In Rome, vast crowds gather for the wedding of film stars Tyrone Power and Linda Christian.

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

KS GV church. Bride surrounded by crowds walks to church. Bride (Linda Christian) walks down aisle on arm of an old friend. GV church. Tyrone Power turns & takes her up to the altar. MS the two at the altar. Both making the responses. CU bride. Couple walk up aisle, leaving church. SCU bridesmaids. Crowds outside skirmish about. Couple enter & leave in car, over very bumpy road, crowds gathered round car.

Tyrone Power, who has been piloting his own plane on a round-the-world flight, stops over in London.

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

KS Tilt down of cockpit. MS plane. MS & CU Tyrone Power thanking London for his welcome etc. Tyrone Power at the control of plane. Plane taxies and takes off (sun in camera).

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

Several shots of the above touring the Acropolis, Propylaea, the Victory Temple, the Parthenon, Caryatids. GV Athens from Acropolis Hill. Inside offices of Skouras Films, talking (silent) with M. Skouras, they shake hands. MS Tyrone Power walking onto tarmac. MS Power in his plane & taxi-ing. Also shots of Tyrone Power taking 16mm cine film at the Acropolis.

Leslie Mitchell interviews Tyrone Power at Alexandra Palace.

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

Leslie Mitchell interviews Tyrone Power at Alexandra Palace.

Huge crowds surrounded Tyrone Power during his visit to South Africa.

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

Cut for foreign reels: GV plane taxies across aerodrome. Tyrone Power alights, surrounded by crowds. Various shots of him driving through city in open car. Large crowds, dense crowds surge round his car, making it almost impossible for him to pass. CU Tyrone Power on balcony waves to crowd and holds cigarette in other hand.

French starlet weds 20th Century Fox star.

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

Shots of the bride and groom with Don Ameche and Mrs Charles Boyer (Pat Paterson). The bride's mother is also present.

The presentation of this year's British Film Academy Awards was made at the Odeon, Leicester Square; and it was attended by a number of stars and personalities of screen and studio. Lord Mountbatten addressed the assembly and later presented the certificates.

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

Cut story - Various stars & celebrities arrive, including Audrey Hepburn, Cecil Parker, pass through foyer of cinema. Interior - on stage - Roger Manvell, Sir Michael Balcon, Basil Dearden & Bonar Colleano, in group. At other table, Cameron, Shaw, J Arthur Rank & Lord Mountbatten. SCU statuettes. Mountbatten addresses audience. Makes various presentations to the winners with Susan Shaw & Ronald Neame assisting him. Tyrone Power receives Award for "All about Eve" from Mountbatten. Power makes speech on behalf of Twentieth Century Fox.

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

Iconic images of our Television Production 'Portraits'

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

Train arrives at Station - Actress alights CU Actress. Tyrone Power in coat with her collar clutching bouquet. Power receives more flowers. Int. Power presented with flowers. Autographs photographs. Power seated in Cinema MCU Denis Price seated in cinema. Power being interviewed

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

CUTS FOR STORY NUMBER 54546 - The King and Queen. The Queen talks to VIP's. CU The Queen. Gloria Swanson and her daughter. (x 2). Ted Ray and Andrew Ray. Lord Rank talks to The King. Irene Dunn. The Queen followed by The King enters foyer. Shots of making the film clapper board snap in front of line of guardsmen the Queen Victoria in carriage passes. CU Queen Elizabeth. Queen talks to John Mills. CU The King. The Queen talks to Tyrone Power pan to Leslie Mitchell talking to The King. Tyrone Power talks to Princess Elizabeth. Princess Marget talks to Leslie Mitchell. Googie Withers and other in receiving line. The King talks to Leslie Mitchell. John Mills tlks to Princess Margaret. Tyrone Power and Princess Elizabeth. Opening Titles of 'The Mudlark'. Clapperboard in front of Irene Dunne as Queen Victoria. Shots from a feature film. Good shots of Leslie Mitchell etc.

At a London Hotel, Tyrone Power recently presented a cheque to a football pool winner Mr Tom Wood and his wife.

Disclaimer: British Movietone is an historical collection. Any views and expressions within either the video or metadata of the collection are reproduced for historical accuracy and do not represent the opinions or editorial policies of the Associated Press.

SHOTLIST:

KS. SCU couple look at cheque. Tyrone Power with Mr & Mrs Wood. Tyrone Power presents cheque to the above. Mrs Wood almost passes out. Power asks what they are going to do with the cheque for 94,000 odd pounds. SCU of the three.

BADGLEY MISCHKA'S MATADOR STYLE

Badgley Mischka are known for their intricate, labor-intensive red carpet gowns.

Their New York Fashion Week collection for Fall/Winter 2015 was no different. There were no heavy coats or chunky knits - it was all about the female form and its embellishment with beautiful brocades.

The designing duo of James Mischka and Mark Badgley took their inspiration from the 1940s Tyrone Power bullfighting movie "Blood and Sand."

"It's really not about the fighter, not about the matador, it's about the women around him, his wife, his mistress and their sort of seething passions and dueling passions," explained Mischka backstage before the show.

Both shoulders and hips were emphasized with golden detailed motifs, while the gowns had expansive tails that reminded of a matador's cape. Reds, blacks, whites and blues dominated the color palette and everything was sewn in with silver or golden touches.

It was an opulent, elegant tour de force that combined classic silhouettes with imaginative shapes with a twist of '60s hair and makeup.

Music on catwalks not cleared for use. Please replace with your own clearable music

AP Entertainment

New York, 17 February 2015

1. Wide of backstage

2. Medium of model getting her nails done

3. Close of model

4. Medium of model getting her nails done and checking her phone, pan up to face

5. Close of model being applied mascara

6. Medium of rack

7. Medium tilt down of dress on rack

8. Medium tilt up of dress on rack

9. Close of models look board

10. Medium pan from assistants handling shoes to the rack

11. Wide of James Mischka talking to reporter

12. SOUNDBITE (English) James Mischka/Designer:

"We were inspired by a movie called 'Blood and Sand,' a bullfighting movie from 1941 by Tyrone Power, but it's really not about the fighter, not about the matador, it's about the women around him, his wife, his mistress and their sort of seething passions and dueling passions."

