancies which is obviously quite worrying. There are also some other figures in there on whether or not they'll keep all their operations in the UK or whether they may be forced to move overseas. About 1 in 5 are considering, as we speak, moving some of their operations out of the UK, whether that's to the EU or to somewhere outside it. I mean ultimately we think that our members are very resilient, we think British business is tough and will get through it and will adapt, but certainly at the moment there is a lot of nervousness out there in the business community."

28. Cutaway of report

The Houses of Parliament - an iconic London site that attracts visitors from all over the world.

Tourism is now worth 22.1 billion pounds (32 billion US dollars) annually to the UK, according to Visit Britain, Britain's national tourism agency.

Visit Britain also said that last year there were 36.1 million tourist visits, with 67 percent from the European Union.

On 23 June, the UK will vote in a referendum whether to stay in or out of the EU and many in the tourist industry are concerned that a possible leave vote will jeopardise the European holiday market.

One of those is Kyle Haughton, managing director of City Cruises.

His cruise ships carry 6 million passengers a year - in the height of summer 60 percent are from abroad, the majority from the EU.

Of the 240 staff that he employs, 50 percent are from outside the UK, mostly from the EU.

"Any change or decline in passengers coming into the country is going to affect our business quite lot and there are reports that people in Germany, Italy and France are less likely to come to the UK if we leave the EU than if we stay."

His fears are backed up by UK Inbound, which represents 360 tourist businesses.

Deidre Wells, chief executive of UKinbound has called leaving the EU "economic suicide."

"Why would you remove yourself from a market that provides two thirds of our business for our members," she said.

Tourists had mixed views about a UK "brexit".

Marco Ghiribelli, an Italian tourist, said he thought the UK would be economically better outside.

"It's not economically convenient for the UK to stay in the EU. Brexit makes sense economically as the UK economy is stronger than most of the EU countries."

Others such as Babette Pascalev, a tourist from Germany, said: "I think it is hard now because the idea is to get Europe together not apart."

But others say a Brexit would not make any difference to the tourism business.

They say nothing will change.

Alexander Goransson, travel analyst at Euromonitor International believes the expected drop in sterling following a brexit vote would attract tourists due to an increased spending power.

"In the short term I would expect to see a depreciation of the pound which will have both a positive and negative impact on tourism. UK tourists would be less likely to travel abroad and stay at home, whereas on the other hand the UK would actually become a more attractive destination for inbound tourists as prices would be relatively cheaper."

But most people in the tourist industry are hoping for a remain vote on June 23.

The Houses of Parliament - an iconic London site that attracts visitors from all over the world.

Tourism is now worth 22.1 billion pounds (32 billion US dollars) annually to the UK, according to Visit Britain, Britain's national tourism agency.

Visit Britain also said that last year there were 36.1 million tourist visits, with 67 percent from the European Union.

On 23 June, the UK will vote in a referendum whether to stay in or out of the EU and many in the tourist industry are concerned that a possible leave vote will jeopardise the European holiday market.

One of those is Kyle Haughton, managing director of City Cruises.

His cruise ships carry 6 million passengers a year - in the height of summer 60 percent are from abroad, the majority from the EU.

Of the 240 staff that he employs, 50 percent are from outside the UK, mostly from the EU.

"Any change or decline in passengers coming into the country is going to affect our business quite lot and there are reports that people in Germany, Italy and France are less likely to come to the UK if we leave the EU than if we stay."

His fears are backed up by UK Inbound, which represents 360 tourist businesses.

Deidre Wells, chief executive of UKinbound has called leaving the EU "economic suicide."

"Why would you remove yourself from a market that provides two thirds of our business for our members," she said.

Tourists had mixed views about a UK "brexit".

Marco Ghiribelli, an Italian tourist, said he thought the UK would be economically better outside.

"It's not economically convenient for the UK to stay in the EU. Brexit makes sense economically as the UK economy is stronger than most of the EU countries."

Others such as Babette Pascalev, a tourist from Germany, said: "I think it is hard now because the idea is to get Europe together not apart."

But others say a Brexit would not make any difference to the tourism business.

They say nothing will change.

Alexander Goransson, travel analyst at Euromonitor International believes the expected drop in sterling following a brexit vote would attract tourists due to an increased spending power.

"In the short term I would expect to see a depreciation of the pound which will have both a positive and negative impact on tourism. UK tourists would be less likely to travel abroad and stay at home, whereas on the other hand the UK would actually become a more attractive destination for inbound tourists as prices would be relatively cheaper."

But most people in the tourist industry are hoping for a remain vote on June 23.

London - 2 June 2016

1. Houses of Parliament seen from a river cruise boat

2. Woman taking picture of the Houses of Parliament

3. The London Eye seen from a river cruise boat

4. Part of the London Eye

5. Woman taking photo

6. People on board the river cruise boat

7. St Paul's Cathedral and other buildings

8. River cruise boat approaching Tower Bridge

9. Set up of Kyle Haughton, managing director of City Cruises

10. SOUNDBITE (English) Kyle Haughton, managing director of City Cruises:

"At City Cruises we carry 4 million passengers a year and over half of them come from overseas, the majority of which coming from EU countries, so any change or decline in passengers coming into the country is going to affect our business quite lot and there are reports that people in Germany, Italy and France are less likely to come to the UK if we leave the EU than if we stay."

London - 1 June 2016

11. Various of Deidre Wells, chief executive of UKinbound, at her desk

12. SOUNDBITE (English) Deidre Wells, chief executive of UKinbound:

"I've described it as economic suicide in the past. Why would you deliberately remove yourself from a market that provides two thirds of our business for our members."

London - 2 June 2016

13. People on board the river cruise boat with the Shard in the background

14. Set up of French tourist Kahina Berroua

15. SOUNDBITE (French) Kahina Berroua, French tourist:

"I will be sad. The UK has a lot of power in Europe so it won't be the same."

16. Various of tourists inside the river cruise boat

17. Set up of Marco Ghiribelli, Italian tourist

18. SOUNDBITE (Italian) Marco Ghiribelli, Italian tourist:

"It's not economically convenient for the UK to stay in the EU. Brexit makes sense economically as the UK economy is stronger than most of the EU countries."

19. SOUNDBITE (German) Babette Pascalev, tourist from Germany:

"I think it is hard now because the idea is to get Europe together not apart."

20. Houses of Parliament with open top tourist bus driving past

21. Union Jack flag on top of the Houses of Parliament

22. People on open top bus driving past the Houses of Parliament

23. People on bus

24. People on bus driving past flags

25. Various of Alexander Goransson, travel analyst at Euromonitor International, on laptop

26. SOUNDBITE Alexander Goransson, travel analyst at Euromonitor International:

"In the short term I would expect to see a depreciation of the pound which will have both a positive and negative impact on tourism. UK tourists would be less likely to travel abroad and stay at home, whereas on the other hand the UK would actually become a more attractive destination for inbound tourists as prices would be relatively cheaper."

27. People on open top bus

28. View of London black cabs and Union Jack flags

CHRISTOPHER KANE UNVEILS NEW COLLECTION; CAROLINE RUSH TALKS BREXIT

British designer Christopher Kane unveiled his new spring/summer 2017 at London Fashion Week, Monday (19 SEPT. 2016).

The show was attended by U.S. Vogue editor-in-chief Anna Wintour, model Poppy Delevingne and Caroline Rush, Chief Executive of the British Fashion Council.

Rush described the collection - which featured bold prints and metallic shades - as a highlight of London Fashion Week so far.

"It's hard not to reference him as a true innovator. There was a real play on fabrication... there was a reference to his graduate collection - but beautifully made and pulled together. I think everyone has walked out saying that has set the bar," she said.

