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County Fermanagh, Northern Ireland, close to the border - 26 June, 2016

1. Grazing sheep

2. Sheep grazing

3. Marked sheep

4. Farmer Hugh Maguire driving in car on his farmland, UPSOUND (English): Hugh Maguire, farmer: "And southern Ireland is right over there, it's probably not a quarter mile across."

5. SOUNDBITE (English) Hugh Maguire, farmer:

"Well, I voted to remain, and I thought the result was a disaster for farming especially in Northern Ireland, where we are dependent on 80 per cent of our income from the single farm payment or subsidies. So I honestly think in a few years' time, if we remain the same, there'll be no farming up in this part of Northern Ireland. We should be treated in Northern Ireland the same as the Republic."

6. Maguire closing gate

7. Cow grazing, farm in the background

Belcoo, County Fermanagh, Northern Ireland - 25 June, 2016

8. Bridge leading from Blacklion, Republic of Ireland, to Belcoo, Northern Ireland (UK)

9. Town sign of Belcoo, with speed limit in miles per hour

10. People walking down bridge

Belcoo, Northern Ireland (UK) - 26 June, 2016

11. Businessman Jonathan Balfour paying in supermarket

12. Woman taking newspaper from stand in supermarket

13. Newspaper headline of 'Sunday Times' reading (English) "After Brexit, what now?"

14. Jonathan Balfour and his children Dorothy and Jona leaving supermarket

15. SOUNDBITE (English) Jonathan Balfour, 42, owner of Elite Electronic Systems in Enniskillen, Northern Ireland:

"I am involved in manufacturing, so a lot of our customers are in Europe, and I think it's going to make it more difficult for us to compete in Europe with our competitors, and our cost of goods is more expensive because of this."

Blacklion, Republic of Ireland - 25 June, 2016

16. Bridge leading from Belcoo, UK, to Blacklion, Republic of Ireland, with town sign of Blacklion (in English and Gaelic) and speed limit in kilometres per hour

17. Ireland cup in "The Market House" tourist centre and gift shop

18. Tourist gifts on shelf

19. SOUNDBITE (English) Helena Corcoran, 61, tourist administrator, living in Blacklion for 15 years:

"Because we are so close with Belcoo and Blacklion, we're neighbours, and we're fearful that they will ask us for passports and that this will happen. But really it's the unknown at the moment, so that's the fear."

20. Corcoran talking to colleague Margaret McCauley and Cavan County councillor John Paul Feeley in tourist centre

21. Feeley leaving "The Market House" tourist centre

22. SOUNDBITE (English) John Paul Feeley, Cavan County councillor:

"It's going to increase the cost of doing business between both parts of Ireland, and it's going to have an impact on the over 30-thousand people who commute either north or south of the border to work and to avail of education on a daily basis. It's a very serious situation for us, it's one that we are going to watch and wait, and hope that a solution is found that minimizes the impact of 'Brexit'.''

Newry, Northern Ireland (UK) - 26 June, 2016

23."Brexit" campaign posters for "Leave" and "Remain" in street in town

24. Bridge in town centre

25. Fans from Northern Ireland wearing jerseys of the football team of the Republic of Ireland standing singing outside "Quayside Inn" during Euro 2016 match of Ireland against France

26. Fans wearing jerseys of the football team of the Republic of Ireland singing inside "Quayside Inn" while watching the Euro 2016 match of Ireland against France

27. Waitress pulling a pint of beer

28. Fan watching match, shaking head

29. SOUNDBITE (English) Ian Downey, 46, furniture-maker from Newry:

"It's so close to the border, and when there was a break-up of Ireland, it left us in a bad situation, if you know what I mean. We're in the north but we should really be part of the south."

30. Ian Downey watching the Euro 2016 match of Ireland against France, rooting for Ireland

31. SOUNDBITE (English) Ian Downey, 46, furniture maker from Newry:

"I don't want the border to go back up again because it would create tension here.''

32. Geraldine Merendino outside "Quayside Inn"

33. SOUNDBITE (English) Geraldine Merendino, 48, mother of three from Newry:

"We're not sure yet, I don't even think the politicians know what's going to happen next. They called an EU referendum, I don't think they got the answer they truly wanted, and now everybody's up in arms over it. So, we'll just have to wait and see what happens."

34. Girls walking down street in Newry

35. Various of view from Narrow Water Castle across river to Republic of Ireland

36. Narrow Water Castle near Newry

STORYLINE:

Residents on Ireland's border are trying to imagine what life will be like if Northern Ireland leaves the European Union.

Many now fear that the clock could soon be turned decades back to dark days when the border was a fortified conflict zone.

Northern Ireland farmer Hugh Maguire, like many residents along the United Kingdom's virtually unmarked land border with the Republic of Ireland, faces the risk of financial ruin if Britain proceeds with plans to exit the European Union, whose agricultural subsidies provide most of his income from highland pastures of cows and sheep.

Maguire called last week's referendum verdict, with 52 per cent voting UK-wide to leave the bloc, including 44 per cent in Northern Ireland, "a disaster."

Many now fear that both British and Irish authorities will have no choice but to redeploy customs officers and police to deter immigration and smuggling.

The shock decision to back "Brexit" sent the British pound tumbling against other currencies, including the euro used in the Republic of Ireland.

"A lot of our customers are in Europe, and I think it's going to make it more difficult for us to compete in Europe," said Jonathan Balfour, director of Elite Electronic Systems, a business that employs around 200 in the nearby Northern Ireland town of Enniskillen. The company assembles printed circuit boards and other electronic peripherals but finds its cost for imported materials is rising in tune with the pound's sharp decline.

For the people in Newry, Northern Ireland, it appeared normal to root for the Republic during the Euro 2016. "We're in the north but we should really be part of the south," said Ian Downey, one of the many Northern Irish fans wearing the green jerseys of the Republic of Ireland during Ireland's match against France on Sunday.

"I don't want the border to go back up again because it would create tension here,'' he added.

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LEAD IN:

Rough waters may be ahead for Britain's luxury yacht industry, but right now it's riding on a wave caused by currency fluctuations at home.

At the annual Southampton Boat Show, British-based Sunseeker, Princess and Fairline say 'Brexit' is causing uncertainty in the luxury market which is ultimately bad for business.

STORY-LINE:

It's not just the weather outlook that looks poor at the Southampton Boat Show, the yacht industry is also bracing for the potential effects of Britain leaving the 28-nation European Union.

Claimed to be one of the top ten boat shows in the world, the annual event boasts two kilometres of pontoons, home to a wealth of yachting luxury and new marine technology.

There are almost 600 brands attending and hundreds of boats on display.

Poole-based Sunseeker Yachts is exhibiting this £6 million British pound (approx. $7.94 million USD), 28-metre 95 Yacht. It sleeps a maximum of ten people, plus four crew members and boasts up to 120 nautical miles in range.

Sunseeker International, owned by Chinese property and cinema conglomerate Dalian Wanda Group, recently announced a return to profit in the second quarter of 2016.

The luxury yacht makers also announced retail orders in excess of £25 million British pounds (approx. $33 million USD) at the recent Cannes Boat Show.

"There's a direct correlation between the numbers of high and ultra-high net-worth individuals and the number of luxury yachts that are sold," says CEO of Sunseeker, Phil Popham.

"Projections around the world is that numbers of high net-worth individuals will grow by about 20 percent between now and 2020. So, if there's a direct correlation we expect that growth in the luxury yacht market to be the same."

Popham admits part of Sunseeker's recent success may be down to the British currency, but lack of confidence caused by Britain's exit from the EU will ultimately effect their business.

"The thing that we really need to focus on is confidence levels, certainty, we've benefited because of the weakness of the pound, but its all about business confidence", he says.

Plymouth-based Princess Yachts is giving this Princess V58 its world premiere in Southampton. Measuring 18.42 (60.4 feet) in length, it boasts 6 berths and can hit tops speeds of 37 knots.

Princess Yachts marketing director, Kiran Haslam says the weak pound has certainly encouraged some buyers to push through transactions sooner.

"Undoubtedly there's an advantage to the currency exchange being where it is, we saw that in Cannes," he says.

"We saw a lot of boats being sold where the transaction was really, really pushed along because of the opportunity to get the benefit out of the exchange rates."

Ultimately though, buying a luxury item such as a yacht all depends on buyer confidence. Something which 'Brexit' is eroding.

"The uncertainty is something which absolutely grips our segment whether it's cars or houses or travel, there's no denying that a yacht - as wonderful as it is - is not a necessity item," says Haslam.

"So it's always a conversation about is it the right time."

But what is it that luxury yacht buyers are really after? Princess Yacht's creative design director, Sarah Verey says people are increasingly looking for personalisation and uniqueness.

"A lot of it's about lifestyle, it's about how they're going to use the boats," she says.

"Our clients really come on to these boats and use them. So they're tending to look for lots of open spaces, luxurious spaces, spaces where they can entertain both inside and out.

"And also, clients nowadays, they want something unique. So they want to work with us on completely personalising their boat and finding something that is unique to them and actually has never been used on other boats."