13. Wide of James Mischka talking to reporter

14. SOUNDBITE (English) James Mischka/Designer:

"She is a woman who is very busy. She doesn't have a lot of time to fuss with her clothes. She wants to put them on simply, she wants one zipper and get dressed. She doesn't want to fuss. She doesn't want to have to pile things on. It's very much "one stop shop" in here. You can dress very simply and you're out the door and you will look amazing."

15. Medium Kate Bock and Chrissy Teigen sitting front row

16. Various show

17. Various finale

18. Pan from first row to James Mischka and Mark Badgley taking bow

SHOTLIST:

AP Television

Beverly Hills - exact dates unknown

++SHOTS 1 AND 2 SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON

1. STILL of Beverly Hills Hotel exterior

2. STILL of guest with bellman and car outside hotel

AP Television

Beverly Hills - 11 April 2013

3. Close-up of picture of hotel in 1950s outside hotel

4. Zoom out from "The Beverly Hills" sign on front of hotel, to wide of vehicle pulling up

5. Wide of red carpet and green striped entrance

6. Mid of vehicle

7. Wide of entrance

8. Wide of hotel lobby area

9. Mid of lobby

10. Mid of people walking down hotel corridor, with iconic palm leaf wallpaper

AP Television

Beverly Hills - exact dates unknown

++SHOTS 11-13 SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON

11. STILL of hotel under construction

12. STILL of Los Angeles Times article featuring hotel

13. STILL of California oil fields literature

AP Television

Beverly Hills - exact date unknown

++SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON++

14. STILL of Margaret S. Anderson, original hotel owner

AP Television

Beverly Hills - 11 April 2013

15. Various of Robert S. Anderson, author of "The Beverly Hills Hotel and Bungalows - The First 100 Years," pointing to photo on wall in hotel's Polo Lounge

16. SOUNDBITE: (English) Robert S. Anderson, "The Beverly Hills Hotel and Bungalows - The First 100 Years:"

"The hotel has been built along certain guidelines and one of them is my great grandmother insisted that the guests be entitled to the best of everything regardless of cost. And along with that comes service and quality. They protect the guests privacy, because they were movie stars back then as there are now and the hotel goes to great lengths to protect their privacy here at the hotel."

AP Television

Beverly Hills - exact dates unknown

++SHOTS 17-20 SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON++

17. STILL of hotel under construction with horses in foreground

18. STILL of families in front of hotel

19. STILL of newly built hotel

20. STILL of guests on horses in front of hotel

AP Television

HoIIywood Boulevard and Vine - date unknown

++SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON++

21. STILL of Hotel Hollywood exterior

AP Television

Beverly Hills - exact dates unknown

++SHOTS 22-24 SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON++

22. STILL aerial shot of Beverly Hills

23. STILL of film stars Douglas Fairbanks and Mary Pickford at Chamber of Commerce meeting in hotel

24. STILL of Oscars after-party

AP Television

Beverly Hills - 11 April 2013

25. Close-up of picture of celebrity Jimmy Stewart on hotel wall

26. Close-up of picture of actor Gregory Peck and actress Lauren Bacall on hotel wall

AP Television

Beverly Hills - date unknown

++SHOT SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON++

27. STILL of actress Marlene Dietrich

AP Television

Beverly Hills - 11 April 2013

28. Zoom out of commemorative Cary Grant display at hotel

29. Wide of Beverly Hills Hotel 100 year photo collection on display

AP Television

Beverly Hills - date unknown

++SHOTS 30 AND 31 SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON++

30. STILL of 1950's hotel bedroom

31. STILL of 1950's hotel living room

AP Television

Beverly Hills - 11 April 2013

32. Wide of hotel room

33. Mid of hotel room

34. Close-up of bungalow sign

35. Mid exterior shot of bungalow

36. Wide of bungalow bedroom

37. Mid of bungalow foyer

38. Wide of bungalow living room

39. Zoom out from polo picture to PoIo Lounge bar area

40. Various of PoIo Lounge patio

41. Zoom out of PoIo Lounge bar area

42. Wide of people in Fountain Cafe

43. Wide of woman waking through hotel garden area

44. Zoom out of hotel employee walking through hotel garden area

45. Mid of Ed Maty, General Manager of The Beverly Hills Hotel, talking to colleague

46. SOUNDBITE: (English) Ed Maty, General Manager of The Beverly Hills Hotel:

"It's had so many different decades of different people that have come and gone through this hotel. It is really difficult to articulate it year after year, decade after decade. So if you go from the 20s to the 30s, the 30s to the 40s, I can probably only think back to say Frank Sinatra time and The Beatles when the Beatles used to go for a dip in our pool and then you go to the decade before that and then you would find people such as Elizabeth Taylor, actually Elizabeth Taylor's father who had an art shop in the hotel. That art shop was there for many many years. But then even if you look at Elizabeth Taylor and her contribution to some of our glamour and history, she had eight marriages, and six out of her eight honeymoons were here at the Beverly Hills HoteI."

AP Television

Beverly Hills - 1950s, exact dates unknown

++SHOTS 47 AND 48 SOURCED FROM "THE BEVERLY HILLS HOTEL AND BUNGALOWS - THE FIRST 100 YEARS," BY ROBERT S. ANDERSON++

47. STILL of swimming pool

48. Wide of woman on diving board

AP Television

Date and location unknown

49. STILL of Svend Petersen, former pool manager at The Beverly Hills Hotel, as a young man

AP Television

Date and location unknown

50. STILL of Petersen serving guest by pool

AP Television

Beverly Hills - 11 April 2013

51. Zoom out of Petersen walking past hotel pool

52. Wide tilt down of pool

53. SOUNDBITE: (English) Svend Petersen, former swimming pool manager, The Beverly Hills Hotel:

"Everybody stayed here. Everybody knew what The Beverly Hills Hotel was all about. AIl you had to do is to say it's the one on Sunset Boulevard. You don't even have to have an address. I remember one time I got a postcard from home and it said Svend Petersen, The Beverly Hills Hotel and I got it! And I said it's amazing. It's known all over the world. And you go back to see all the stars, Clark Gable, Tyrone Power, Marlene Dietrich, Katherine Hepburn, all of them has been here or lived by, very close by. It was a hotel for stars and celebrities. It always has been."