With fashionistas from all over the world flocking to London for the five day event, Rush also discussed whether the U.K.'s recent vote to leave the European Union has been bad for business.

"There's been a lot of talk about Brexit over the last few days - of course, it's the first fashion week post the vote. But, over the summer months we've seen a bounce in luxury and retail sales and I think there's a slow element of confidence," she said

"It's definitely not something that the industry wanted, but like any business decision or challenge, you look for the opportunities in it and you overcome the challenges when they come."

London Fashion Week draws to a close on Tuesday, 20 September.

AP Entertainment - Music on catwalks not cleared for use. Please replace with your own Clearable Music

London, 19 September 2016

1. Wide shot interior of venue

2. Medium shot model Poppy Delevingne

3. Various shots Christopher Kane spring/summer 2017 collection

4. Various shots final pass

5. Wide of designer Christopher Kane receiving applause (Anna Wintour in shot at end of show)

6. SOUNDBITE (English) Caroline Rush, Chief Executive of the British Fashion Council - on Christopher Kane's show:

"Well we've had an incredible four days so far. We've got one day to go. I've just come out of the Christopher Kane show and it's hard not to reference him as a true innovator. There was a real play on fabrication, on different takes and references to previous - there was a reference to his graduate collection - but beautifully made and pulled together and I think everyone has walked out saying that has set the bar and let's see what's to follow."

7. Medium shot Caroline Rush walking

8. SOUNDBITE (English) Caroline Rush, Chief Executive of the British Fashion Council - on whether Britain's vote to leave the European Union is impacting the fashion industry:

"Well, there's been a lot of talk about Brexit over the last few days - of course, it's the first fashion week post the vote. But over the summer months we've seen a bounce in luxury and retail sales and I think there's a sort of slow element of confidence. It's definitely not something that the industry wanted, but like any business decision or challenge, you look for the opportunities in it and you overcome the challenges when they come."

9. Wide shot Caroline Rush walking

LEADIN

Food poverty has been rising in the UK, in the wake of years of economic austerity.

Now the Conservative government has called a snap-election on June 8, increasing uncertainty about future government policies.

Community activists in London are providing free meals and a food-sharing fridge to help low-income residents and reduce food waste.

STORYLINE

Cranberry and walnut cakes sell for a couple of pounds (2.5 USD) at the Ritzy Cinema cafe in Brixton, south London.

But many are often thrown away once they've reached their best before dates, contributing to food waste in the local community.

That's despite the fact that they are still perfectly good to eat and there are plenty of mouths that would want them.

But there's a new community effort to hold back the tide of discarded processed and fresh goods.

A group of 25 food activists people came up with the idea of starting a People's Fridge, in a shared workspace for start-ups, small businesses and social entrepreneurs, called Impact Hub Brixton.

The People's Fridge is a public fridge where local businesses and residents can leave spare, edible food for others.

And so employees at the Ritzy Cinema now bring their cafe's surplus cakes for people in the community to have for free, rather than sending it to landfill.

"We heard about it, a staff member had come down and heard about the project and it just seemed like a great idea," says Sarah Cook, the Ritzy Cinema's Marketing Manager.

"Businesses like ours, we waste a lot of food off, to then donate it to people in need and help support the community in Brixton, which we are a big part of, is kind of important to us."

Organisers held a crowdfunding campaign to get the fridge project started, raising more than £2,000 (2,556 USD).

Volunteers run the fridge to cut food waste, encourage food sharing and help tackle food poverty.

One of the co-founders, Rebecca Trevalyan, says after a couple of months of the fridge being open there's brisk activity.

"We're seeing lots of donations coming into the fridge, it has been certainly full over the last couple of weeks," Trevalyan says.

According to the founders, food waste is a big issue in the UK valued at around £17 billion (21bn USD) each year, with restaurants throwing away 900,000 tonnes of food annually.

"In terms of demand for it, and need for food, we know that increasing numbers of people are turning to food banks, unfortunately, and we know that food banks don't currently offer fresh food," Trevalyan says.

"There is therefore a gap for the fridge in providing that fresh source of food, but also being a smart way to deal with food surplus."

Trevalyan adds that it is not only the very poor who are in need of help.

"There are lots of people who are in work who are receiving an income but who still can't afford the rising costs of food and who really benefit from such initiatives.

"Here, from my experience, it certainly feels like there is demand and the demand is rising."

The fridge appears to be mutually beneficial.

"Food we've put on the shelves, or had put on the shelves is generally leaving the shelves within 36 hours of it being there," Trevalyan says.

The founders were inspired by similar fridges in Spain, Germany, and India as well as Somerset and Derbyshire in the UK. But this is the first time the concept has been brought to London.

They know that the fridge will not end the issue of food poverty, but it is one of a number of methods which can be used to combat the problem.

This is as UK welfare benefits have been cut over recent years.

According to the Trussell Trust, that runs food banks across the UK, it distributed more than 519,000 three-day emergency food supplies to people in crisis from April to September 2016. That's up from about 113,000 such parcels for the same period in 2012.

It says the primary reasons for food bank referral are benefit changes and delays and low incomes, issues some say are at risk further from a potentially weakened UK economy post Brexit.

Now that a general election in the UK has been called for 8 June, uncertainty is rife.

One organisation offering free meals in 34 locations across the country, has already seen greater pressure on its services in recent years.

"About a year and a half ago, a local drop in centre for elderly people closed down. It used to serve a hot meal everyday for people over the age of 50," says Alex Cameron, a volunteer at the charity Food Cycle in London's Marylebone.

"And with the closure of that, lots of people were left without a central place to come and meet. It was really damaging to the community actually,"

Food Cycle aims to relieve food poverty and provide a community for people to be a part of. It takes food surplus donations, primarily from supermarkets, and cooks meals for people to attend.

Since the referendum on the UK's membership of the European Union in June 2016, the country has already seen price rises in imported food products, as the British sterling has fallen in value. Food prices are expected to grow by between 5 percent and 8 percent in 2017, according to the Food and Drink Federation.

Cameron says she has seen an impact already: "Well, I have to admit I've noticed that the price of the butter that we buy goes up.

"So as a charity we're going to have to start spending more on the extra food that we buy to compliment the food that's surplus.

"I also think that it will have a knock-on effect when basic ingredients and foods go up in price. These are the people that are most affected by that."

One analyst says further inflation and economic instability as the Brexit process completes could increase the already record number of people using free food sources.

"I think Brexit is going to have a negative impact on incomes across the whole spectrum, high-income earners and low-income earners. But the difference is that low-income earners have less room for manoeuvre," says Sarah Boumphrey, Director of Economies and Consumers at the market researchers Euromonitor.

The team behind the People's Fridge think that, if their project is successful, they can help others set up community fridges across the UK.

And, although they may not want it, conditions may be right for just that.

London, UK - 12 April 2017

1. Various two employees of the Ritzy Cinema in Brixton, delivering cakes to the People's Fridge

2. Can of soup and box of cranberry and walnut cakes in the People's Fridge

3. Tilt down fridge

4. Rack focus of sign on fridge reading (English) "I help cut food waste"

5. SOUNDBITE (English) Sarah Cook, Marketing Manager, Ritzy Cinema:

"We heard about it, a staff member had come down and heard about the project and it just seemed like a great idea. Businesses like ours, we waste a lot of food off, to then donate it to people who are in need and help support the community in Brixton, which we are a big part of, is kind of important to us."

6. Pan right of street in Brixton to exterior of Ritzy Cinema

7. Various of people in the Ritzy Cinema bar and cafe eating and drinking

8. Various of person taking food from the People's Fridge

9. Set up shot of Rebecca Trevalyan, co-founder of the People's Fridge

10. SOUNDBITE (English) Rebecca Trevalyan, co-founder of the People's Fridge:

"Food we've put on the shelves, or we've had put on the shelves is generally leaving the shelves within 36 hours of it being there."