Fairline Yachts is exhibiting this sleek new Targa 53 OPEN, a new addition to its popular 53-foot range.

Priced at around £659,000 British pounds (approx. $871,000 USD), it boasts four to six berths and a top speed of 34 knots.

Fariline's managing director Russell Currie says Southampton Boat Show is an important event.

"It is the shop window for the British manufacturers," he says.

"Here, customers can come down and compare all the British brands as well as the brands represented from around the world and choose exactly what is for their specific requirement."

Currie says Fairline too has benefited from the weak pound, achieving its best-ever sales at the recent Cannes Boat Show.

"We've had an overnight decrease in the price of our boats in areas such as the European market," he says.

"At Cannes Boat Show last year, our boats were 15 percent more expensive than this year. And at Cannes Boat Show, we saw the most successful show in Fairline's history in that region."

Though the decision proved a huge surprise to many in the financial markets and prompted a dramatic slide in the value of the pound, the real economy has exhibited a relatively high degree of resilience.

Retail sales, house prices and industrial production have all held up - to the surprise of many.

Still, economists say little can yet be read into the seeming resilience, given the lags involved between events and changes in the real economy.

The fact remains that apart from the fall in the value of the pound, which now stands at around $1.32 USD compared with $1.50 USD on the eve of the vote, nothing really has changed. Britain remains a member of the EU and has yet to trigger the so-called Article 50 that kick starts a two-year time frame for actual Brexit.

"Obviously, industry and business need stability and the time it will take to exit from the European Union will be problematic, but we are lobbying government hard," says Howard Pridding, chief executive of British Marine.

"We need to understand what's going to be in these free trade agreements and what's going to happen about the free movement of goods and people within the European community."

The Southampton Boat Show runs 16-25 September.

Southampton, UK - 16 September 2016

1. Wide of Southampton Boat Show 2016, cruise ship in background

2. Tilt down to pontoon, boats and visitors

3. Close of 'Sunseeker' flag

4. Various of Sunseeker 95 Yacht exterior

5. Close of 'Sunseeker' logo

6. Tilt up of Sunseeker 95 Yacht rear

7. Various of Sunseeker 95 Yacht interior

8. SOUNDBITE (English) Phil Popham, CEO of Sunseeker International:

"There's a direct correlation between the numbers of high and ultra-high net-worth individuals and the number of luxury yachts that are sold. Projections around the world is that numbers of high net-worth individuals will grow by about 20 percent between now and 2020. So, if there's a direct correlation we expect that growth in the luxury yacht market to be the same. The fortunate thing is the world is becoming generally a wealthier place so those growth in ultra-high net-worth individuals are in Asia - yes, some of the emerging markets - and Africa. But we're expecting to see a growth in the United States, UK and Europe as well."

9. Tilt up to Sunseeker 95 Yacht top deck

10. Close of champagne glasses

11. Pan left to controls

12. Close of compass

13. Pan right of Sunseeker 95 Yacht master bedroom

14. Close of pillows on bed

15. SOUNDBITE (English) Phil Popham, CEO of Sunseeker International:

"Nearly 50 percent of our business is in Europe so obviously what happens within the European market is of great concern and great interest to Sunseeker. And the thing that we really need to focus on is confidence levels, certainty, we've benefited because of the weakness of the pound, but its all about business confidence."

16. Various of Princess V58 exterior

17. Pan left to controls

18. Tilt up to table

19. Close of martini glasses and gin bottle

20. SOUNDBITE (English) Kiran Haslam, Marketing Director of Princess Yachts International:

"Undoubtedly there's an advantage to the currency exchange being where it is, we saw that in Cannes. We saw a lot of boats being sold where the transaction was really, really pushed along because of the opportunity to get the benefit out of the exchange rates."

21. Tilt down of Princess V58 bedroom

22. Close of sunglasses and magazine on bed

23. High shot of Princess B58 master bedroom

24. Tilt up from magazine on bed to pillows

25. SOUNDBITE (English) Kiran Haslam, Marketing Director of Princess Yachts International:

"The uncertainty is something which absolutely grips our segment, whether it's cars or houses or travel, there's no denying that a yacht - as wonderful as it is - is not a necessity item. So it's always a conversation about is it the right time."

26. Close of glass bottles inside Princess 30M

27. Tilt up of Princess 30M living room area

28. Tilt up of bed in Princess 30M

29. Pan left from bedside table to pillows

30. SOUNDBITE (English) Sarah Verey, Director of Creative Design, Princess Yachts International:

"A lot of it's about lifestyle, it's about how they're going to use the boat. Our clients really come on to these boats and use them. So they're tending to look for lots of open spaces, luxurious spaces, spaces where they can entertain both inside and out. And also, clients nowadays, they want something unique. So they want to work with us on completely personalising their boat and finding something that is unique to them and actually has never been used on other boats."

31. Various of Fairline Targa 53 Open exterior

32. SOUNDBITE (English) Russell Currie, Managing Director of Fairline Yachts:

"It is the shop window for the British manufacturers. Here, customers can come down and compare all the British brands as well as the brands represented from around the world and choose exactly what is for their specific requirement."

33. Close of flowers on Fairline Targa 53 Open

34. Various of Targa 53 Open controls

35. Low shot of bed

36. Tilt down to two beds

37. SOUNDBITE (English) Russell Currie, Managing Director of Fairline Yachts:

"We've had an overnight decrease in the price of our boats in areas such as the European market. At Cannes Boat Show last year, our boats were 15 percent more expensive than this year. And at Cannes Boat Show, we saw the most successful show in Fairline's history in that region."

38. Pull out from cruise ship to Southampton Boat Show pontoon

39. Wide of various boats on marina

40. Close of Sunseeker boat's hull in water

41. SOUNDBITE (English) Howard Pridding, Chief Executive of British Marine:

"Obviously, industry and business need stability and the time it will take to exit from the European Union will be problematic, but we are lobbying government hard, we need to understand what's going to be in these free trade agreements and what's going to happen about the free movement of goods and people within the European community."

42. Wide of Southampton Boat Show 2016, cruise ship in background

Fears of "Brexit" are stark among the inhabitants of Blacklion in the Republic of Ireland and Belcoo in Northern Ireland, UK - two border villages that could be further separated if the United Kingdom opts to leave the European Union.

Only a gurgling stream separates the two villages, but Ireland's soft border could become a hard fact of life again if the United Kingdom leaves the European Union, the sovereignty-sharing bloc that has done much to blur the 95-year-old boundary.

Should a majority of British voters reject continued EU membership in the UK's June 23 referendum, Northern Ireland's nearly 500-kilometre (310-mile) frontier with the Irish Republic would become the only British land border with the 27-nation EU.

The closely intertwined residents of Belcoo in Northern Ireland and Blacklion barely 200 metres (218 yards) away in the republic would find themselves again in two diverging lands.

While some view that prospect as an opportunity, many more express dread at the thought.

Farmer Hugh Maguire, 60, whose Blacklion home rests barely inside the republic but whose nearby farm of sheep, cattle and hens lies in Northern Ireland, said he could not survive without EU subsidies.

Both communities are heavily dependent on EU funding. Agriculture is the top employer, and farms receive 329 euros (365 US dollars) per hectare of land from the EU's Single Farm Payment subsidy scheme in place since 2003, an annual payment exceeding 80,000 euros (90,000 US dollars) for Maguire's 241-hectare farm.

Few Northern Ireland farmers are confident that the British government, long a critic of EU farm subsidies, would maintain anything close to that level of state support.

Maguire estimates that EU payments provide two-thirds of his income while most of the rest requires open market access to livestock marts in the republic, where prices for spring lamb are stronger.

Behind the bar in 'Jack's Bar' in Belcoo in Northern Ireland, owner Paul Leonard and his son Stephen look likely to cancel each other's votes. The son favors staying in the EU, while the father is eyeing the exit.

Fears of "Brexit" are stark among the inhabitants of Blacklion in the Republic of Ireland and Belcoo in Northern Ireland, UK - two border villages that could be further separated if the United Kingdom opts to leave the European Union.

Only a gurgling stream separates the two villages, but Ireland's soft border could become a hard fact of life again if the United Kingdom leaves the European Union, the sovereignty-sharing bloc that has done much to blur the 95-year-old boundary.

Should a majority of British voters reject continued EU membership in the UK's June 23 referendum, Northern Ireland's nearly 500-kilometre (310-mile) frontier with the Irish Republic would become the only British land border with the 27-nation EU.

The closely intertwined residents of Belcoo in Northern Ireland and Blacklion barely 200 metres (218 yards) away in the republic would find themselves again in two diverging lands.

While some view that prospect as an opportunity, many more express dread at the thought.

Farmer Hugh Maguire, 60, whose Blacklion home rests barely inside the republic but whose nearby farm of sheep, cattle and hens lies in Northern Ireland, said he could not survive without EU subsidies.