54. Wide of "The Beverly Hills Hotel" sign

55. Zoom out of hotel worker pushing luggage trolley

LEADIN

As the Hollywood film industry began establishing itself in the Great Gatsby era, a California hotel was fast becoming a hangout for the stars.

The Beverly Hills Hotel went on to become a cornerstone of the area it is named after - and one of the most glamorous and sought after places to eat and sleep in the world.

STORYLINE

No other hotel has ever been so entwined with the entertainment industry as The Beverly Hills Hotel - known as the "Pink Palace" and the "living room to the stars."

For over 100 years, they have lived here, eaten here and done business here - enjoying high standards of service and discretion.

Known for its privacy, elegance and class, it has become one of the most glamorous and iconic of landmarks.

It was the first to lure celebrities.

When it was built in 1912, it was the only major structure in the area, even before the Hollywood(land) sign and the Beverly Hills area was established.

Margaret S. Anderson created the elegant Spanish mission-style hotel and soon visitors flocked with their families.

Robert S. Anderson, the hotel's official historian, and great-grandson of the original owner, says his grandmother was a pioneer.

Anderson is the author of "The Beverly Hills Hotel and Bungalows - The First 100 Years."

For the hotel's 100th anniversary last year, he put together his family's private archives, hundreds of never before seen photos, two decades of research and historical documents and start-studded anecdotes.

"The hotel has been built along certain guidelines and one of them is my great grandmother insisted that the guests be entitled to the best of everything regardless of cost. And along with that comes service and quality," he says.

"They protect the guests privacy, because they were movie stars back then as there are now and the hotel goes to great lengths to protect their privacy here at the hotel."

Anderson says if there had been no Beverly Hills Hotel, there would probably be no Beverly Hills.

In 1903, speculators had given up on finding oil within what would become the Beverly Hills city limits.

The developers were having trouble selling the lots.

In the six years between 1906 and 1912, only six houses had been built.

The idea was then to market Beverly Hills as a resort, centred around one grand hotel, compete with bungalows for guests with families.

A group of investors then persuaded Margaret Anderson to leave her "Hollywood Hotel" which she owned from 1902 to 1911, located at HoIIywood Boulevard and Vine, to build "the hotel of her dreams."

After the hotel was built, that is when Beverly Hills began to slowly grow up around it and the city was formed in 1914.

Led by movie stars Douglas Fairbanks and Mary Pickford, other celebrities began settling in the area.

In the early days of the hotel, civic meetings where held before the city hall was built.

Church services were conducted and a school offered regular classes for children.

Two renovation programmes have been carried out at the hotel, one in the 1940s, the other in the 1990s.

As the years went on, the hotel hosted post-Oscars celebrations and elite HoIIywood fundraisers.

Today, it is regarded as the number one place to stay for celebrities, politicians and royalty from around the world.

Guests have included such celebrities as Jimmy Stewart, Gregory Peck, Cary Grant, Rita Hayworth, Marilyn Monroe and Elizabeth Taylor, who had six of her eight honeymoons at the hotel.

Over the years, Joan Crawford regularly pulled up for lunch in a chauffeured Rolls Royce.

Sidney Poitier danced barefoot in the lobby after he won the Oscar for "Lilies of the Field."

In the 1940s, Marlene Dietrich convinced the hotel to loosen up its dress code.

Gloria Swanson stayed in the hotel bungalows during a divorce before moving into a mansion across the street.

Today, the bungalows boast 24-hour room service and dog walking.

They are favoured by the stars for their hideaway feel and discretion.

Marilyn Monroe would stay regularly and enjoy privacy in her garden.

Tom Cruise and Brad Pitt called it home for a while after divorces.

From 1942 into the 1970s, celebrity Howard Hughes kept as many as six bungalows at a time and had roast beef sandwiches delivered to a nook in a tree so he did not have to see anyone.

The hotel's Polo Lounge remains the in spot for the power breakfast, lunch and dinner.

It is named after the polo-playing patrons of the 1940s.

Charlie Chaplin used to reserve Booth No. 1 for years.

Today the hotel's classic Fountain Coffee Shop remains the morning stop for celebrities and keeps the same look years later.

Outside, 12 acres of perfectly coiffed gardens, signature banana plants, bougainvillea, hibiscus and exotic tropical foliage are on offer for visitors to enjoy.

"It's had so many decades and different people that have come and gone through this hotel. It is really difficult to articulate it year after year and decade after decade," says Ed Maty, General Manager of The Beverly Hills Hotel.

"If you go from the 20's to the 30's the 30's and to the 40's, I can probably only think back to say Frank Sinatra time and The Beatles when they would go for a dip in our pool but then you go to the decade before that and you find people such as Elizabeth Taylor and her father who had an art shop in the hotel."

Svend Petersen ran the hotel's swimming pool for 42 years from 1959 to 2002.

At 81-years-old, he remains the hotel's official ambassador.

He was known as the "Poolside Prince."

Petersen taught actress Phyllis Diller how to swim, actress Faye Dunaway how to do a 1940s-style crawl for her role in "Mommie Dearest" and showed Elizabeth Taylor to a secluded upper cabana.

Rex Harrison, of "My Fair Lady," sunbathed in the nude in "Cabana One," The Beatles snuck in through the back door for a Iate night swim in the pool and George Hamilton perfected his infamous tan there.

Petersen feels the 1960s and '70s were a golden age in Hollywood.

He says that during Academy Awards season, poolside cabanas had to be reserved a year in advance.

"Everybody stayed here. Everybody knew what The Beverly Hills Hotel was all about. AIl you had to do is say it's the one on Sunset Boulevard," says Petersen.