11. Various of onions and greens in the fridge

12. SOUNDBITE (English) Rebecca Trevalyan, co-founder of the People's Fridge:

"We're seeing lots of donations coming into the fridge, it has been certainly full over the last couple of weeks. In terms of demand for it, and need for food, we know that increasing numbers of people are turning to food banks unfortunately and we know that food banks don't currently offer fresh food. There is therefore a gap for the fridge in providing that fresh source of food, but also being a smart way to deal with food surplus."

13. People walking past fridge

14. Food items in the fridge

15. SOUNDBITE (English) Rebecca Trevalyan, co-founder of the People's Fridge:

"There are lots of people who are in work who are receiving an income, but who still can't afford the rising costs of food and who really benefit from such initiatives. Here, from my experience, it certainly feels like there is demand and the demand is rising."

16. Various of people eating at a dinner held by Food Cycle in a church in Marylebone

17. Maggie at the table with other diners

18. Maggie in front of a bowl of food

19. SOUNDBITE (English) Maggie (No last name given), Marylebone resident

"Oh, it helps you a lot really. If you are only on your pension. But yes, very, very good. It's good all round and they're lovely people here."

20. Volunteers preparing food in the kitchen

21. Volunteer Alex Cameron serving diners

22. SOUNDBITE (English) Alex Cameron, volunteer:

"About a year and a half ago, a local drop in centre for elderly people closed down. It used to serve a hot meal everyday for people over the age of 50. And with the closure of that lots of people were left without a central place to come and meet. It was really damaging to the community actually."

23. Volunteer preparing food in the kitchen

24. SOUNDBITE (English) Alex Cameron, volunteer:

"Well, I have to admit I've noticed that the price of the butter that we buy goes up. So as a charity we're going to have to start spending more on the extra food that we buy to compliment the food that's surplus. I also think that it will have a knock-on effect when basic ingredients and foods go up in price, these are the people that are most affected by that."

25. Various of woman eating

26. Set up shot of Sarah Boumphrey, Director, Economies and Consumers for market researchers Euromonitor

27. SOUNDBITE (English) Sarah Boumphrey, Director, Economies and Consumers for Euromonitor:

"I think Brexit is going to have a negative impact on incomes across the whole spectrum, high-income earners and low-income earners. But the difference is that low-income earners have less room for manoeuvre. They can't direct their spending elsewhere. They can't save less to help with higher food prices. So they have less of a security net."

28. A diner at Food Cycle

29. An empty bowl

30. Diners at Food Cycle

31. Various of a man taking food from the People's Fridge

FOR CLEAN VERSION SEE STORY NUMBER: 4053826

LEAD IN:

Chocolates made with reindeer moss and 'duck crackling' are among the innovations at a speciality food fair in London.

Since the Brexit vote, many British producers are concerned that they can no longer rely on the EU market and are beginning to look to the east.

STORY-LINE:

It looks like intricately stitched fabric, but these are colourful cakes based on eastern henna designs.

The bright gold reds and pinks are aiming at markets all over the world. The company is called Sari after the ornately designed garments traditionally worn by women in India.

The foods and drinks found here are aimed at the top end of the market.

Many stall holders are hoping to find favour with restaurateurs, luxury food wholesalers, or high end supermarkets.

The director of the Speciality and Fine Food Fair is Soraya Gadelrab.

Gadelrab believes the UK especially London has an international cuisine that other markets are opening up to.

That's why next year there will see the launch of the Asian Speciality Food Fair in Singapore, a lucrative market chosen because consumers there are wealthy and becoming more cosmopolitan.

Gadelrab says: "People see the UK and London as ahead of the trends when it comes to food and drink and the latest products, the latest ways of eating, the latest styles, the latest diets, and I think that's something that countries around the world sometimes look to the UK and more specifically London to see what we're doing and at this show there's so many countries represented, there's so much food from around the world and we eat globally here in the UK every day. But not all countries do that and what we're finding is that other countries are starting to catch up with us so we're actually taking this show to Singapore next year and launching Speciality and Fine Food Asia."

Despite warnings from President Obama at the G20 summit in China at the weekend, Gadelrab is not gloomy about Britain's food industry after the UK leaves Britain.

She says: "Artisan biscuits, pies, it's a huge market there's the expat(riot) community, but there's also quite an affluent consumer there and they want the latest, the greatest products imported from all around the world and British food is really up there."

This company has been exporting gourmet Italian foods into Britain for forty years.

It's owner Toni Pirozzi helped to blaze the trail which has ensured that many people in Britain consume cheeses, hams, pastas and sauces which wouldn't have been easily available a few decades ago.

Exporters like Pirozzi see the UK as an important market.

While he isn't gloomy about the luxury food market, he believes there will be a downward pressure on prices.

According to Pirozzi: "Being in the exit (Brexit from EU) from the common market I think it's going to be a little problem for the Italian product. But not too much because the product is not going to be successful, but it's going to be a little outpriced and quite a lot of imitations, they're coming out produced in every part of the world, which they call Italian product, but they are not original."

Concern about authenticity is something that many food producers are worried about.

Tight restrictions in EU law ensure that the products of particular regions are protected.

For example you can't make sparkling wine and call champagne unless it's from the champagne produce region in France.

Pirozzi gives the example of a particular kind of Sicilian tomato.

"If you look at the ciliegino di Pachino, the original ciliegino di Pachino, only from Pachino do you have a different flavour, the vitamins, everything inside is beautiful because the area of Pachino is an area which is very salty, very windy and very hot. Now if you go only thirty kilometres from Pachino, you buy the same ciliegino, it looks the same. Now ciliegino comes from everywhere and the price...(gesticulates that the price goes down)."

A concern for luxury food producers in the UK is whether shoppers post-Brexit will still be happy to pay more for specialist products.

Gadelrab is optimistic: "People still want those beautiful indulgences and this is what this fair is all about, the handcrafted products with all the best ingredients, full of flavour, exciting flavour combinations and I think that's not something that's going to go away because when times are tough, maybe people scrimp on holidays and big TVs, but they're still going to treat themselves to a beautiful cake, or some lovely ham, or some hand reared beef, so it's here to stay."

New ideas and producers are developing all the time.

Adam Wilding is launching his new product here at the fair after three long years of testing and developing a 'duck crackling' to take on the British pork crackling market.

Crispy duck skins are sold in delicatessens in France and of course the Chinese gourmands have been creating crispy duck skin for centuries, but Wilding believes he's the first to think of marketing it in this way.

He says: "We've a good connection with pork crackling, this idea came about when I was running a menu for a canape event and just as I was going to sleep I thought, you know these ideas come to you sometimes at night, but the idea was to have crispy duck skin as a canape base. On top of that we put some duck pate and it kind of went so well that a little spark went off."

This product has yet to be distributed and Wilding doesn't want disclose who he is in talks with, but he says it is going well.

"There's an overwhelming interest, you can see this moment where people's brains, they compute the idea and they suddenly get it and they are like 'oh yes, I understand what this is'."

After a savoury snack, it's time for something sweet - and another launch of a very unusual product.

Not this actual size shoe adorned with artificial pearls, but something that Nordic and Scandinavian countries will recognise.

Chocolala is an Estonian company which has high hopes for these little bundles of reindeer moss chocolates

It's run by Kristi Lehtis, who goes hunting for the moss in the forests near her home, rather like the reindeer do.

She also forages for wild fruits to put in her chocolates.

"Blueberries and moss they grow together and while I was picking blueberries I thought it would be nice to take something from the forest along, something more and the moss is actually widely used by the chefs as well at the restaurants," she says.