Both communities are heavily dependent on EU funding. Agriculture is the top employer, and farms receive 329 euros (365 US dollars) per hectare of land from the EU's Single Farm Payment subsidy scheme in place since 2003, an annual payment exceeding 80,000 euros (90,000 US dollars) for Maguire's 241-hectare farm.

Few Northern Ireland farmers are confident that the British government, long a critic of EU farm subsidies, would maintain anything close to that level of state support.

Maguire estimates that EU payments provide two-thirds of his income while most of the rest requires open market access to livestock marts in the republic, where prices for spring lamb are stronger.

Behind the bar in 'Jack's Bar' in Belcoo in Northern Ireland, owner Paul Leonard and his son Stephen look likely to cancel each other's votes. The son favors staying in the EU, while the father is eyeing the exit.

AP TELEVISION

Blacklion, Republic of Ireland - 24 May 2016

1. Farmer Hugh Maguire with a calf and cows on pasture

2. Close of calf

3. Sheep running on pasture

4. Maguire, pointing to horizon UPSOUND (English): "Right around the borderline of the mountain, right the way on, you can see parts of Southern Ireland."

5. Sheep grazing

6. SOUNDBITE (English) Hugh Maguire, farmer:

"Probably 70 percent of my income is off it, 65 to 70 percent is from the EU (European Union). We couldn't survive only for the subsidies. There is no way we could survive, especially on this land that we're farming."

7. Maguire leaving farm through gate

AP TELEVISION

Belcoo, Northern Ireland, United Kingdom (UK) - 24 May 2016

8. Bridge leading from Belcoo, Northern Ireland (UK) to Blacklion, Republic of Ireland, with sign reading (English and Gaelic) "Welcome to County Cavan"

9. Close of sign reading (English and Gaelic) "Blacklion" with speed limit in kilometres per hour

10. Bridge connecting Belcoo, Northern Ireland (UK) and Blacklion, Republic of Ireland

AP TELEVISION

Blacklion, Republic of Ireland - 24 May 2016

11. Sign of "The Market House" tourist centre and gift shop

12. Tourist administrator Helena Corcoran talking to colleague in tourist centre

13. Leprechaun puppets for sale in tourist centre

14. SOUNDBITE (English) Helena Corcoran, tourist administrator and local resident:

"We've had so much tragedy and grief along the border area, that I just feel and hope that they will stay in. My fear is, I suppose, that this border will appear and will make everyday life difficult for everybody basically, because this is the main road from North to South, from Sligo, and we get a lot of traffic, a lot of tourists, and we've already suffered enough in this area, so we don't need to suffer anymore."

15. Mug for sale with images of Ireland and reading (English) "Greetings from Ireland"

AP TELEVISION

Blacklion, Republic of Ireland - 25 May 2016

16. Top shot of bridge connecting Blacklion, Republic of Ireland and Belcoo, Northern Ireland (UK)

17. SOUNDBITE (English) John Paul Feeley, Cavan County councilman:

"Europe, and the structural funding and the peace funding have been hugely important in terms of giving areas like this the leg-up that they need to reach or to get into step with the rest of the country and progress economically."

AP TELEVISION

Belcoo, Northern Ireland, United Kingdom (UK) - 25 May 2016

18. Sign reading (English) Belcoo, with speed limit in miles per hour

19. Bartender Stephen Leonard carrying board out of pub "Jack's Bar"

20. Stephen Leonard serving guests inside pub

21. SOUNDBITE (English) Stephen Leonard, bartender:

"Behind the bar you hear both sides of the story, and you hear now a lot of things like there'll be borders back up, the police will be back out stopping and just all stuff like that, and I've never witnessed it, and I wouldn't like to witness it from what you've heard years ago."

22. Stephen Leonard talking to his father Paul Leonard

23. SOUNDBITE (English) Paul Leonard, self-employed pub owner:

"It probably would possibly enhance the economy again, maybe we'd be freer to be able to do things without the regulation of Europe, you know, so it would. At the end of the day, before the UK market ever went down to the EU, they have always had a very strong economy, they were always well able to survive. They have an identity of their own."

24. Paul Leonard pouring beer and handing glass to his son UPSOUND (English): "Hey Stephen, that's for you."

25. Stephen Leonard drinking beer in pub

26. Pan from river to bridge between Blacklion, Republic of Ireland and Belcoo, Northern Ireland (UK)

European Union workers who work in Britain expressed fear and confusion over what happens next on Saturday, as their adoptive country begins the long process of unwinding its many ties to continental Europe.

An entire class of cosmopolitan entrepreneurs, workers, students and strivers who have made the UK their home since Britain opened its borders to its EU neighbours now see their futures in limbo.

Immigrants have changed the face of Britain, turning London's Kensington neighbourhood into a suburb of Paris, sleepy English towns like Boston into Baltic enclaves, and filling supermarket shelves across the nation with Polish lager and Wiejska sausage.

The biggest impact may be on the Poles - the largest group of foreign EU workers in the UK.

An estimated 850,000 people have left Poland for the UK to seek wages and opportunities far beyond what they could ever expect in their ex-communist homeland - a flow so dramatic that Polish is now England's second-most-spoken language.

But despite others' concerns, Polish businessman Andrew Makulsky was optimistic.

Over the long-term though, the lives of the estimated three million EU citizens living in Britain may change in ways big and small.

A survey commissioned by the Financial Times found that if Britain's current immigration rules were applied to EU nationals, the overwhelming majority would lose their jobs and be forced to leave the country - catastrophic news for Spanish barristers, Romanian strawberry pickers, German investment bankers and the industries that rely on them.

Greek expatriate Flora Michalopoulou settled in the United Kingdom in early 2014 after difficult times in Greece following the financial crisis.

A trained psychologist working with autistic children, she worked for months with no pay. When her partner's employment suffered the same fate, they decided to move to Scotland.

Flora had previously studied in England but by 2014 it felt too expensive, so they opted for Edinburgh.

She said the UK's vote to leave the European Union came as a shock and she doesn't really know what it vote will mean.

Back in London, French investment banker Marc Miller feared the consequences the referendum would have on him because of London's role as a financial services centre.

Under British law, EU immigrants who have resided in the UK for more than five years can apply for permanent residency.

In practice, however, few EU citizens have bothered as their passports already allow them to travel freely and easily access education, health care, pensions and other services in Britain.

European Union workers who work in Britain expressed fear and confusion over what happens next on Saturday, as their adoptive country begins the long process of unwinding its many ties to continental Europe.

An entire class of cosmopolitan entrepreneurs, workers, students and strivers who have made the UK their home since Britain opened its borders to its EU neighbours now see their futures in limbo.

Immigrants have changed the face of Britain, turning London's Kensington neighbourhood into a suburb of Paris, sleepy English towns like Boston into Baltic enclaves, and filling supermarket shelves across the nation with Polish lager and Wiejska sausage.

The biggest impact may be on the Poles - the largest group of foreign EU workers in the UK.

An estimated 850,000 people have left Poland for the UK to seek wages and opportunities far beyond what they could ever expect in their ex-communist homeland - a flow so dramatic that Polish is now England's second-most-spoken language.

But despite others' concerns, Polish businessman Andrew Makulsky was optimistic.

Over the long-term though, the lives of the estimated three million EU citizens living in Britain may change in ways big and small.

A survey commissioned by the Financial Times found that if Britain's current immigration rules were applied to EU nationals, the overwhelming majority would lose their jobs and be forced to leave the country - catastrophic news for Spanish barristers, Romanian strawberry pickers, German investment bankers and the industries that rely on them.

Greek expatriate Flora Michalopoulou settled in the United Kingdom in early 2014 after difficult times in Greece following the financial crisis.

A trained psychologist working with autistic children, she worked for months with no pay. When her partner's employment suffered the same fate, they decided to move to Scotland.

Flora had previously studied in England but by 2014 it felt too expensive, so they opted for Edinburgh.

She said the UK's vote to leave the European Union came as a shock and she doesn't really know what it vote will mean.

Back in London, French investment banker Marc Miller feared the consequences the referendum would have on him because of London's role as a financial services centre.

Under British law, EU immigrants who have resided in the UK for more than five years can apply for permanent residency.

In practice, however, few EU citizens have bothered as their passports already allow them to travel freely and easily access education, health care, pensions and other services in Britain.

London - 25 June 2016

1. Polish people singing Polish national anthem and cheering before watching Poland - Sweden Euro 2016 football match

2. Andrew Makulsky playing trumpet

3. Polish flag

4. SOUNDBITE (English) Andrew Makulsky, Chairman of Polish club and restaurant and businessman:

"We are working here, very hard. Everybody works officially, legally, we pay taxes to Her Majesty. I am sure everything is fine. Maybe today and yesterday - big panic, but slowly slowly, I think situation will be back to normal. It's not very good news about what happened yesterday, but I am thinking positive."