"You do not even have to have an address. I remember one time I got a post card from home and it said Svend Petersen, The Beverly Hills Hotel and I got it. It's amazing. It's known all over the world.

"When you go back to see all the stars such as Clark Gable, Tyrone Power, Marlene Dietrich, Katherine Hepburn, all of them have been here or lived very close by. It was a hotel for stars and celebrities. It always has been."

Although the hotel remains true to its history in decor and feel, rooms today are modern and plush.

Rooms range from 550 US dollars a night in the main hotel to 15,000 US dollars a night for one of the two new presidential bungalows.

Today, the history, vintage atmosphere, and impeccable old school service continue to be the biggest appeal.

SHOTLIST:

Universal Newsreel

++4:3++

Hollywood, 1920s - exact dates and locations unknown

1. Various of actors and crew during filming ++MUTE++

2. Various of film featuring lions running through set ++PART MUTE++

AP Television

Hollywood - see shots for dates

++SHOTS 3-10 SOURCED FROM "THE STORY OF HOLLYWOOD" BY GREGORY PAUL WILLIAMS++

++16:9++

3. STILL of film production in action on Beachwood Drive (date unknown)

++4:3++

4. STILL of D.W. Griffith and cameraman Billy Bitzer (1916)

5. STILL of film production in Beachwood Drive (date unknown)

6. STILL of late 19th century photo of Cahuenga Valley, close to today's Melrose and Normandie Avenues, Mount Lee - now home to "Hollywood" sign - in background

7. STILL of homes in 1917, during early days of Hollywood

8. STILL of actor Rudolph Valentino (far right) and friends at a wedding in 1925

9. STILL of Cecile. B DeMille (3rd from right) directing Squaw Man cast in 1913

10. STILL of section of Whitley tract in 1907

AP Television

Hollywood - 25 April 2013

++16:9++

11. Zoom out from Hollywood sign on hills

12. Zoom out from Whitley street sign to wide of Hollywood Boulevard

13. Wide of street

12. Zoom out from 1920's Fontenoy Apartment building

13. Mid of ornate cornice work above doorway in Whitley

14. Close-up of sign above doorway reading: (English) "Fontenoy - 1811"

15. Zoom out from La Leyenda sign to ornate apartment building in Whitley

16. Low angle shot of Fontenoy building

17. Close-up of ornate sculpture work on apartment building facade

18. Wide of ornate apartment building

19. Wide of Hollywood Hills today with tops of new and old homes today

20. Zoom out of Gregory Paul Williams, author and published of "The Story of Hollywood," walking with Hollywood sign in background

21. Close-up of "Story of Hollywood" book cover

22. SOUNDBITE: (English) Gregory Paul Williams, author and publisher of "The Story of Hollywood:"

"The original Hollywood was farmland. Then they came in and starting building housing tracks. So by the time the movies came places like Whitley Heights were ready to become homes to the stars. And actually this was before Beverly Hills even got founded. Beverly Hills was bean fields so Hollywood was really a cache place to live in the hills. By 1922 when the Gatsby was going, Hollywood was hitting its golden era of silent movies. World War 1 was over. The studios were really entrenched and they could start production. It was an absolute golden age for the movies."

AP Television

Hollywood - see shots for dates

++SHOTS 23-26 SOURCED FROM "THE STORY OF HOLLYWOOD" BY GREGORY PAUL WILLIAMS++

++4:3++

23. STILL of Nestor Motion Picture Company studio in 1912

24. STILL of film stars in 1929

++16:9++

25. STILL of original Paramount studios, Marathon Street, 1926

++4:3++

26. STILL of Academy Awards banquet (date unknown)

AP Television

Hollywood - 25 April 2013

++16:9++

27. Wide of Paramount studio gates, Melrose Avenue

28. Mid Marc Wanamaker, historian, author and consultant for Hollywood filmmakers walking past camera

29. SOUNDBITE: (English) Marc Wanamaker, Historian, author and consultant:

"Well the first studio was in Hollywood, the Nestor Film Company, and they came out here and then shortly thereafter other studios followed and they came here because of the sun, and the locations and cheap land and a lot of extras. And a lot of people that could work for very little money. Then finally by the time 1915 came along there were already at least 10 studios out here from the east coast, mostly from the east coast, which began sort of as the mecca of the motion picture."

AP Television

Hollywood - see shots for dates

++SHOTS 30-37 SOURCED FROM "THE STORY OF HOLLYWOOD" BY GREGORY PAUL WILLIAMS++

++4:3++

30. STILL of "Hollywoodland" sign on hill in 1924

31. STILL of first restaurant in Hollywood, John's Cafe in 1917

32. STILL of advert image for Music Box Theatre in 1927

33. STILL of actress and singer Gloria Swanson circa 1920

++16:9++

34. STILL of Hollywood Boulevard (date unknown)

35. Tilt up of STILL of Swanson, 1920s (date unknown)

36. STILL of film director and producer Cecile B. DeMille, actress Marlene Dietrich and actor Clark Gable at the first Lux Radio Theatre broadcast from Hollywood in 1936

++4:3++

37. STILL of Grauman's Chinese Theatre in 1929

AP Television

Hollywood - 25 April 2013

++16:9++

38. Pan across Grauman's Chinese Theatre today

AP Television

Hollywood - 1929, exact date unknown

++SOURCED FROM "THE STORY OF HOLLYWOOD" BY GREGORY PAUL WILLIAMS++

++4:3++

39. STILL of first Academy Awards at Roosevelt Hotel

AP Television

Hollywood - 25 April 2013

++16:9++

40. Zoom out of Roosevelt Hotel today

41. Wide of Whitley street

43. SOUNDBITE: (English) Gregory Paul Williams, author and publisher of "The Story of Hollywood:"

"Hollywood and Vine, we Iost about four square blocks of vintage buildings and these buildings were important to me because they were the first things built on, which was essentially farmland. So the roaring 20's of Hollywood, these were the buildings that witnessed it all. So I was very much and like, let's do sensible development, like go behind the old front buildings, because everybody just built on the front and they were wonderful French chateau, beautiful little buildings. Let's just take those original buildings, keep them and then build your buildings in the back. But you know, they were east coast developers and it was, the money comes from overseas so they really aren't interested in essentially what people do come here for, to see what old Hollywood is."