"You can make it with beetroot for example and it's a pink moss, but we make it with chocolate you can caramelise it, we have lots of different ways and it gives texture because it's nice to have the chocolate plus the texture so together it's a great product and something that people haven't tried. There are a lot of people who want something special who have tried everything and they don't know what to give as a present, so this something that they haven't tried."

It remains to be seen whether chocolate moss will be appearing on people's Christmas lists this year.

London, UK - 4 September 2016

1. Close tilt up of ornately decorated cake inspired by henna designs

2. Close zoom out of silver cake

3. Pan of differently decorated cakes

4. Close zoom in on giant chocolate nuts and small glazed chocolates

5. Wide of chocolate producer talking to potential client

6. Wide of chocolate box with graphic designs

7. Close zoom in to artisanal Scotch eggs

8. Mid of man on pie stall chopping eggs for people to taste

9. Close of eggs

10. Wide of specialist bread and cake stall

11. Close tilt up of pies and breads

12. Zoom in to barrel of cheese

13. Mid of staff on Italian food stall

14. Various of event director Soraya Gadelrab trying specialist cheese at Italian stall

15. SOUNDBITE: (English) Soraya Gadelrab, director, Speciality and Fine Food Fair

"People see the UK and London as ahead of the trends when it comes to food and drink and the latest products, the latest ways of eating, the latest styles, the latest diets, and I think that's something that countries around the world sometimes look to the UK and more specifically London to see what we're doing and at this show there's so many countries represented, there's so much food from around the world and we eat globally here in the UK every day. But not all countries do that and what we're finding is that other countries are starting to catch up with us so we're actually taking this show to Singapore next year and launching Speciality and Fine Food Asia."

16. Mid zoom in on large flavoured meringues

17. Wide pan of chocolate shop

18. SOUNDBITE: (English) Soraya Gadelrab, director, Speciality and Fine Food Fair

"Artisan biscuits, pies, it's a huge market there's the expat(riot) community, but there's also quite an affluent consumer there and they want the latest, the greatest products imported from all around the world and British food is really up there."

19. Close of spoon scooping out Gorgonzola cheese

20. Mid of Toni Pirozzi, Italian food and specialist cheese exporter, giving his colleague the spoonful of Gorgonzola

21. Close of man tasting and savouring cheese

22. Close zoom in to Gorgonzola

23. SOUNDBITE: (English) Toni Pirozzi, Italian food exporter

"Being in the exit (Brexit from EU) from the common market, I think it's going to be a little problem for the Italian product. But not too much because the product is not going to be successful, but it's going to be a little outpriced and quite a lot of imitations, they're coming out produced in every part of the world, which they call Italian product, but they are not original."

24. Close of Gorgonzola being scooped out

25. SOUNDBITE: (English) Toni Pirozzi, Italian food exporter

"If you look at the ciliegino di Pachino, the original ciliegino di Pachino, only from Pachino do you have a different flavour, the vitamins, everything inside is beautiful because the area of Pachino is an area which is very salty, very windy and very hot. Now if you go only thirty kilometres from Pachino, you buy the same ciliegino, it looks the same. Now ciliegino comes from everywhere and the price...(gesticulates that the price goes down)."

26. Wide of food fair

27. Top mid of specialist food seller speaking to client

28. SOUNDBITE: (English) Soraya Gadelrab, Speciality and Fine Food Fair

"People still want those beautiful indulgences and this is what this fair is all about, the handcrafted products with all the best ingredients, full of flavour, exciting flavour combinations and I think that's not something that's going to go away because when times are tough, maybe people scrimp on holidays and big TVs, but they're still going to treat themselves to a beautiful cake, or some lovely ham, or some hand reared beef, so it's here to stay."

29. Mid of passerby being offered taste of crispy duck skin snacks described as duck crackling

30. SOUNDBITE: (English) Adam Wilding, chef and inventor of "Duck Crackling"

"We've a good connection with pork crackling, this idea came about when I was running a menu for a canape event and just as I was going to sleep I thought, you know these ideas come to you sometimes at night, but the idea was to have crispy duck skin as a canape base. On top of that we put some duck pate and it kind of went so well that a little spark went off."

31. Close of duck crackling in pots on tray

32. Mid of Wilding talking to colleague

33. Close of Wilding

34. Close of pots

35. SOUNDBITE: (English) Adam Wilding, chef and inventor of "Duck Crackling"

"There's an overwhelming interest, you can see this moment where people's brains, they compute the idea and they suddenly get it and they are like 'oh yes, I understand what this is'."

36. Close of chocolate shoe in real shoe size

37. Various of chocolate shoe being held outside of box

38. Close of reindeer moss chocolates being put into gift box

39. Close of moss chocolate

40. SOUNDBITE: (English) Kristi Lehtis, specialist chocolate maker, Chocolala

"So moss is a very special product."

41. Close of reindeer moss chocolate

42. SOUNDBITE: (English) Kristi Lehtis, specialist chocolate maker, Chocolala

"Blueberries and moss they grow together and while I was picking blueberries I thought it would be nice to take something from the forest along, something more and the moss is actually widely used by the chefs as well at the restaurants because you can make it with beetroot for example and it's a pink moss, but we make it with chocolate you can caramelise it we have lots of different ways and it gives texture because it's nice to have the chocolate plus the texture so together it's a great product and something that people haven't tried. There are a lot of people who want something special who have tried everything and they don't know what to give as a present, so this something that they haven't tried."

43. Close of carton filled with reindeer moss

44. Close of Lehtis

45. Mid of Lehtis filling gift box

LEAD IN:

Chocolates made with reindeer moss and 'duck crackling' are among the innovations at a speciality food fair in London.

Since the Brexit vote, many British producers are concerned that they can no longer rely on the EU market and are beginning to look to the east.

STORY-LINE:

It looks like intricately stitched fabric, but these are colourful cakes based on eastern henna designs.

The bright gold reds and pinks are aiming at markets all over the world. The company is called Sari after the ornately designed garments traditionally worn by women in India.

The foods and drinks found here are aimed at the top end of the market.

Many stall holders are hoping to find favour with restaurateurs, luxury food wholesalers, or high end supermarkets.

The director of the Speciality and Fine Food Fair is Soraya Gadelrab.

Gadelrab believes the UK especially London has an international cuisine that other markets are opening up to.

That's why next year there will see the launch of the Asian Speciality Food Fair in Singapore, a lucrative market chosen because consumers there are wealthy and becoming more cosmopolitan.

Gadelrab says: "People see the UK and London as ahead of the trends when it comes to food and drink and the latest products, the latest ways of eating, the latest styles, the latest diets, and I think that's something that countries around the world sometimes look to the UK and more specifically London to see what we're doing and at this show there's so many countries represented, there's so much food from around the world and we eat globally here in the UK every day. But not all countries do that and what we're finding is that other countries are starting to catch up with us so we're actually taking this show to Singapore next year and launching Speciality and Fine Food Asia."

Despite warnings from President Obama at the G20 summit in China at the weekend, Gadelrab is not gloomy about Britain's food industry after the UK leaves Britain.

She says: "Artisan biscuits, pies, it's a huge market there's the expat(riot) community, but there's also quite an affluent consumer there and they want the latest, the greatest products imported from all around the world and British food is really up there."

This company has been exporting gourmet Italian foods into Britain for forty years.

It's owner Toni Pirozzi helped to blaze the trail which has ensured that many people in Britain consume cheeses, hams, pastas and sauces which wouldn't have been easily available a few decades ago.

Exporters like Pirozzi see the UK as an important market.

While he isn't gloomy about the luxury food market, he believes there will be a downward pressure on prices.

According to Pirozzi: "Being in the exit (Brexit from EU) from the common market I think it's going to be a little problem for the Italian product. But not too much because the product is not going to be successful, but it's going to be a little outpriced and quite a lot of imitations, they're coming out produced in every part of the world, which they call Italian product, but they are not original."