6. Various of people in Polish club

Edinburgh, Scotland - 25 June 2016

7. View of Edinburgh castle

8. Various of people walking in the hills

9. Greek expatriate Flora Michalopoulou walking in the hills overlooking the mountain

10. SOUNDBITE (English) Flora Michalopoulou, Greek expatriate living in Scotland:

"So I had been living in Greece and because of the financial crisis I wasn't getting paid for my work and I couldn't find another job, so I decided to move back to the UK and I came and settled in Edinburgh in February 2014. (Michalopoulou walking past Edinburgh Castle) We've been here ever since, and now our life is here. Well, the initial reaction is a feeling of not being wanted, and there is part of me that thinks maybe there is something in that. Maybe I am taking the job away from someone who's local and maybe deserves it, in a way. On the other hand, I work hard for what I do, my employers want me to be here. I'm sure that if it came to supporting me staying here by documentation or something like that, I'm sure they would. But it's very discordant because we felt very welcome in Scotland by the people, by employers, by the government, everything. It's been so positive and so welcoming. And this referendum was kind of a slap in the face. It's like you're not wanted by everyone. You're not wanted anywhere."

13. Flora's dog Boughatsa, named after a Greek cream pastry, running around the hills

14. Various of flowers

15. SOUNDBITE (English) Flora Michalopoulou, Greek expatriate living in Scotland:

"I think we're in denial that anything will change, because we are here and we are settled here. I don't think and they (her Greek friends) don't think we're going to find a difference in our everyday life or in how we apply for jobs, we apply for houses and how we live our life. But it may not be true. Maybe we'll need visas or it'll be expensive or it may be that we'll need to become residents, or it may be that coming in or out of the country is going to be all that more difficult and all the more difficult for our families to come visit us."

16. Flora stroking Boughatsa

17. Close-up Boughatsa

18. Boughatsa running around the hills

19. Various landscape

London - 25 June 2016

20. Various of London streets

21. Mid of French cafe

22. SOUNDBITE (English) Marc Miller, French investment banker:

"I think that the result is actually really bad. It's bad for me personally, because I believe that as a banker in this country I will be affected certainly by what has happened."

23. Cutaway sign reading "Boulangerie

24. SOUNDBITE (English) Marc Miller, French investment banker:

"Part of ability to sell services will be taken away, which means job losses here and consecutively probably relocation to other European countries, which probably could be a benefit for other European countries, and I think it will be, but it will clearly be a negative for London as financial services centre."

25. Various of Marc Miller walking away

Ford's Dagenham diesel engine plant is a marvel of mechanisation - a steel and chrome hangar full of LED lighting, robots and computer-controlled machine tools.

The US carmaker has invested 2.5 (b) billion US dollars in the plant, where 3,150 people churn out an engine every 30 seconds.

And they've been here a long time: Edsel Ford, son of founder Henry Ford, personally cut the sod to start construction of the company's UK manufacturing headquarters in 1929.

It's hard to imagine Ford would walk away from all that if Britain fails to negotiate a favourable trade deal when it leaves the European Union.

But don't bet on it.

With auto parts passing through as many as 15 countries before a car is completed, a Brexit agreement that results in new tariffs that increase the cost of Ford vehicles for consumers is no small problem.

"It will force us to consider what the longer-term options are for the investments that we make, because let me be clear: We have to transact business in an environment where we can be competitive, and it's that competitive base that we're interested in making sure is protected," said Steven Armstrong, CEO of Ford in Europe.

Britain's car industry, which employs 814,000 people, illustrates the struggle the country faces as it prepares to exit the European Union.

Cars are assembled, not forged in a single place.

Modern manufacturing techniques result in carmakers having plants in several locations, often in different countries, that specialise in producing pieces of the finished vehicle.

For instance, the plant in Dagenham, in east London, makes nothing but diesel engines.

Tariffs, which are virtually non-existent for goods that move from one EU nation to another, are an oversized threat to British carmakers because they could be applied each time those components cross and re-cross international borders on their way to the new car showroom.

British carmakers, and many other industries, want the government to negotiate an agreement that preserves free trade with the EU's single market after Brexit.

Failure to do so could mean that tariffs and quotas are applied according to World Trade Organisation rules, which would make each vehicle more expensive.

The industry relies on Europe as both a market and a supplier, with the EU accounting for 56 percent of UK car exports and 69 percent of imports in 2016, according to the SMMT.

Besides that, Europe supplies the majority of components within UK-built vehicles.

Ford wants to know how the government plans to address this issue - and soon. "It's important that we continue to have access to the European market, free trade and a seamless border really is what we're looking for as we go through the Brexit process," Armstrong told The Associated Press.

Prime Minister Theresa May has repeatedly said that remaining in the single market is not an option, but the government this month outlined its hopes for an agreement that would permit the "freest and most frictionless possible trade" with EU member states.

This could include a temporary customs union with the bloc for up to three years after Britain leaves in 2019 to give businesses time to adjust to the new rules. Negotiations are set to begin again next week.

A transition period may be crucial for carmakers because they will have to adjust to new borders at a time of dramatic change for the industry.

"A significant proportion of the UK supply chain actually sits within the European marketplace," said Darren Jukes, head of the industrial products group at consulting firm PwC.

The change isn't lost on the workers at the Ford's Dagenham works, which has seen cuts and change over decades and where female workers went on strike in 1968 to demand equal pay in a fight immortalised in the movie "Made in Dagenham.''

Plus all they have to do is look around - robots do much of the work.

In places where a human being is required, a computer is often nearby to correct mistakes.

The uncertainty of Brexit worries people like the plant's employees, for whom the debate could be more about location than politics.

Dagenham, east London - 21 July 2017

1. Pan of completed Ford vehicles that have recently arrived in the United Kingdom from overseas

2. Stationary Ford vehicles, car transporter moving in background

3. Pull focus on Ford logo

4. Exterior of Ford Motor Company engine plant

5. Close of signage with Ford logo

6. Top view of engine plant, pan right

7. Machinery inside plant, electronic screen

8. Close of screen

9. Samy Alakarsamy, who has worked for Ford for 35 years, operating machinery on engine assembly line

10. Ford employee marking engine component

Ford Dunton Technical Centre, Dunton Wayletts, Essex – 21 July 2017

11. Exterior of Ford Dunton Technical Centre

12. Statue of Henry Ford, founder of the Ford Motor Company

13. Steven Armstrong, Group Vice President and President of Europe, Middle East and Africa at Ford Motor Company (screen right) speaking

14. SOUNDBITE (English) Steven Armstrong, Group Vice President and President of Europe, Middle East and Africa at Ford Motor Company:

"We've said that the whole situation around Brexit is probably the biggest headwind that we face within the Ford business in Europe, and we're looking forward to getting to some clarity around what's going to happen, stressing the importance of a need for a transitional arrangement as we move toward the separation in, you know, not too many months' time now. So, for us it's important that we continue to have access to the European market, free trade and a seamless border really is what we're looking for as we go through the Brexit process."

Dagenham, east London - 21 July 2017

15. Ford employee operating machinery on engine assembly line

16. A cylinder block, which forms the main structure of the diesel engine, on production line

17. Ford employees standing next to cylinder block inside plant

18. Cylinder block moving through the production process

19. Tilt up on cylinder block

20. Robot moving cylinder blocks

Central London – 24 August, 2017

21. SOUNDBITE (English) Darren Jukes, head of the industrial products group at consulting firm PwC:

"It's interesting because at the moment what you have is that for UK suppliers, the current economic environment that they are facing is actually quite attractive. You know, they have suddenly become far more competitive, far cheaper relative to some of their European kind of counterparts. But a significant proportion of the UK supply chain actually sits within the European marketplace."

Dagenham, east London - 21 July, 2017

22. Various of Ford employees operating machinery on engine assembly line

23. Various of employees working on engines

24. Complete engines ready to be shipped overseas to be inserted into vehicles

Ford Dunton Technical Centre, Dunton Wayletts, Essex – 21 July, 2017

25. SOUNDBITE (English) Steven Armstrong, Group Vice President and President of Europe, Middle East and Africa at Ford Motor Company:

"It will force us to consider what the longer-term options are for the investments that we make because let me be clear we have to transact business in an environment where we can be competitive and it's that competitive base that we're interested in making sure is protected."

Dagenham Dock, east London – 21 July, 2017

26. Various of ship docked at port

27. Cars in container ship hold

28. Low angle shot of cars being driven off ship

29. Workers standing next to ramp

30. Cars being driven off ship

31. Cars seen being driven off ship in mirror reflection

32. Car travelling along road after leaving ship

33. Wide of ship docked, pan to cars travelling along road

LEAD IN:

German business confidence rose more than expected last month (December 2016), with sentiment improving in the key manufacturing sector and elsewhere, according to the Ifo (Information and Forschung) Institute for Economic Research.

Germany has kept its manufacturing traditions at the heart of its strong economy... and in one region it is making of instruments that have sustained economic growth.

STORY-LINE:

Skilled musicians demand the best instruments.

In recent decades mass production of orchestral instruments is dominated by factories in China.

But quality production of instruments can still be found in the region of Vogtland in Saxony, where more than 1,300 craftsmen in more than 100 workshops continue the craft of their ancestors.