44. Wide of Hollywood Hills, Hollywood sign in distance

45. Wide of 1920's home in Whitley area today (once rented by singer Madonna)

46. Wide exterior shot of Dolby Theatre

47. Wide of Hollywood Boulevard, stars in pavement

48. High shot of red carpet event at Grauman's Chinese Theatre

LEADIN

During the roaring twenties and the Great Gatsby era, Hollywood, the movie empire, was just rising from farmland.

Nine decades later, it's now the motion picture capital of the world.

STORYLINE:

While the roaring 1920's were taking hold in New York, the first celebrity community was emerging in California, on the US west coast.

In 1918, Canadian H. J. Whitley commissioned an architect to design an area of the yet undeveloped hills above Hollywood Boulevard, as a Mediterranean-style village.

In the late nineteenth-century the area was nothing but citrus, barley and bean farmland next to some houses and barns.

Some of those barns would later be turned into some of the early studios.

The area of Whitley Heights was born with tropical trees planted to create a holiday feel.

This was the beginnings of Hollywood as it is known today.

Celebrities began to flock as the glitz and glamour of starting to take hold.

Motion pictures were transforming American society and setting entertainment trends around the world.

The Whitley Heights neighbourhood became home to some of earliest stars such as Rudolph Valentino, W.C. Fields, Gloria Swanson, Marlene Dietrich, Jean Harlow, Carole Lombard, William Powell, Tyrone Power, Rosalind Russell, Judy Garland and Humphrey Bogart.

Today, Hollywood occupies five miles of sloping ledge along the eastern curve of the Santa Monica mountains.

Gregory Paul Williams, is the author of the archival "The Story of Hollywood," which follows Hollywood from its barren origins to its glorious rise to stardom.

It is an illustrated book about the sparkle of old time Hollywood and the record of a frenetic period in the history of entertainment in America.

"The original Hollywood was farmland. Then they came in and starting building housing tracks. So by the time the movies came places like Whitley Heights were ready to become homes to the stars," says Williams.

"This was before Beverly Hills even got founded. Beverly Hills was bean fields so Hollywood was really a cache place to live in the hills," he continues.

"By 1922 when the Gatsby was going, Hollywood was hitting its golden era of silent movies. World War 1 was over. The studios were really entrenched and they could start production. It was an absolute golden age for the movies."

In 1912, the first big movie studio opened in Hollywood - the Nestor Motion Picture Company, at the corner of Sunset and Gower Boulevard.

Nestor merged with the Universal Film Company a year later.

Within a couple of years, studios in the area were churning out comedies, westerns and melodramas.

In 1913, the studio that became Paramount was built.

It later moved to its current home on Melrose Avenue.

Marc Wanamaker is an historian, author and consultant for Hollywood filmmakers and studios.

"Well the first studio was in Hollywood, the Nestor Film Company, and they came out here and then shortly thereafter other studios followed and they came here because of the sun, and the locations and cheap land and a lot of extras. And a lot of people that could work for very little money," says Wanamaker.

"Then finally by the time 1915 came along there were already at least 10 studios out here from the east coast, mostly from the east coast, which began sort of as the mecca of the motion picture."

John's Cafe was the first Hollywood celebrity restaurant to open, in 1917.

Five years later, Sid Grauman built the first motion picture palace theatre in Hollywood called "The Egyptian."

This is where Hollywood premieres began, with extravagant stage shows put on as prologues to the films.

In 1924, the "Hollywoodland" sign was constructed at a cost of 21,000 US dollars, on top of Mount Lee.

Thirteen 50-feet (15 metre) letters and 4,000 light bulbs announced the housing development of the time.

By 1926, Hollywood was now a show town, offering a variety of stage entertainment in private auditoriums.

In 1929, Grauman went on to build his iconic world renowned Grauman's Chinese Theatre, which today puts on more premieres than any other theatre in the world.

The same year, the first Academy Awards banquet was held at the Roosevelt Hotel on Hollywood Boulevard, which remains a hub of activity.

From the 1920s to the 1940s, new movie stars began creating distinct styles on the big screen for the first time such as Carole Lombard and Clark GabIe.

New genres of movies began to appear at this time, such as the swashbuckling adventure; the sex comedies, and romantic dramas about the well-bred and wealthy.

Today, Whitley Heights is filled with houses, apartments and urban sprawl but some old buildings still stand out as prized gems, although less than Gregory Paul Williams would have liked.

"Hollywood and Vine, we Iost about four square blocks of vintage buildings and these buildings were important to me because they were the first things built on, which was essentially farmland. So the roaring 20's of Hollywood, these were the buildings that witnessed it all," he says.

Hollywood today is a mixture of old and new, as the studios have moved to grander spaces.

But decades on, it remains one of the most iconic areas of the world.

SHOTLIST

Warner

1. Film clip - 'Batman Begins'

2. DVD extra: Featurette from 'Batman Begins'

3. Film clip - 'Batman'

4. DVD extra - 'The Batman Anthology: 1989-1997'

Universal

5. Film clip - 'The Big Lebowski'

6. DVD extra - 'The Big Lebowski'

20th Century Fox

7. Film clip -'The Mark of Zorro'

Buena Vista/Disney

8. Film clip - 'Tarzan'

9. DVD extra - 'Tarzan'

Paramount

10. Film clip: 'CSI: New York'

MGM/UA

11. Film clip - 'Dark Shadows: The Revival'

20th Century Fox

12. Film clip - 'Lifeboat'

Sony

13. Film clip - 'Mad Hot Ballroom'

Universal

14. DVD extra - 'Land of the Dead'

APTN

Los Angeles, 6 October 2005

15. SOUNDBITE (English) Greg Nicotero, Makeup Artist:

"It's an amazing DVD and i'm really proud of it because it shows the whole design phase that we through with George, and one of the most interesting things about this DVD is throughout the entire process we were building effects here, in the shop, and then I was shooting DVD tests of everything, making little movies and sending them off to Toronto for George to approve. So when they put the DVD together I gave them copies of all this footage. It's never been seen by anybody outside of this studio or George Romero."