Concern about authenticity is something that many food producers are worried about.

Tight restrictions in EU law ensure that the products of particular regions are protected.

For example you can't make sparkling wine and call champagne unless it's from the champagne produce region in France.

Pirozzi gives the example of a particular kind of Sicilian tomato.

"If you look at the ciliegino di Pachino, the original ciliegino di Pachino, only from Pachino do you have a different flavour, the vitamins, everything inside is beautiful because the area of Pachino is an area which is very salty, very windy and very hot. Now if you go only thirty kilometres from Pachino, you buy the same ciliegino, it looks the same. Now ciliegino comes from everywhere and the price...(gesticulates that the price goes down)."

A concern for luxury food producers in the UK is whether shoppers post-Brexit will still be happy to pay more for specialist products.

Gadelrab is optimistic: "People still want those beautiful indulgences and this is what this fair is all about, the handcrafted products with all the best ingredients, full of flavour, exciting flavour combinations and I think that's not something that's going to go away because when times are tough, maybe people scrimp on holidays and big TVs, but they're still going to treat themselves to a beautiful cake, or some lovely ham, or some hand reared beef, so it's here to stay."

New ideas and producers are developing all the time.

Adam Wilding is launching his new product here at the fair after three long years of testing and developing a 'duck crackling' to take on the British pork crackling market.

Crispy duck skins are sold in delicatessens in France and of course the Chinese gourmands have been creating crispy duck skin for centuries, but Wilding believes he's the first to think of marketing it in this way.

He says: "We've a good connection with pork crackling, this idea came about when I was running a menu for a canape event and just as I was going to sleep I thought, you know these ideas come to you sometimes at night, but the idea was to have crispy duck skin as a canape base. On top of that we put some duck pate and it kind of went so well that a little spark went off."

This product has yet to be distributed and Wilding doesn't want disclose who he is in talks with, but he says it is going well.

"There's an overwhelming interest, you can see this moment where people's brains, they compute the idea and they suddenly get it and they are like 'oh yes, I understand what this is'."

After a savoury snack, it's time for something sweet - and another launch of a very unusual product.

Not this actual size shoe adorned with artificial pearls, but something that Nordic and Scandinavian countries will recognise.

Chocolala is an Estonian company which has high hopes for these little bundles of reindeer moss chocolates

It's run by Kristi Lehtis, who goes hunting for the moss in the forests near her home, rather like the reindeer do.

She also forages for wild fruits to put in her chocolates.

"Blueberries and moss they grow together and while I was picking blueberries I thought it would be nice to take something from the forest along, something more and the moss is actually widely used by the chefs as well at the restaurants," she says.

"You can make it with beetroot for example and it's a pink moss, but we make it with chocolate you can caramelise it, we have lots of different ways and it gives texture because it's nice to have the chocolate plus the texture so together it's a great product and something that people haven't tried. There are a lot of people who want something special who have tried everything and they don't know what to give as a present, so this something that they haven't tried."

It remains to be seen whether chocolate moss will be appearing on people's Christmas lists this year.

London, UK - 4 September 2016

1. Close tilt up of ornately decorated cake inspired by henna designs

2. Close zoom out of silver cake

3. Pan of differently decorated cakes

4. Close zoom in on giant chocolate nuts and small glazed chocolates

5. Wide of chocolate producer talking to potential client

6. Wide of chocolate box with graphic designs

7. Close zoom in to artisanal Scotch eggs

8. Mid of man on pie stall chopping eggs for people to taste

9. Close of eggs

10. Wide of specialist bread and cake stall

11. Close tilt up of pies and breads

12. Zoom in to barrel of cheese

13. Mid of staff on Italian food stall

14. Various of event director Soraya Gadelrab trying specialist cheese at Italian stall

15. SOUNDBITE: (English) Soraya Gadelrab, director, Speciality and Fine Food Fair

"People see the UK and London as ahead of the trends when it comes to food and drink and the latest products, the latest ways of eating, the latest styles, the latest diets, and I think that's something that countries around the world sometimes look to the UK and more specifically London to see what we're doing and at this show there's so many countries represented, there's so much food from around the world and we eat globally here in the UK every day. But not all countries do that and what we're finding is that other countries are starting to catch up with us so we're actually taking this show to Singapore next year and launching Speciality and Fine Food Asia."

16. Mid zoom in on large flavoured meringues

17. Wide pan of chocolate shop

18. SOUNDBITE: (English) Soraya Gadelrab, director, Speciality and Fine Food Fair

"Artisan biscuits, pies, it's a huge market there's the expat(riot) community, but there's also quite an affluent consumer there and they want the latest, the greatest products imported from all around the world and British food is really up there."

19. Close of spoon scooping out Gorgonzola cheese

20. Mid of Toni Pirozzi, Italian food and specialist cheese exporter, giving his colleague the spoonful of Gorgonzola

21. Close of man tasting and savouring cheese

22. Close zoom in to Gorgonzola

23. SOUNDBITE: (English) Toni Pirozzi, Italian food exporter

"Being in the exit (Brexit from EU) from the common market, I think it's going to be a little problem for the Italian product. But not too much because the product is not going to be successful, but it's going to be a little outpriced and quite a lot of imitations, they're coming out produced in every part of the world, which they call Italian product, but they are not original."

24. Close of Gorgonzola being scooped out

25. SOUNDBITE: (English) Toni Pirozzi, Italian food exporter

"If you look at the ciliegino di Pachino, the original ciliegino di Pachino, only from Pachino do you have a different flavour, the vitamins, everything inside is beautiful because the area of Pachino is an area which is very salty, very windy and very hot. Now if you go only thirty kilometres from Pachino, you buy the same ciliegino, it looks the same. Now ciliegino comes from everywhere and the price...(gesticulates that the price goes down)."

26. Wide of food fair

27. Top mid of specialist food seller speaking to client

28. SOUNDBITE: (English) Soraya Gadelrab, Speciality and Fine Food Fair

"People still want those beautiful indulgences and this is what this fair is all about, the handcrafted products with all the best ingredients, full of flavour, exciting flavour combinations and I think that's not something that's going to go away because when times are tough, maybe people scrimp on holidays and big TVs, but they're still going to treat themselves to a beautiful cake, or some lovely ham, or some hand reared beef, so it's here to stay."

29. Mid of passerby being offered taste of crispy duck skin snacks described as duck crackling

30. SOUNDBITE: (English) Adam Wilding, chef and inventor of "Duck Crackling"

"We've a good connection with pork crackling, this idea came about when I was running a menu for a canape event and just as I was going to sleep I thought, you know these ideas come to you sometimes at night, but the idea was to have crispy duck skin as a canape base. On top of that we put some duck pate and it kind of went so well that a little spark went off."

31. Close of duck crackling in pots on tray

32. Mid of Wilding talking to colleague

33. Close of Wilding

34. Close of pots

35. SOUNDBITE: (English) Adam Wilding, chef and inventor of "Duck Crackling"

"There's an overwhelming interest, you can see this moment where people's brains, they compute the idea and they suddenly get it and they are like 'oh yes, I understand what this is'."

36. Close of chocolate shoe in real shoe size

37. Various of chocolate shoe being held outside of box

38. Close of reindeer moss chocolates being put into gift box

39. Close of moss chocolate

40. SOUNDBITE: (English) Kristi Lehtis, specialist chocolate maker, Chocolala

"So moss is a very special product."