Many workshops boast 4th or 5th generation artisans and the majority of the companies are family businesses.

Jurgen Voigt is one of the medium size companies in Markneukirchen employing 30 people.

The company has been in the current owner's family for 10 generations, and it produces a variety of brass instruments and spare parts.

Kerstin Voigt says one of the extra advantages of the company is that they are able to offer not only high quality instruments but also custom made instruments.

Musicians can ask for changes on the catalogued instruments or can design new ones.

Despite the company's long tradition in handcrafting instruments, they have also embraced industrial machinery, using machines alongside the craftsmen.

At the beginning of the 20th century, factories with thousands of workers were based in Vogtland.

China has become one of the biggest producers of music instruments in recent years.

But for the manufacturers of Vogtland this does not present a threat.

"The cheap products from the Asia made the beginners (pupils) music instrument market unreachable to us.", says Kerstin Voigt.

"It has broken away (from us). They (the clients) were going there (They are all buying Chinese instruments). But professionals, (music university) students and today's very dedicated amateurs demand more and more to have custom made instruments."

Neither mass production having moved to another country or the recent economic crisis has posed a substantial threat to Voigts' company.

"You could say that the crisis of the last years, either the economic crisis or Brexit and Grexit, was to our benefit. Interests in the money market are low, and so people started investing in which are durable and have great value," she says.

Musical instruments have been manufactured for more than 350 years in the southern region of Saxony, close to the Bavarian and the Czech border.

Björn Stoll's family has been in the music production industry since 1836. Stoll is now the owner of the family business working alongside his father producing cellos and double basses.

"We deliver worldwide. From the USA, to Japan, Indonesia, Austria, Spain, China. Especially in China they build a lot of cheap instruments but there are also a lot of good musicians searching for high quality instruments. They are coming to us to order customised instruments," says Stoll.

"Most of our clients want that the instrument look used even if they get it new. Because old instruments have the image that they are the best.The old Italians for example. That's because we make new instruments look like old ones. There you can see scratches and hits in the varnish. Wear marks we put on the new instruments which you would see generally not until hundreds of years. The vintage look," he adds.

A tourism industry has evolved to complement the instrument making tradition, with workshops opening their doors to visitors.

Frank Bilz is the manager of Musicon Valley association, an organisation that is promoting tourism in the area.

"Tourism generates revenues of which we had no idea until a few years ago (it was possible)," he says.

For the visitors this is an opportunity to learn something new while visiting a relatively undiscovered region.

"I wanted to see this here because I didn't know about it. I am 55 years old but I was amazed that they make everything by hand at not as you might think by machine," says visitor Ilona Rossberger.

Vogtland instruments are indeed well regarded in the music world.

Frank Meyer, is the co-owner of Ludwig Frank & Frank Meyer music instrument shop in Berlin, which specialises in woodwind instruments.

"The clients which are buying instruments from Vogtland and especially from our company are mostly professionals. They are coming from broadcast orchestras, from opera (orchestras) and from all around the world, Paris, New York, London, Milan, Tokyo and let's not forget Beijing," he says.

Balazs piri Arpad, an oboist of the Slovenian National Opera orchestra has driven from Slovenia to buy an instrument made in Vogtland.

Balazs piri Arpad has driven from Slovenia with his colleague in order to try one these instruments.

"My colleague from philharmonic, he has already got this instrument, and I tried and it is very nice, warm sound, good intonation, flexible tones, so..."

In 2014 UNESCO recognised Vogtland Musical Instrument Construction in Markneukirchen and the Surrounding Area as Intangible Cultural Heritage.

Markneukirchen, Vogtland - December 7, 2016

1. Medium zoom out of man playing the trumpet

2. Various shots of employees producing brass instruments

3. Various of Kirstin Voigt walking and talking with employees

4. SOUNDBITE (Germany) Kerstin Voigt, owner of brass instruments company Jürgen Voigt :

"The cheap products from Asia made the beginners (pupils) music instrument market unreachable to us. It has broken away (from us). They (the clients) were going there (They are all buying Chinese instruments). But professionals, (music university) students and today's very dedicated amateurs demand more and more to have custom made instruments"

5. Various of electronic heavy machinery being operated by an employee

6. SOUNDBITE (Germany) Kerstin Voigt, owner of brass instruments company Jürgen Voigt :

"You could say that the crisis of the last years, either the economic crisis or Brexit and Grexit, was to our benefit. Interests in the money market are low, and so people started investing in things which are durable and have great value"

7. Close up of frame with old advertising poster

8. Various of Björn Stoll's father attaching strings to a cello

9. Various of Björn Stoll carving the wooden top of a cello

10. SOUNDBITE (German) Björn Stoll, luthier and owner of Contrabass workshop :

"We deliver worldwide. From the USA, to Japan, Indonesia, Austria, Spain, China. Especially in China they build a lot of cheap instruments but there are also a lot of good musicians searching for high quality instruments. They are coming to us to order customised instruments"

11. Various of Björn's father tuning a cello

12. SOUNDBITE (German) Björn Stoll, Luthier and owner of Contrabass workshop:

"Most of our clients want that the instrument look used even if they get it new. Because old instruments have the image that they are the best.The old Italians for example. That's because we make new instruments look like old ones. There you can see scratches and hits in the varnish. Wear marks we put on the new instruments which you would see generally not until hundreds of years. The vintage look"

13. Various of employee and father of Björn Stoll working on cellos

Markneukirchen, Vogtland - December 8, 2016

14. Wide of Markneukirchen

Markneukirchen, Vogtland - December 7, 2016

15. Wide exterior of Musicon Valley association building

16. Medium of Tourists arriving at the Musicon Valley and being greeted by Frank Bilz

17. Close up of date on building

18. Medium of Frank Bilz talking to the tourists

19. Medium of frame on the wall with old pictures of music craftsmen working

20. Close up of picture of craftsman working on a bass

21. SOUNDBITE (German) Frank Bilz, Manager of Musicon Valley:

At the end of the day they can say that the added value has arisen here. Tourism generates revenues of which we had no idea until a few years ago (it was possible)"

22. Medium of luthier giving a seminar to tourists

23. Close up of violin handles on the wall

24. SOUNDBITE (German) Ilona Rossberger, Visitor

"I wanted to see this here because I didn't know about it. I am 55 years old but I was amazed that they make everything by hand at not as you might think by machine"

Berlin - December 10, 2016

25. Various exterior of wind instruments shop

26. Various of owner Frank Meyer, co owner of Ludwig Frank music shop, entering room with instruments and arranging instruments on the display

27. SOUNDBITE (German) Frank Meyer, Ludwig Frank music shop:

"The clients which are buying instruments from Vogtland and especially from our company are mostly professionals. They are coming from broadcast orchestras, from opera (orchestras) and from all around the world, Paris, New York, London, Milan, Tokyo and let's not forget Beijing"

28. Various of Oboist Balazs piri Arpad of the Slovenian National Opera playing an oboe

29. SOUNDBITE (English) Balazs piri Arpad, oboist at Slovenian National Opera:

"My colleague from philharmonic, he has already got this instrument, and I tried and it is very nice, warm sound, good intonation, flexible tones, so..."

30. Zoom in of Balazs piri Arpad of the Slovenian National Opera playing an oboe

LEAD IN:

German business confidence rose more than expected last month (December 2016), with sentiment improving in the key manufacturing sector and elsewhere, according to the Ifo (Information and Forschung) Institute for Economic Research.

Germany has kept its manufacturing traditions at the heart of its strong economy... and in one region it is making of instruments that have sustained economic growth.

STORY-LINE:

Skilled musicians demand the best instruments.

In recent decades mass production of orchestral instruments is dominated by factories in China.

But quality production of instruments can still be found in the region of Vogtland in Saxony, where more than 1,300 craftsmen in more than 100 workshops continue the craft of their ancestors.

Many workshops boast 4th or 5th generation artisans and the majority of the companies are family businesses.

Jurgen Voigt is one of the medium size companies in Markneukirchen employing 30 people.

The company has been in the current owner's family for 10 generations, and it produces a variety of brass instruments and spare parts.

Kerstin Voigt says one of the extra advantages of the company is that they are able to offer not only high quality instruments but also custom made instruments.

Musicians can ask for changes on the catalogued instruments or can design new ones.

Despite the company's long tradition in handcrafting instruments, they have also embraced industrial machinery, using machines alongside the craftsmen.

At the beginning of the 20th century, factories with thousands of workers were based in Vogtland.

China has become one of the biggest producers of music instruments in recent years.

But for the manufacturers of Vogtland this does not present a threat.

"The cheap products from the Asia made the beginners (pupils) music instrument market unreachable to us.", says Kerstin Voigt.

"It has broken away (from us). They (the clients) were going there (They are all buying Chinese instruments). But professionals, (music university) students and today's very dedicated amateurs demand more and more to have custom made instruments."

Neither mass production having moved to another country or the recent economic crisis has posed a substantial threat to Voigts' company.