Universal

16. Film clip - 'Land of the Dead'

WHAM! KERPOW!! DVD!!!

Batman fans are in for a big treat this autumn. Not only is the acclaimed summer blockbuster 'Batman Begins' released as a DVD, loaded with plenty of extras, but there is also 'Batman: The Motion Picture Anthology 1989-1997,' a gift set of the first four 'Batman' epics.

From superheroes to slobs and the 1998 Coen brothers hit 'The Big Lebowski,' Jeff Bridges as the bowling-crazy aging slacker, gets a collector's edition with making-of featurette and much more.

Fans of the hi-tech police drama 'CSI: NY' can enjoy the first-season set with seven discs serving up 24 episodes plus featurettes on 'The Cast Examines the Characters,' 'The Science Behind the Scenes,' 'CSI: NY -- Set Tour,' and 'The World's Largest Crime Scene.'

Just in time for the new Antonio Banderas sequel, the original 1940 'The Mark of Zorro' surfaces on DVD, with Tyrone Power in restored both the black-and-white version and a colorized version.

Swinging in from Walt Disney is 'Tarzan.' The 1999 animation gets a new two-disc special edition, including an alternate opening, deleted scenes and an animal featurette.

1991's 'Dark Shadows: The Revival' is resurrected in a complete-series three-disc set.

Classic film fans get a chance to own Alfred Hitchcock's 'Lifeboat' on DVD debut, complete with a making-of featurette.

Fancy footwork comes in the form 'Mad Hot Ballroom' is the acclaimed box-office hit documentary about New York City public school kids thrust into the world of ballroom dancing.

Finally, horrormeister George A. Romeo's latest gore fest, 'Land of the Dead,' is available in both R-rated and unrated editions, with DVD extras including commentary by Romero, and a host of featurettes including a makeup documentary.

B&W FILM XFER FTG OF UNITED FILMS NEWSREEL ON FIRST 18 MONTHS OF US INVOLVEMENT IN WORLD WAR TWO (WWII)

01:12:58 CHYRON UNITED FILMS NEWS REVIEW ISSUE NUMBER ONE

01:13:11 CHYRON THIS IS A FILM RECORD OF THE FIRST EIGHTEEN MONTHS OF AMERICA'S PARTICIPATION IN THE WAR / THE SIGNIFICANT EVENTS WHICH OCCURRED DURING THIS PERIOD ARE SHOWN IN SCENES FROM AMERICAN AND ALLIED NEWSREELS / ON DECEMBER 7, 1941, JAPAN ATTACKS THE UNITED STATES / THREE DAYS LATER THE GOVERNMENTS OF GERMANY AND ITALY DECLARE WAR / PRESIDENT ROOSEVELT ADDRESSES CONGRESS

01:13:35 MS OF PRESIDENT FRANKLIN DELANO ROOSEVELT (FDR) AT ROSTRUM OF HOUSE OF REPRESENTATIVES AS HE DELIVERS 41/12/08 SPEECH TO JOINT SESSION OF CONGRESS DECLARING WAR ON JAPAN IN AFTERMATH OF JAPANESE ATTACK ON PEARL HARBOR / HE SAYS NO MATTER HOW LONG IT MAY TAKE US TO OVERCOME THIS PREMEDITATED INVASION THE AMERICAN PEOPLE IN THEIR RIGHTEOUS MIGHT WILL WIN THROUGH TO ABSOLUTE VICTORY / HAS OF CONGRESS / CHAMBER ERUPTS IN CHEERS

01:13:49 TIGHT SHOT OF PEOPLE NEAR OPEN DOOR OF CAR LISTENING TO FDR SPEECH OVER CAR RADIO

01:13:54 MS OF FDR AT ROSTRUM / HE SAYS WITH CONFIDENCE IN OUR ARMED FORCES, W/ THE UNBOUNDING DETERMINATION OF OUR PEOPLE WE WILL GAIN THE INEVITABLE TRIUMPH SO HELP US GOD