41. Close of reindeer moss chocolate

42. SOUNDBITE: (English) Kristi Lehtis, specialist chocolate maker, Chocolala

"Blueberries and moss they grow together and while I was picking blueberries I thought it would be nice to take something from the forest along, something more and the moss is actually widely used by the chefs as well at the restaurants because you can make it with beetroot for example and it's a pink moss, but we make it with chocolate you can caramelise it we have lots of different ways and it gives texture because it's nice to have the chocolate plus the texture so together it's a great product and something that people haven't tried. There are a lot of people who want something special who have tried everything and they don't know what to give as a present, so this something that they haven't tried."

43. Close of carton filled with reindeer moss

44. Close of Lehtis

45. Mid of Lehtis filling gift box

LEAD IN:

With less than 30 days until the UK is set to leave the European Union, 'Brexit' remains a hot topic of conversation for people across the country.

For these market stall holders working in one of London's iconic districts, will Brexit have any effect?

STORY-LINE:

London's Portobello Road and its surroundings are home to an array of iconic locations that have featured in many blockbuster films, from 'Paddington Bear' to 'Love, Actually'.

Tourists from across the world flock to the colourful and highly 'Instagrammable' locale to document their visit.

According to the Royal Borough of Kensington and Chelsea, Portobello Road Market is one of the leading antique markets in London, tracing its roots back to the nineteenth century - attracting millions of visitors a year.

Close to the celebrated Portobello Road Market, these women are taking pictures in front of the house that featured in a classic scene from the movie 'Love Actually' (2003).

In the film, Andrew Lincoln's character confesses his love for Keira Knightly's character with a series of romantic signs.

And there are more iconic front doors nearby.

This doorway was central to another memorable film scene, this time from the 1999 romantic comedy 'Notting Hill'.

It was here semi-naked actor Rhys Ifans encounters a huge media scrum at the house of the character played by Hugh Grant.

Far from the rom-com glamour of the area, stall holders are today wrestling with grittier issues.

Juan Carlos Restrebo runs this stall selling picture and photo frames.

He says that he fears the UK's impending departure from the EU as the tough economic conditions impact his business.

"I had the worst December and the worst January on record and not much better today. So I think it's going to get worse," says Restrebo.

The subject of Brexit has ignited strong opinions on both sides of the divide.

On this side street off Portobello Road, graffiti makes its pro-leave stance very clear.

For visitors to the area, however, Brexit may not be at the forefront of their concerns with such ample photo opportunities.

Twenty years after the film became a hit, these young fans have found a bookshop that featured in the movie 'Notting Hill'.

It is the place that inspired the shop where romance blossomed for Julia Robert's and Hugh Grant's characters.

While local businesses benefit from the footfall blockbusters like 'Notting Hill' bring to the area, stall holders cannot escape the political and economic realities of modern London.

Michelle runs two stalls on Portobello Road Market.

She claims Brexit has ruined her business, forcing her to work twice as hard in this current financial climate.

"All the ills of the country blamed on the EU by God knows how many, forty years by our absolutely insane right-wing media. It's destroyed my business, this isn't my business. I'm having to work two part-time jobs because my business has been destroyed and no-one's buying," says Michelle.

Mark Barr is the chairman of the Portobello Road and Golborne Management Committee.

He has been selling wooden toys and puzzles for over thirty years.

He says while trading at Portobello Road Market is currently difficult, so too are economic conditions around the world.

As for Brexit, he says nobody can predict how it will impact the market.

Barr explains: "None of us knows what's going to happen come March. Trading at the moment, again, trading is difficult. Everything, I mean, there's financial downturns worldwide so there's going to be a financial downturn here. So, I don't know how Brexit is going to affect the market or affect us."

"We'll just have to deal with things as they come because the decision is not ours to take what happens, so we're just waiting for it to happen and finish. We just want it over with whatever they're going to do. So we can deal with any problems or any solutions that are needed to be found."

For some traders, however, Brexit does not seem to be a topic of conversation.

Alex Boden works outside the instantly recognisable antique shop which features in 'Paddington 2' (2017).

"We don't really talk about Brexit to be quite honest, it's not a big subject in the market trade that I'm aware of any way to be quite honest. We'll be here before and after Brexit," Boden says.

Britain is due to leave the EU on March 29.

London - 9 February 2019

1. Close up of Paddington Bear toys in a shop window

2. Wide of window display featuring Paddington Bear

3. Tilt up women taking photos in front of pink house (featured in the film Love Actually)

4. Close up sign reading 'Love Actually?' Please give £1 to charity'

5. Front door that featured in the film 'Love, Actually'

6. Pan-right from people in front of door that featured in the film 'Notting Hill' to woman taking photo

7. Tilt up blue door that featured in the film 'Notting Hill'

8. Various of market stalls selling antiques

9. Juan Carlos Restrebo, stall holder at Portobello Road Market serving customer

10. SOUNDBITE (English) Juan Carlos Restrebo, stall holder at Portobello Road Market:

"Fears. What will happen, the economy's going down, I already feel it. I had the worst December and the worst January on record and not much better today. So I think it's going to get worse."

11. Pan-right of graffiti reading (English): "We voted to leave"

12. Wide of graffiti reading (English): "We didn't vote for a deal, we voted to leave"

13. Close up graffiti reading (English): "Hard Brexit"

14. Close up graffiti reading (English): "Keep Brexit white"

15. Portobello Road street name

16. Woman posing for a friend's photograph in front of a book shop

17. Blue plaque reading (English): 'Notting Hill was inspired by a bookshop established on this site in 1981.'

18. Sign reading (English): "Notting Hill"

19. Wide of market vendor Michelle (did not want to give her surname)

20. Array of woollen goods on market stall

21. SOUNDBITE (English) Michelle (did not want to give her surname):

"All the ills of the country blamed on the EU by God knows how many, forty years by our absolutely insane right wing media. It's destroyed my business, this isn't my business. I'm having to work two part-time jobs because my business has been destroyed and no-one's buying."

22. Wide of colourful building of Portobello Road Market

23. Portobello Road street name

24. Tilt up model of Elizabeth Tower (popularly known as Big Ben)

25. Mark Barr, chair of the Portobello Road and Golborne Management Committee

26. SOUNDBITE (English) Mark Barr, chair of the Portobello Road and Golborne Management Committee:

"None of us knows what's going to happen come March. Trading at the moment, again, trading is difficult. Everything, I mean, there's financial downturns worldwide so there's going to be a financial downturn here. So, I don't know how Brexit is going to affect the market or affect us. We'll just have to deal with things as they come because the decision is not ours to take what happens, so we're just waiting for it to happen and finish. We just want it over with, whatever they're going to do. So we can deal with any problems or any solutions that are needed to be found."

27. Tilt down antiques shop that featured in the film 'Paddington Bear'

28. Antiques

29. Close up of model of a flamingo

30. Alex Boden, stall holder, Portobello Road Market arranging stall

31. SOUNDBITE (English) Alex Boden, stall holder, Portobello Road Market:

"We don't really talk about Brexit to be quite honest, it's not a big subject in the market trade that I'm aware of anyway to be quite honest. We'll be here before and after Brexit, so (laughs)."

32. Tilt up antiques shop that featured in the film 'Paddington Bear'

LEAD IN:

With less than 30 days until the UK is set to leave the European Union, 'Brexit' remains a hot topic of conversation for people across the country.

For these market stall holders working in one of London's iconic districts, will Brexit have any effect?

STORY-LINE:

London's Portobello Road and its surroundings are home to an array of iconic locations that have featured in many blockbuster films, from 'Paddington Bear' to 'Love, Actually'.

Tourists from across the world flock to the colourful and highly 'Instagrammable' locale to document their visit.

According to the Royal Borough of Kensington and Chelsea, Portobello Road Market is one of the leading antique markets in London, tracing its roots back to the nineteenth century - attracting millions of visitors a year.

Close to the celebrated Portobello Road Market, these women are taking pictures in front of the house that featured in a classic scene from the movie 'Love Actually' (2003).