"You could say that the crisis of the last years, either the economic crisis or Brexit and Grexit, was to our benefit. Interests in the money market are low, and so people started investing in which are durable and have great value," she says.

Musical instruments have been manufactured for more than 350 years in the southern region of Saxony, close to the Bavarian and the Czech border.

Björn Stoll's family has been in the music production industry since 1836. Stoll is now the owner of the family business working alongside his father producing cellos and double basses.

"We deliver worldwide. From the USA, to Japan, Indonesia, Austria, Spain, China. Especially in China they build a lot of cheap instruments but there are also a lot of good musicians searching for high quality instruments. They are coming to us to order customised instruments," says Stoll.

"Most of our clients want that the instrument look used even if they get it new. Because old instruments have the image that they are the best.The old Italians for example. That's because we make new instruments look like old ones. There you can see scratches and hits in the varnish. Wear marks we put on the new instruments which you would see generally not until hundreds of years. The vintage look," he adds.

A tourism industry has evolved to complement the instrument making tradition, with workshops opening their doors to visitors.

Frank Bilz is the manager of Musicon Valley association, an organisation that is promoting tourism in the area.

"Tourism generates revenues of which we had no idea until a few years ago (it was possible)," he says.

For the visitors this is an opportunity to learn something new while visiting a relatively undiscovered region.

"I wanted to see this here because I didn't know about it. I am 55 years old but I was amazed that they make everything by hand at not as you might think by machine," says visitor Ilona Rossberger.

Vogtland instruments are indeed well regarded in the music world.

Frank Meyer, is the co-owner of Ludwig Frank & Frank Meyer music instrument shop in Berlin, which specialises in woodwind instruments.

"The clients which are buying instruments from Vogtland and especially from our company are mostly professionals. They are coming from broadcast orchestras, from opera (orchestras) and from all around the world, Paris, New York, London, Milan, Tokyo and let's not forget Beijing," he says.

Balazs piri Arpad, an oboist of the Slovenian National Opera orchestra has driven from Slovenia to buy an instrument made in Vogtland.

Balazs piri Arpad has driven from Slovenia with his colleague in order to try one these instruments.

"My colleague from philharmonic, he has already got this instrument, and I tried and it is very nice, warm sound, good intonation, flexible tones, so..."

In 2014 UNESCO recognised Vogtland Musical Instrument Construction in Markneukirchen and the Surrounding Area as Intangible Cultural Heritage.

Markneukirchen, Vogtland - December 7, 2016

1. Medium zoom out of man playing the trumpet

2. Various shots of employees producing brass instruments

3. Various of Kirstin Voigt walking and talking with employees

4. SOUNDBITE (Germany) Kerstin Voigt, owner of brass instruments company Jürgen Voigt :

"The cheap products from Asia made the beginners (pupils) music instrument market unreachable to us. It has broken away (from us). They (the clients) were going there (They are all buying Chinese instruments). But professionals, (music university) students and today's very dedicated amateurs demand more and more to have custom made instruments"

5. Various of electronic heavy machinery being operated by an employee

6. SOUNDBITE (Germany) Kerstin Voigt, owner of brass instruments company Jürgen Voigt :

"You could say that the crisis of the last years, either the economic crisis or Brexit and Grexit, was to our benefit. Interests in the money market are low, and so people started investing in things which are durable and have great value"

7. Close up of frame with old advertising poster

8. Various of Björn Stoll's father attaching strings to a cello

9. Various of Björn Stoll carving the wooden top of a cello

10. SOUNDBITE (German) Björn Stoll, luthier and owner of Contrabass workshop :

"We deliver worldwide. From the USA, to Japan, Indonesia, Austria, Spain, China. Especially in China they build a lot of cheap instruments but there are also a lot of good musicians searching for high quality instruments. They are coming to us to order customised instruments"

11. Various of Björn's father tuning a cello

12. SOUNDBITE (German) Björn Stoll, Luthier and owner of Contrabass workshop:

"Most of our clients want that the instrument look used even if they get it new. Because old instruments have the image that they are the best.The old Italians for example. That's because we make new instruments look like old ones. There you can see scratches and hits in the varnish. Wear marks we put on the new instruments which you would see generally not until hundreds of years. The vintage look"

13. Various of employee and father of Björn Stoll working on cellos

Markneukirchen, Vogtland - December 8, 2016

14. Wide of Markneukirchen

Markneukirchen, Vogtland - December 7, 2016

15. Wide exterior of Musicon Valley association building

16. Medium of Tourists arriving at the Musicon Valley and being greeted by Frank Bilz

17. Close up of date on building

18. Medium of Frank Bilz talking to the tourists

19. Medium of frame on the wall with old pictures of music craftsmen working

20. Close up of picture of craftsman working on a bass

21. SOUNDBITE (German) Frank Bilz, Manager of Musicon Valley:

At the end of the day they can say that the added value has arisen here. Tourism generates revenues of which we had no idea until a few years ago (it was possible)"

22. Medium of luthier giving a seminar to tourists

23. Close up of violin handles on the wall

24. SOUNDBITE (German) Ilona Rossberger, Visitor

"I wanted to see this here because I didn't know about it. I am 55 years old but I was amazed that they make everything by hand at not as you might think by machine"

Berlin - December 10, 2016

25. Various exterior of wind instruments shop

26. Various of owner Frank Meyer, co owner of Ludwig Frank music shop, entering room with instruments and arranging instruments on the display

27. SOUNDBITE (German) Frank Meyer, Ludwig Frank music shop:

"The clients which are buying instruments from Vogtland and especially from our company are mostly professionals. They are coming from broadcast orchestras, from opera (orchestras) and from all around the world, Paris, New York, London, Milan, Tokyo and let's not forget Beijing"

28. Various of Oboist Balazs piri Arpad of the Slovenian National Opera playing an oboe

29. SOUNDBITE (English) Balazs piri Arpad, oboist at Slovenian National Opera:

"My colleague from philharmonic, he has already got this instrument, and I tried and it is very nice, warm sound, good intonation, flexible tones, so..."

30. Zoom in of Balazs piri Arpad of the Slovenian National Opera playing an oboe

LEAD IN:

Designs inspired by the London Underground and Brexit are now on show in the new-look Design Museum in Kensington.

The new space is in a Grade-II listed piece of 1960s modernist architecture, three times larger than the Museum's previous home.

STORY-LINE:

Meet Mimus the mechanical robot who only wants to be your friend.

This 1,200kg industrial arm has been programmed to respond and interact with passersby.

Mimus is the one of the attractions in the new Design Museum in London.

Art critic Estelle Lovatt is one of the first people to get a look around the museum

"You know what I think of the new building, and I use the word sit as well, I love the fact that as soon as you walk in you can walk up the stairs and you can also sit on them. That struck me that there's so much humour here as well. You know I love the fact that this piece here behind me, I don't know whether to laugh at it or be afraid of it but it's the interactiveness of this museum that will make it steps ahead of, leap years ahead of the other museums that we go into now," she says.

The Design Museum outgrew its previous home on the South Bank of the Thames and has moved into Kensington, a district well-known for its important museums, including the Natural History Museum, the Science Museum and the Victoria and Albert Museum.

The new building occupies a Grade-II listed modernist site created in the 1960s for the Commonwealth Institute.

The restoration of the empty building took five years and required an £83 million investment.

Museum director Deyan Sudjic explains the importance of the move.

He says: "The design museum is here in its new home in Kensington, new home? Actually the transformation of a building from the 60s. We've moved from a charming converted banana ripening warehouse next to Tower Bridge here to this great piece of 60s architecture brought back to life. We've moved because we think design is to important to leave to the specialists, to the priesthood, we're trying to do here for contemporary design and architecture what the Tate Modern did for contemporary art. Turning something that was seen as on the margins of the wider conversation into something right at the centre. So we have three times the space, 100,000 square feet, we can offer free admission. We have a chance really to talk to a much wider audience why design is important."

The Design Museum opens with a striking exhibition called Fear and Love, which challenged 11 designers to react to a wide range of issues that affect the modern world.

Dutch designer Christien Meinderstma's installation Fibre Market explores the possibility of recycling our clothes and sorting them into their constituent parts.

The work displays mounds of brightly coloured wools.

A New York architect has created a space that looks at how social networking is affecting our pursuit of sex.

His work explores the phenomenon of the gay networking site Grindr.

One of the most topical works in the exhibition is Pan European Living Room.

In post-Brexit Britain the piece looks at how our interior design is so closely connected across Europe.

It takes a typical living room and furnishes it with furniture, wallpaper and designs from the 28 EU member states.

Justin McGuirk, chief curator at the Design Museum, says: "The average European living room, or our idea of the domestic interior, is really a construct of European cooperation and collaboration, trade agreements, designers from Britain and Holland working with manufacturers in Italy and Sweden and so in some senses the idea that one can pull out of that is an illusion."

The centre-piece of the room is a vertical blind featuring a barcode design of the EU member states' flags.

When the blind opens it reveals a vista of the shattered city of Rotterdam in 1945 at the end of World War II - a stark reminder of what can happen when European countries stop cooperating.