01:14:13 HAS OF CHAMBER AS CONGRESS STANDS AND APPLAUDS

01:14:17 CHYRON 130 MILLION AMERICANS RALLY TO PRESIDENT'S CALL

01:14:22 VS OF LINES OF YOUNG MEN OUTSIDE RECRUITING STATIONS / NEWSREEL NARRATOR VO

01:14:28 VS OF MEN RAISING THEIR HANDS AS THEY ARE SWORN INTO SERVICE DURING OUTDOOR MASS ENLISTMENT

01:15:01 VS OF YOUNG MEN IN RECRUITING CENTERS SIGNING UP FOR SERVICE

01:15:08 MCU OF ASIAN-AMERICAN SIGNING UP FOR SERVICE

01:15:12 TIGHT SHOT OF TRUCK DRIVER EXITING TRUCK AND ENTERING RECRUITING CENTER

01:15:16 TIGHT SHOT OF NEW YORK YANKEES' JOE DIMAGGIO TAKING OATH AS HE IS SWORN INTO SERVICE

01:15:19 MCU OF DIMAGGIO AS HE FLASHES VICTORY SIGN

01:15:21 VS OF HEAVYWEIGHT WORLD CHAMPION BOXER JOE LOUIS TAKING ARMY PHYSICAL

01:15:24 TIGHT SHOT OF FDR'S SON SIGNING UP FOR SERVICE

01:15:26 TIGHT SHOT OF SCREEN ACTOR TYRONE POWER TAKING MARINE CORPS OATH

01:15:32 MCU OF SCREEN ACTOR CLARK GABLE TAKING OATH

01:15:34 MCU OF ACTOR DOUGLAS FAIRBANKS JR. TAKING OATH

01:15:37 TIGHT SHOT OF GENERAL JOHN BLACKJACK PERSHING'S SON WARREN PERSHING TAKING OATH OF SERVICE

01:15:41

01:15:42 TIGHT SHOT OF SUPREME COURT JUSTICE FRANK MURPHY TRAINING W/ ARTILLERY UNIT

01:15:50 CHYRON AMERICA MOBILIZES HER INDUSTRIES FOR WAR

01:15:55 MS OF SMOKE FLOWING OUT OF SMOKESTACKS AT NIGHT / SPARKS FLY AT STEEL PLANT

01:16:03 VS OF PLANT WORKERS

01:16:09 VS OF STEEL WORKERS IN STEEL MILL

01:16:29 VS OF STEEL MILL PRODUCTION

01:16:46 VS OF ALUMINUM PRODUCTION

01:16:57 WS OF OIL FIELD

01:17:12 WS OF OIL REFINERY

01:17:16 VS OF LARGE DAMS

01:17:24 TIGHT SHOT OF ELECTRIC GENERATING PLANT

01:17:36 HAS OF MALE AND FEMALE INDUSTRIAL WORKERS WALKING TO PLANT

01:17:43 HAS OF PLANT INT AS THOUSANDS OF WORKERS WALK NEAR ASSEMBLY LINE

01:17:49 VS OF ASSEMBLY OF ARMAMENTS

01:18:18 VS OF SUBMARINE TORPEDO PRODUCTION

01:18:24 VS OF PRODUCTION OF SHELLS

01:18:28 LAS OF LARGE US FLAG HANGING FROM PLANT RAFTERS / WORKERS ASSEMBLE ANTI-AIRCRAFT GUNS IN FG

01:18:34 WS OF LOT OUTSIDE PLANT AS FIELD ARTILLERY PIECES LINE AREA

01:18:46 VS OF LARGE GUNS

01:19:02 VS OF JEEP PRODUCTION

01:19:08 VS OF JEEPS RUNNING OFF ASSEMBLY LINES

01:19:19 VS OF GEAR GRINDING MACHINERY IN OPERATION

01:19:57 VS OF TANK PRODUCTION

01:20:00 VS OF US INDUSTRIALIST HENRY KAISER DISPLAYING SCALE MODEL OF PREFABRICATED SHIP

01:20:10 VS OF SHIPYARD

01:20:23 LAS OF SIGN ATOP BOW OF SHIP READING ROBERT E. PEARY 4 DAYS 15 HOURS 29 MINUTES

01:20:27 VS OF US SHIP LAUNCHINGS

01:20:43 VS OF AIRCRAFT PRODUCTION

01:20:45 VS OF WOMEN WORKERS AT AIRCRAFT PLANT

01:22:06 CHYRON 11 MILLION AMERICANS TO BEAR ARMS

01:22:11 TWO SHOT OF US ARMY GENERAL GEORGE MARSHALL AND US NAVY ADMIRAL ERNEST KING

01:22:19 TIGHT SHOT OF CHIEF OF STAFF ADMIRAL WILLIAM LEAHY W/ OTHERS

01:22:26 VS OF WEST POINT GRADUATION

01:22:34 VS OF MIDSHIPMEN ON PARADE AT US NAVAL ACADEMY AT ANNAPOLIS

01:22:38 VS OF NAVAL ACADEMY GRADUATION / HAS OF GRADUATES THROWING THEIR CAPS INTO THE AIR

01:22:48 VS OF SOLDIERS EXERCISING OUTDOORS

01:22:58 VS OF BOXING CHAMP GENE TUNNEY LEADING SOLDIERS IN EXERCISES

01:23:12 VS OF SOLDIERS ON OBSTACLE COURSE

01:23:16 VS OF MERCHANT SEAMEN GRADUATION

01:23:21 VS OF MERCHANT SEAMEN TRAINING

01:23:25 VS OF SOLDIERS IN FIELD DURING LIVE AMMUNITION EXERCISE

01:23:30 VS OF SOLDIERS CRAWLING UNDER BARBED WIRE

Entertainment

1900-1909

00:04 Thomas Edison, inventor

00:19 Early Phonograph

00:24 Sheet Music For Piano

00:40 Development Of Early Motion Picture Equipment

00:53 Film Clip Of "Airy Fairy Lillian Tries On Her New Corset"

01:28 Nickelodeon Theatres / Crowds

01:44 Film scene: Street In Tokyo

01:47 Film Scene: Market In Cairo

01:53 Film Scene: Gate In Peking

02:00 "Topsy" - Coney Island Elephant

02:28 Film Clip: "The Big Swallow"

03:09 "Buster Brown" - Early Cartoon

03:19 "Little Nemo" - early cartoon

03:46 "Dream Of A Rarebit Friend" (Comic Strip Adapted To A Movie)

04:26 Film Clip: "Nightmare Of Over Indulgence"

04:57 Film Clip: "The Gay Shoe Clerk"

05:28 Film Clip: "The Great Train Robbery" 1903

06:56 Film Clip: "Those Awful Hats"

07:36 Films Of George Malies (Including "The Red Spector")

08:43 Films ith "Magic" Editing Tricks - First Special Effects

1910 - 1919

10:40 Film Scenes: Westerns

10:54 Film Clip: Charlie Chaplin

10:59 Film Clip: Charlie Chaplin

11:39 Film Clip: "The Musketeers Of Pig Alley"

12:13 Films Of D.W.GRiffith

16:32 "Birth Of A Nation"

16:24 D.W.Griffith

16:32 Film Clip: "Intolerance"

17:32 "Hearts Of The World"

17:46 D.W.Griffith

18:03 Film Clip: "The Battle Cry Of Peace"

18:13 Charlie Chaplin

18:14 Mary Pickford And War Effort

18:20 Douglas Fairbanks And War Effort

18:24 Sarah Bernhardt And War Effort

18:33 Charlie Chaplin And Buying Bonds

1920 - 1929

19:21 Radios

19:36 Early Radio Star Singing

20:11 Black Performers: Sissel And Blake

21:36 Movie Making: Movie Vignettes

22:30 Actor John Barrymore

23:02 1920's Movie Palaces

23:11 1920's Movie Stars

23:45 Newsreels (Flying Planes, Stuntman Handing From A Building,

Magician)