In the film, Andrew Lincoln's character confesses his love for Keira Knightly's character with a series of romantic signs.

And there are more iconic front doors nearby.

This doorway was central to another memorable film scene, this time from the 1999 romantic comedy 'Notting Hill'.

It was here semi-naked actor Rhys Ifans encounters a huge media scrum at the house of the character played by Hugh Grant.

Far from the rom-com glamour of the area, stall holders are today wrestling with grittier issues.

Juan Carlos Restrebo runs this stall selling picture and photo frames.

He says that he fears the UK's impending departure from the EU as the tough economic conditions impact his business.

"I had the worst December and the worst January on record and not much better today. So I think it's going to get worse," says Restrebo.

The subject of Brexit has ignited strong opinions on both sides of the divide.

On this side street off Portobello Road, graffiti makes its pro-leave stance very clear.

For visitors to the area, however, Brexit may not be at the forefront of their concerns with such ample photo opportunities.

Twenty years after the film became a hit, these young fans have found a bookshop that featured in the movie 'Notting Hill'.

It is the place that inspired the shop where romance blossomed for Julia Robert's and Hugh Grant's characters.

While local businesses benefit from the footfall blockbusters like 'Notting Hill' bring to the area, stall holders cannot escape the political and economic realities of modern London.

Michelle runs two stalls on Portobello Road Market.

She claims Brexit has ruined her business, forcing her to work twice as hard in this current financial climate.

"All the ills of the country blamed on the EU by God knows how many, forty years by our absolutely insane right-wing media. It's destroyed my business, this isn't my business. I'm having to work two part-time jobs because my business has been destroyed and no-one's buying," says Michelle.

Mark Barr is the chairman of the Portobello Road and Golborne Management Committee.

He has been selling wooden toys and puzzles for over thirty years.

He says while trading at Portobello Road Market is currently difficult, so too are economic conditions around the world.

As for Brexit, he says nobody can predict how it will impact the market.

Barr explains: "None of us knows what's going to happen come March. Trading at the moment, again, trading is difficult. Everything, I mean, there's financial downturns worldwide so there's going to be a financial downturn here. So, I don't know how Brexit is going to affect the market or affect us."

"We'll just have to deal with things as they come because the decision is not ours to take what happens, so we're just waiting for it to happen and finish. We just want it over with whatever they're going to do. So we can deal with any problems or any solutions that are needed to be found."

For some traders, however, Brexit does not seem to be a topic of conversation.

Alex Boden works outside the instantly recognisable antique shop which features in 'Paddington 2' (2017).

"We don't really talk about Brexit to be quite honest, it's not a big subject in the market trade that I'm aware of any way to be quite honest. We'll be here before and after Brexit," Boden says.

Britain is due to leave the EU on March 29.

London - 9 February 2019

1. Close up of Paddington Bear toys in a shop window

2. Wide of window display featuring Paddington Bear

3. Tilt up women taking photos in front of pink house (featured in the film Love Actually)

4. Close up sign reading 'Love Actually?' Please give £1 to charity'

5. Front door that featured in the film 'Love, Actually'

6. Pan-right from people in front of door that featured in the film 'Notting Hill' to woman taking photo

7. Tilt up blue door that featured in the film 'Notting Hill'

8. Various of market stalls selling antiques

9. Juan Carlos Restrebo, stall holder at Portobello Road Market serving customer

10. SOUNDBITE (English) Juan Carlos Restrebo, stall holder at Portobello Road Market:

"Fears. What will happen, the economy's going down, I already feel it. I had the worst December and the worst January on record and not much better today. So I think it's going to get worse."

11. Pan-right of graffiti reading (English): "We voted to leave"

12. Wide of graffiti reading (English): "We didn't vote for a deal, we voted to leave"

13. Close up graffiti reading (English): "Hard Brexit"

14. Close up graffiti reading (English): "Keep Brexit white"

15. Portobello Road street name

16. Woman posing for a friend's photograph in front of a book shop

17. Blue plaque reading (English): 'Notting Hill was inspired by a bookshop established on this site in 1981.'

18. Sign reading (English): "Notting Hill"

19. Wide of market vendor Michelle (did not want to give her surname)

20. Array of woollen goods on market stall

21. SOUNDBITE (English) Michelle (did not want to give her surname):

"All the ills of the country blamed on the EU by God knows how many, forty years by our absolutely insane right wing media. It's destroyed my business, this isn't my business. I'm having to work two part-time jobs because my business has been destroyed and no-one's buying."

22. Wide of colourful building of Portobello Road Market

23. Portobello Road street name

24. Tilt up model of Elizabeth Tower (popularly known as Big Ben)

25. Mark Barr, chair of the Portobello Road and Golborne Management Committee

26. SOUNDBITE (English) Mark Barr, chair of the Portobello Road and Golborne Management Committee:

"None of us knows what's going to happen come March. Trading at the moment, again, trading is difficult. Everything, I mean, there's financial downturns worldwide so there's going to be a financial downturn here. So, I don't know how Brexit is going to affect the market or affect us. We'll just have to deal with things as they come because the decision is not ours to take what happens, so we're just waiting for it to happen and finish. We just want it over with, whatever they're going to do. So we can deal with any problems or any solutions that are needed to be found."

27. Tilt down antiques shop that featured in the film 'Paddington Bear'

28. Antiques

29. Close up of model of a flamingo

30. Alex Boden, stall holder, Portobello Road Market arranging stall

31. SOUNDBITE (English) Alex Boden, stall holder, Portobello Road Market:

"We don't really talk about Brexit to be quite honest, it's not a big subject in the market trade that I'm aware of anyway to be quite honest. We'll be here before and after Brexit, so (laughs)."

32. Tilt up antiques shop that featured in the film 'Paddington Bear'

LEADIN:

British food and drink producers are feeling the strains of Brexit at The International Food and Drink Event (IFE) in London.

The UK government announced today (Monday 20 March) that it will trigger Article 50 on March 29, which will formally begin the Brexit process.

With the uncertainty surrounding the outcome of the negotiations, many producers are considering expansion into new markets, particularly the United States.

STORYLINE:

Things are sizzling in London at IFE, the UK's largest food and drink trade show, with more than 29,000 visitors expected to attend.

The show brings together over 1,350 food producers from around the world - like this beefsteak from Poland.

Or these kebabs from Turkey...

Giant onions from Spain...

Or how about a mouthful of Chinese seaweed salad?

But by far the largest contingent at the event is from the UK, which is acting as the show's partner country for the first time.

This year's show features more than 700 British food and drink producers and gives them a shop window for the international buyers in attendance.

But uncertainty over Brexit is overshadowing the event, with Article 50 expected to be triggered on March 29.

Many exhibitors are small to mid scale food and drink producers who are concerned about how a break from the European Union will impact their growing businesses.

For those north of the border in Scotland, the situation is particularly uncertain, with calls from the Scottish National Party for a second vote on independence.

Callum MacInnes is a cheese maker and founder of Island Smokery on the far northerly Orkney Islands.

He's been producing smoked cheeses and butters for a high-end market for over ten years; his products can be found at hotels including the Burj Khalifa in Dubai.

MacInnes produces 40 tonnes of cheese every year and is currently moving to a larger factory to grow his business, but now he has to contend with more instability.

"It (Brexit and a second Scottish vote on independence) is alarming because we've no idea. Basically it's just more turmoil," he says.

"I mean, you have turmoil in a political situation, when people are uncertain, people don't spend, they always wait to see.

"So between another referendum and Brexit we're really between a rock and a hard place at the minute because nobody knows how it's going to pan out."

But MacInnes tries to remain positive about the political situation in Scotland and sees the benefit of new trade with the US.