The Design Museum's deputy director Alice Black wants people to feel that they are involved in the evolving story of design.

She created a crowd-sourced feature asking people to nominate items in their everyday lives.

Black explains: "So behind me you will see a crowd-sourced wall, so what we did we asked our audiences what they wanted to see in a design museum, we sort of turned the table on them and said what do you think is good design, what in your every day design objects make a better life or a more beautiful life around you. So they sent us about 850 nominations from about 25 different countries and we selected 250 pieces that are on the wall behind me."

There surely can't be many museums where a Fisher Price talking telephone, a Nintendo Gameboy and the Holy Bible all share the same wall space.

The new Design Museum is expected to attract up to 650,000 visitors in its first year and is free to enter, for the first time.

London, UK - 17 November 2016

1. Wide of robotic arm

2. Close of same

3. Various set up shots of Estelle Lovatt taking selfie with robotic arm

4. SOUNDBITE (English) Estelle Lovatt, independent art critic:

"You know what I think of the new building, and I use the word sit as well, I love the fact that as soon as you walk in you can walk up the stairs and you can also sit on them. That struck me that there's so much humour here as well. You know I love the fact that this piece here behind me, I don't know whether to laugh with it or be afraid of it but it's the interactiveness of this museum that will make it steps ahead, leap years ahead of the other museums that we go into now."

5. Mid of robotic arm

6. Tilt up of entrance to Design Museum with stairs doubling up as seats

7. Wide tilt down from concrete ceiling to museum entrance

8. Various set up shots of walking up stairs and through museum

9. SOUNDBITE (English) Deyan Sudjic, director of Design Museum:

"The design museum is here in its new home in Kensington, new home? Actually the transformation of a building from the 60s. We've moved from a charming converted banana ripening warehouse next to Tower Bridge here to this great piece of 60s architecture brought back to life. We've moved because we think design is to important to leave to the specialists, to the priesthood, we're trying to do here for contemporary design and architecture what the Tate Modern did for contemporary art. Turning something that was seen as on the margins of the wider conversation into something right at the centre. So we have three times the space, 100,000 square feet, we can offer free admission. We have a chance really to talk to a much wider audience about why design is important."

10. Mid of exhibit Room Tone that uses wearable technology to record London city life

11. Various of exhibit Fibre Market that demonstrates how wool clothes can be recycled and sorted by colour

12. Mid of neon panel reading: (English) "Love/Fear"

13. Various of exhibit looking at the Grindr ( gay social network app) phenomenon

14. Various of exhibit by Chinese fashion designer Ma Ke who uses ancient wooden looms to create the fashions

15. Pull focus from Italian Arco lamp to British wallpaper by Nina Campbell

16. Wide of the Pan European Living Room exhibit - a room furnished with designs from each of the 28 member states of the EU

17. Pan left of blinds in the colours of EU member state flags#

18. Mid of Romanian coffee pot by Ero on a coffee table

19. Various set up shots of Justin McGuirk

20. SOUNDBITE (English) Justin McGuirk, chief curator, Design Museum:

"The average European living room, or our idea of the domestic interior, is really a construct of European cooperation and collaboration, trade agreements, designers from Britain and Holland working with manufacturers in Italy and Sweden and so in some senses the idea that one can pull out of that is an illusion."

21. Wide of Pan European Living Room exhibit with photograph of Rotterdam in 1945, destroyed after World War II as a backdrop

22. Various set up shots of Alice Black

23. SOUNDBITE (English) Alice Black, deputy director of the Design Museum:

"So behind me you will see a crowdsourced wall, so what we did we asked our audiences what they wanted to see in a design museum, we sort of turned the table on them and said what do you think is good design, what in your every day design objects make a better life or a more beautiful life around you. So they sent us about 850 nominations from about 25 different countries and we selected 250 pieces that are on the wall behind me."

24. Mid of crowdsourced design wall with Underground sign in centre

25. Close of Fisher Price talking telephone

26. Pan right from violin to Game Boy and Bible

27. Various exterior shots of Design Museum

LEAD IN:

Designs inspired by the London Underground and Brexit are now on show in the new-look Design Museum in Kensington.

The new space is in a Grade-II listed piece of 1960s modernist architecture, three times larger than the Museum's previous home.

STORY-LINE:

Meet Mimus the mechanical robot who only wants to be your friend.

This 1,200kg industrial arm has been programmed to respond and interact with passersby.

Mimus is the one of the attractions in the new Design Museum in London.

Art critic Estelle Lovatt is one of the first people to get a look around the museum

"You know what I think of the new building, and I use the word sit as well, I love the fact that as soon as you walk in you can walk up the stairs and you can also sit on them. That struck me that there's so much humour here as well. You know I love the fact that this piece here behind me, I don't know whether to laugh at it or be afraid of it but it's the interactiveness of this museum that will make it steps ahead of, leap years ahead of the other museums that we go into now," she says.

The Design Museum outgrew its previous home on the South Bank of the Thames and has moved into Kensington, a district well-known for its important museums, including the Natural History Museum, the Science Museum and the Victoria and Albert Museum.

The new building occupies a Grade-II listed modernist site created in the 1960s for the Commonwealth Institute.

The restoration of the empty building took five years and required an £83 million investment.

Museum director Deyan Sudjic explains the importance of the move.

He says: "The design museum is here in its new home in Kensington, new home? Actually the transformation of a building from the 60s. We've moved from a charming converted banana ripening warehouse next to Tower Bridge here to this great piece of 60s architecture brought back to life. We've moved because we think design is to important to leave to the specialists, to the priesthood, we're trying to do here for contemporary design and architecture what the Tate Modern did for contemporary art. Turning something that was seen as on the margins of the wider conversation into something right at the centre. So we have three times the space, 100,000 square feet, we can offer free admission. We have a chance really to talk to a much wider audience why design is important."

The Design Museum opens with a striking exhibition called Fear and Love, which challenged 11 designers to react to a wide range of issues that affect the modern world.

Dutch designer Christien Meinderstma's installation Fibre Market explores the possibility of recycling our clothes and sorting them into their constituent parts.

The work displays mounds of brightly coloured wools.

A New York architect has created a space that looks at how social networking is affecting our pursuit of sex.

His work explores the phenomenon of the gay networking site Grindr.

One of the most topical works in the exhibition is Pan European Living Room.

In post-Brexit Britain the piece looks at how our interior design is so closely connected across Europe.

It takes a typical living room and furnishes it with furniture, wallpaper and designs from the 28 EU member states.

Justin McGuirk, chief curator at the Design Museum, says: "The average European living room, or our idea of the domestic interior, is really a construct of European cooperation and collaboration, trade agreements, designers from Britain and Holland working with manufacturers in Italy and Sweden and so in some senses the idea that one can pull out of that is an illusion."

The centre-piece of the room is a vertical blind featuring a barcode design of the EU member states' flags.

When the blind opens it reveals a vista of the shattered city of Rotterdam in 1945 at the end of World War II - a stark reminder of what can happen when European countries stop cooperating.

The Design Museum's deputy director Alice Black wants people to feel that they are involved in the evolving story of design.

She created a crowd-sourced feature asking people to nominate items in their everyday lives.

Black explains: "So behind me you will see a crowd-sourced wall, so what we did we asked our audiences what they wanted to see in a design museum, we sort of turned the table on them and said what do you think is good design, what in your every day design objects make a better life or a more beautiful life around you. So they sent us about 850 nominations from about 25 different countries and we selected 250 pieces that are on the wall behind me."

There surely can't be many museums where a Fisher Price talking telephone, a Nintendo Gameboy and the Holy Bible all share the same wall space.

The new Design Museum is expected to attract up to 650,000 visitors in its first year and is free to enter, for the first time.

London, UK - 17 November 2016

1. Wide of robotic arm

2. Close of same

3. Various set up shots of Estelle Lovatt taking selfie with robotic arm

4. SOUNDBITE (English) Estelle Lovatt, independent art critic:

"You know what I think of the new building, and I use the word sit as well, I love the fact that as soon as you walk in you can walk up the stairs and you can also sit on them. That struck me that there's so much humour here as well. You know I love the fact that this piece here behind me, I don't know whether to laugh with it or be afraid of it but it's the interactiveness of this museum that will make it steps ahead, leap years ahead of the other museums that we go into now."

5. Mid of robotic arm

6. Tilt up of entrance to Design Museum with stairs doubling up as seats

7. Wide tilt down from concrete ceiling to museum entrance

8. Various set up shots of walking up stairs and through museum

9. SOUNDBITE (English) Deyan Sudjic, director of Design Museum:

"The design museum is here in its new home in Kensington, new home? Actually the transformation of a building from the 60s. We've moved from a charming converted banana ripening warehouse next to Tower Bridge here to this great piece of 60s architecture brought back to life. We've moved because we think design is to important to leave to the specialists, to the priesthood, we're trying to do here for contemporary design and architecture what the Tate Modern did for contemporary art. Turning something that was seen as on the margins of the wider conversation into something right at the centre. So we have three times the space, 100,000 square feet, we can offer free admission. We have a chance really to talk to a much wider audience about why design is important."