With the fall in value of the pound against the dollar he has discovered his high-end cheeses and butters are suddenly much more affordable for Americans looking to invest in high-quality food.

He's just shipped his first export to the US after a positive trade event saw orders flooding in.

"It was specialist for a long time, it was maybe too expensive for the man on the street but because of the way the pound and the dollar has gone, it's now accessible to everyone," he says.

Just down the road in Orkney is one of the newest producers at the show; Kirkjuvagr gin has only been available since last August.

The company started in February, but by the time the first bottle rolled off the production line the Brexit vote had already been decided.

For Stephen Kemp, the director of Orkney Distilling Ltd., it spells trouble for his young company.

"I think Brexit doesn't necessarily spell a lot that's good right now, not for us, not out on the periphery of Britain in the north," he says.

"We very much rely on the British market and also being able to use Britain as a springboard to go to other markets round the world."

Kemp has many advantages basing his gin company in Orkney - for example, the Angelica root (one of the key botanicals used to flavour gin) grows naturally on the Scottish island.

But despite the positive reactions he's getting for his gin, Kemp says there could be difficulties ahead if the impact of Brexit on small businesses like his is not taken into consideration in the negotiations.

"It's sad to think that small producers like us will be penalised because there's been no indication how the support mechanism might work for the industries and for young companies like us," he says.

Welsh producers like the Celtic Pie Co. are also exhibiting at the show.

Like the Scots, many are also finding the prospect of Brexit negotiations a bit too salty.

Jessica Lea-Wilson is with Halen Mon Sea Salt co. from Anglesey, an island off the north coast of Wales.

Halen Mon has been hand harvesting high-end salt products from the waters around the island for the last 21 years.

A 100g packet of Anglesey sea-salt starts from around 4 British pounds (approx. $5 USD) and is called a finishing salt, added at the end of a dish rather than as a cooking ingredient.

The largest market for the Welsh company is in Spain, so a retreat from the EU is of real concern - particularly because it could mean losing its EU protected designation of origin status.

This could mean salt producers in other parts of the world could use the Anglesey name to promote their own salts.

"The protected designation of origin, this little symbol here, protected food names like Champagne or Parma ham or Melton Mowbray pork pies, this legislation is in place to protect our brands, make sure that they're not imitated and we're not quite sure what's going to happen when we leave the EU when it comes to that and that's really important to our business," says Lea-Wilson.

"So we're trying to highlight that and bring it to the government's attention."

Like many British producers at IFE, Lea-Wilson is already looking to new markets and also like many British producers she sees the US as a key growth area.

"We already have a growing market in the US and we're trying to see it as a positive thing that it might grow and that might be an opportunity for us, especially in terms of currency rates at the moment it's quite an attractive option for a lot of US buyers," she says.

Exhibitors are feeling the uncertainty, but remaining positive about the future.

Show director Soraya Gadelrab thinks there's a lot to be confident about in the British food industry.

"At the moment trading conditions are uncertain for some people and I think a big international trade show like this gives the UK suppliers an opportunity to say; 'Here we are, we're open for business.' But on top of that it shows new markets who perhaps haven't done a lot of imports from the UK previously, that we have such a plethora of on trend products to come and look at, but also it gives those buyers an opportunity to meet the suppliers face-to-face, talk to them and start talking to them about real genuine business," she says.

London attracts top chefs from around the world, who come to cook in the capital.

Peruvian chef Robert Ortiz from Lima restaurant in London is demonstrating his skills at the show.

Here he puts together a tiradito dish with raw scallops and spicy Peruvian yellow chillies.

IFE runs from 19-22 March at London's ExCel exhibition centre.

London, UK - 19 March 2017

1. Close of Polish beef steak frying on grill

2. Mid of chef speaking with show visitors

3. Close of steak being turned

4. Mid of chef serving visitors steak

5. Close of cooked steak

6. Wide of Turkish kebab

7. Close of kebab being shaved

8. Close of kebab cooking

9. Close of giant Spanish onion being placed on top of can

10. Various of Palestinian stand with dates

11. Close of bowl of seaweed salad from China

12. Various of man eating seaweed salad

13. Low shot of Callum MacInnes cutting Orkney smoked cheese

14. Close of cheese being cut

15. Close of Scottish flag of St Andrew

16. SOUNDBITE (English) Callum MacInnes, Founder of Island Smokery:

"It (Brexit and a second Scottish vote on independence) is alarming because we've no idea. Basically it's just more turmoil. I mean, you have turmoil in a political situation, when people are uncertain, people don't spend, they always wait to see. So between another referendum and Brexit we're really between a rock and a hard place at the minute because nobody knows how it's going to pan out."

17. Mid of MacInnes taking cheese from fridge

18. Close of smoked cheese being cut

19. Mid of MacInnes cutting cheese

20. SOUNDBITE (English) Callum MacInnes, Founder of Island Smokery:

"It was specialist for a long time, it was maybe too expensive for the man on the street but because of the way the pound and the dollar has gone, it's now accessible to everyone."

21. Close tilt down of Kirkjuvagr gin from Orkney, Scotland

22. Mid of Stephen Kemp of Kirkjuvagr talking with visitors

23. Close tilt up of show visitor sampling gin

24. Close of tap filling glass with gin

25. Various of Stephen Kemp drinking gin

26. SOUNDBITE (English) Stephen Kemp, Director of Orkney Distilling Ltd.:

"I think Brexit doesn't necessarily spell a lot that's good right now, not for us, not out on the periphery of Britain in the north. We very much rely on the British market, we rely also on being able to use Britain as a springboard to go to other markets round the world."

27. Close of jar containing Angelica root - a key ingredient in gin

28. Close of Angelica in hand

29. SOUNDBITE (English) Stephen Kemp, Director of Orkney Distilling Ltd.:

"It's sad to think that small producers like us I think will be penalised because there's been no indication of how the support mechanism might work for the industries and for young companies like us."

30. Mid pan right of sign reading: (Welsh/English) "Cymru/Wales"

31. Various of chef at the Celtic Pie Co. slicing steak and ale pie

32. Wide of Jessica Lea-Wilson from Halen Mon Anglesey Sea Salt co.

33. Close of Lea-Wilson

34. Close of bowl of sea salt

35. Mid of Lea-Wilson pouring salt into her hand

36. Close of salt in her hand

37. SOUNDBITE (English) Jessica Lea-Wilson, Brand Manager, Halen Mon Anglesey Sea Salt co.:

"The protected designation of origin, this little symbol here, protected food names like Champagne or Parma ham or Melton Mowbray pork pies, this legislation is in place to protect our brands, make sure that they're not imitated and we're not quite sure what's going to happen when we leave the EU when it comes to that and that's really important to our business. So we're trying to highlight that and bring it to the government's attention."

38. Extreme close of salt crystals in hand

39. SOUNDBITE (English) Jessica Lea-Wilson, Brand Manager, Halen Mon Anglesey Sea Salt co.:

"We already have a growing market in the US and we're trying to see it as a positive thing that it might grow and that might be an opportunity for us, especially in terms of currency rates at the moment it's quite an attractive option for a lot of US buyers."

40. Various setup shots of event director Soraya Gadelrab speaking to exhibitor

41. SOUNDBITE (English) Soraya Gadelrab, Show Director, the International Food and Drink Event:

"At the moment trading conditions are uncertain for some people and I think a big international trade show like this gives the UK suppliers an opportunity to say; 'Here we are, we're open for business.' But on top of that it shows new markets who perhaps haven't done a lot of imports from the UK previously, that we have such a plethora of on trend products to come and look at, but also it gives those buyers an opportunity to meet the suppliers face-to-face, talk to them and start talking about real genuine business."

42. Various of Robert Ortiz, chef from Lima restaurant in London, demonstrating Peruvian cooking onstage