10. Mid of exhibit Room Tone that uses wearable technology to record London city life

11. Various of exhibit Fibre Market that demonstrates how wool clothes can be recycled and sorted by colour

12. Mid of neon panel reading: (English) "Love/Fear"

13. Various of exhibit looking at the Grindr ( gay social network app) phenomenon

14. Various of exhibit by Chinese fashion designer Ma Ke who uses ancient wooden looms to create the fashions

15. Pull focus from Italian Arco lamp to British wallpaper by Nina Campbell

16. Wide of the Pan European Living Room exhibit - a room furnished with designs from each of the 28 member states of the EU

17. Pan left of blinds in the colours of EU member state flags#

18. Mid of Romanian coffee pot by Ero on a coffee table

19. Various set up shots of Justin McGuirk

20. SOUNDBITE (English) Justin McGuirk, chief curator, Design Museum:

"The average European living room, or our idea of the domestic interior, is really a construct of European cooperation and collaboration, trade agreements, designers from Britain and Holland working with manufacturers in Italy and Sweden and so in some senses the idea that one can pull out of that is an illusion."

21. Wide of Pan European Living Room exhibit with photograph of Rotterdam in 1945, destroyed after World War II as a backdrop

22. Various set up shots of Alice Black

23. SOUNDBITE (English) Alice Black, deputy director of the Design Museum:

"So behind me you will see a crowdsourced wall, so what we did we asked our audiences what they wanted to see in a design museum, we sort of turned the table on them and said what do you think is good design, what in your every day design objects make a better life or a more beautiful life around you. So they sent us about 850 nominations from about 25 different countries and we selected 250 pieces that are on the wall behind me."

24. Mid of crowdsourced design wall with Underground sign in centre

25. Close of Fisher Price talking telephone

26. Pan right from violin to Game Boy and Bible

27. Various exterior shots of Design Museum

FOR CLEAN VERSION SEE STORY NUMBER: 4066587

LEAD IN:

Designs inspired by the London Underground and Brexit are now on show in the new-look Design Museum in Kensington.

The new space is in a Grade-II listed piece of 1960s modernist architecture, three times larger than the Museum's previous home.

STORY-LINE:

Meet Mimus the mechanical robot who only wants to be your friend.

This 1,200kg industrial arm has been programmed to respond and interact with passersby.

Mimus is the one of the attractions in the new Design Museum in London.

Art critic Estelle Lovatt is one of the first people to get a look around the museum

"You know what I think of the new building, and I use the word sit as well, I love the fact that as soon as you walk in you can walk up the stairs and you can also sit on them. That struck me that there's so much humour here as well. You know I love the fact that this piece here behind me, I don't know whether to laugh at it or be afraid of it but it's the interactiveness of this museum that will make it steps ahead of, leap years ahead of the other museums that we go into now," she says.

The Design Museum outgrew its previous home on the South Bank of the Thames and has moved into Kensington, a district well-known for its important museums, including the Natural History Museum, the Science Museum and the Victoria and Albert Museum.

The new building occupies a Grade-II listed modernist site created in the 1960s for the Commonwealth Institute.

The restoration of the empty building took five years and required an £83 million investment.

Museum director Deyan Sudjic explains the importance of the move.

He says: "The design museum is here in its new home in Kensington, new home? Actually the transformation of a building from the 60s. We've moved from a charming converted banana ripening warehouse next to Tower Bridge here to this great piece of 60s architecture brought back to life. We've moved because we think design is to important to leave to the specialists, to the priesthood, we're trying to do here for contemporary design and architecture what the Tate Modern did for contemporary art. Turning something that was seen as on the margins of the wider conversation into something right at the centre. So we have three times the space, 100,000 square feet, we can offer free admission. We have a chance really to talk to a much wider audience why design is important."

The Design Museum opens with a striking exhibition called Fear and Love, which challenged 11 designers to react to a wide range of issues that affect the modern world.

Dutch designer Christien Meinderstma's installation Fibre Market explores the possibility of recycling our clothes and sorting them into their constituent parts.

The work displays mounds of brightly coloured wools.

A New York architect has created a space that looks at how social networking is affecting our pursuit of sex.

His work explores the phenomenon of the gay networking site Grindr.

One of the most topical works in the exhibition is Pan European Living Room.

In post-Brexit Britain the piece looks at how our interior design is so closely connected across Europe.

It takes a typical living room and furnishes it with furniture, wallpaper and designs from the 28 EU member states.

Justin McGuirk, chief curator at the Design Museum, says: "The average European living room, or our idea of the domestic interior, is really a construct of European cooperation and collaboration, trade agreements, designers from Britain and Holland working with manufacturers in Italy and Sweden and so in some senses the idea that one can pull out of that is an illusion."

The centre-piece of the room is a vertical blind featuring a barcode design of the EU member states' flags.

When the blind opens it reveals a vista of the shattered city of Rotterdam in 1945 at the end of World War II - a stark reminder of what can happen when European countries stop cooperating.

The Design Museum's deputy director Alice Black wants people to feel that they are involved in the evolving story of design.

She created a crowd-sourced feature asking people to nominate items in their everyday lives.

Black explains: "So behind me you will see a crowd-sourced wall, so what we did we asked our audiences what they wanted to see in a design museum, we sort of turned the table on them and said what do you think is good design, what in your every day design objects make a better life or a more beautiful life around you. So they sent us about 850 nominations from about 25 different countries and we selected 250 pieces that are on the wall behind me."

There surely can't be many museums where a Fisher Price talking telephone, a Nintendo Gameboy and the Holy Bible all share the same wall space.

The new Design Museum is expected to attract up to 650,000 visitors in its first year and is free to enter, for the first time.

London, UK - 17 November 2016

1. Wide of robotic arm

2. Close of same

3. Various set up shots of Estelle Lovatt taking selfie with robotic arm

4. SOUNDBITE (English) Estelle Lovatt, independent art critic:

"You know what I think of the new building, and I use the word sit as well, I love the fact that as soon as you walk in you can walk up the stairs and you can also sit on them. That struck me that there's so much humour here as well. You know I love the fact that this piece here behind me, I don't know whether to laugh with it or be afraid of it but it's the interactiveness of this museum that will make it steps ahead, leap years ahead of the other museums that we go into now."

5. Mid of robotic arm

6. Tilt up of entrance to Design Museum with stairs doubling up as seats

7. Wide tilt down from concrete ceiling to museum entrance

8. Various set up shots of walking up stairs and through museum

9. SOUNDBITE (English) Deyan Sudjic, director of Design Museum:

"The design museum is here in its new home in Kensington, new home? Actually the transformation of a building from the 60s. We've moved from a charming converted banana ripening warehouse next to Tower Bridge here to this great piece of 60s architecture brought back to life. We've moved because we think design is to important to leave to the specialists, to the priesthood, we're trying to do here for contemporary design and architecture what the Tate Modern did for contemporary art. Turning something that was seen as on the margins of the wider conversation into something right at the centre. So we have three times the space, 100,000 square feet, we can offer free admission. We have a chance really to talk to a much wider audience about why design is important."

10. Mid of exhibit Room Tone that uses wearable technology to record London city life

11. Various of exhibit Fibre Market that demonstrates how wool clothes can be recycled and sorted by colour

12. Mid of neon panel reading: (English) "Love/Fear"

13. Various of exhibit looking at the Grindr ( gay social network app) phenomenon

14. Various of exhibit by Chinese fashion designer Ma Ke who uses ancient wooden looms to create the fashions

15. Pull focus from Italian Arco lamp to British wallpaper by Nina Campbell

16. Wide of the Pan European Living Room exhibit - a room furnished with designs from each of the 28 member states of the EU

17. Pan left of blinds in the colours of EU member state flags#

18. Mid of Romanian coffee pot by Ero on a coffee table

19. Various set up shots of Justin McGuirk

20. SOUNDBITE (English) Justin McGuirk, chief curator, Design Museum:

"The average European living room, or our idea of the domestic interior, is really a construct of European cooperation and collaboration, trade agreements, designers from Britain and Holland working with manufacturers in Italy and Sweden and so in some senses the idea that one can pull out of that is an illusion."

21. Wide of Pan European Living Room exhibit with photograph of Rotterdam in 1945, destroyed after World War II as a backdrop

22. Various set up shots of Alice Black

23. SOUNDBITE (English) Alice Black, deputy director of the Design Museum:

"So behind me you will see a crowdsourced wall, so what we did we asked our audiences what they wanted to see in a design museum, we sort of turned the table on them and said what do you think is good design, what in your every day design objects make a better life or a more beautiful life around you. So they sent us about 850 nominations from about 25 different countries and we selected 250 pieces that are on the wall behind me."

24. Mid of crowdsourced design wall with Underground sign in centre

25. Close of Fisher Price talking telephone

26. Pan right from violin to Game Boy and Bible

27. Various exterior shots of Design Museum