24:12 Photographs Of Cameramen On A Movie Set

24:24 President Calvin Coolidge In Experimental Sound Film

25:12 Governor Al Smith In Early Sound Film

26:16 Player Pianos / Sheet Music

1930 - 1939

26:56 Radio Entertainers

27:07 Amos 'n Andy

27:20 Charlie McCarthy And Edgar Bergen

28:31 Radios In American Homes

28:48 Radios In American Homes

28:48 Magazines (Stills Of Covers)

29:06 Comics/Funnies

29:19 Movie Theatres, Marquees, Posters

30:12 Movie Posters, Ads, Movie Stars

30:38 Newsreels (The Opening Credits For A "Newsreel" At The Movies)

31:19 Newsreel: Ziegfield Chorus Girls

31:30 Newsreel: Automatic Racing

31:42 Newsreel: A Man Known As "Batman", Who Jumped Out Of Planes,

While Wearing Wings

32:15 Newsreel: Hindenburg Disaster

33:12 Movie Theatre Marquee Advertising "The Hindenburg"

33:32 H.V.Kaltenborn (Network Radio Commentator On Munich Crisis)

33:42 Radio

33:48 Americans Listening To Radio "War Of The Worlds" 30/10/1938

1940 - 1949

35:21 Newsreels: Hollywood Stars Help Sell World War II Bonds

36:19 Hollywood Stars Enlist

36:26 Tyrone Power Joins The Marines

36:27 Douglas Fairbanks Joins The Navy

36:29 Clark Gable Joins The Air Force

36:33 Jimmy Stewart In The Air Force

36:36 War Movies (Hollywood Produced Movies, During The War, That

Glorified The Allied Cause)

36:51 War Message From Ida Lupino

37:32 Propaganda Film: "Souvenirs"

39:21 Armed Forces Radio Shows Filmed For The US Troops Overseas

40:41 Lucille Ball / Armed Forces Radio

41:10 Betty Hutton / Armed Forces Radio

41:59 Lena Horn And Rochester / All-Black Show For Black US Troops

42:40 Bob Hope Sings Over Montage Of Allied Soldier Stills

1950 - 1959

43:34 Americans At Home, Watching TV

43:54 First Coast-To-Coast TV Hook-Up

44:00 Truman Speaks At Japanese Treaty Conference. First Coast-To-Coast TV

44:11 Hopalong Cassidy

44:16 "Friday Night Fights" From New York City

44:20 Howdy Doody

44:23 Kukla, Fran And Ollie

44:25 Milton Berle

44:32 Arthur Godfrey And His Friends

44:35 Ed Sullivan Show

44:39 Elvis Presley On Ed Sullivan

44:41 Sid Caesar And Imogene Coca

44:48 First Nightly Network Newcasts (Coverage Of Big Fire In Philadelphia)

44:53 TV Anchor John Cameron Swayze

44:56 TV Anchor Douglas Edwards

44:58 TV Anchors Huntley / Brinkley

45:00 TV Reporter Walter Cronkite

45:04 Edward R Murrow

45:13 Senate Investigates Organised Crime (First Televised Hearings)

45:38 TV Quiz Games / Quiz Game Rigging Scandal

45:58 Jackie Gleason And Art Carney

46:04 Lucille Ball - "I Love Lucy" Show

46:17 TV Series: "Actor's Studio"

46:23 TV Series: "Studio One"

46:26 TV Series: "Robert Montgomery Presents"

46:30 Actor Ronald Reagan

46:36 Clips From Early TV Ads (Ajax, Marlboro, Kleenex, Pepsodent)

49:03 Drive-In Movies

49:20 Marilyn Monroe

49:24 Marlon Brando

49:26 James Dean

49:34 Dick Clark - American Bandstand

49:48 Clips From Low-Budget Mutation Movies

1960 - 1964

51:28 Marilyn Monroe

52:02 Trailer From Alfred Hitchcock's "Psycho"*

53:55 Movie Clip: Louis Armstrong*

54:12 Gary Cooper In "The Naked Edge"*

54:44 Doris Day, arriving at Hollywood Award Night

54:46 James Garner, Arriving At Hollywood Award Night

54:48 Angie Dickenson, Arriving At Hollywood Award Night

54:50 Tony Curtis, Arriving At Hollywood Award Night

54:52 Gregory Peck at Hollywood Award Night

54:55 Janet Leigh And Tony Curtis At Hollywood Award Night

54:58 Peter Ustinov Wins Oscar

55:13 Movie Clip: Elizabeth Taylor*

55:23 Movie Clip: James Bond Movie, "From Russia With Love"*

55:45 Movie Clip: "West Side Story"*

56:13 Movie Clip: "Mary Poppins"*

56:32 Movie Clip: "Beach Party"*

57:04 The Beatles On Tour

1965 - 1969

57:38 "Bonnie And Clyde"

57:45 "Bonnie And Clyde", Starring Faye Dunaway And Warren Beatty

57:55 Various Hollywood Stars

58:12 Beatles Craze

58:25 John Lennon Interview

58:58 Elvis Presley Wedding

59:13 Bob Hope Entertains In Vietnam

59:40 Actor Ronald Reagan Runs For Governor Of California

59:56 Folk Singer Joan Baez

60:21 Anti-Vietnam War March

60:28 Singer Phil Oates

60:39 Rock Music / Woodstock Festival

60:57 Psychedelic Drugs And New Music

61:32 Go-Go Girl Dancing

61:54 TV Commercial ("Bisodol" Antacid)

62:16 TV Public Service Announcements (Seat Belt Commercial With Ann

Meara And Jerry Stiller)

63:10 Political Commercials For Nixon

63:27 Network News Covering Pueblo Crew

63:34 Violence In TV News / Shows

63:49 Congressional Hearings Concerning Violence On TV

CLEAN FEED OF THE SENATE TRIAL / IMPEACHMENT TRIAL OF

PRESIDENT BILL CLINTON

BC-SENATE-TRIAL-DAY13

TRANSCRIPT

FEBRUARY 04, 1999

NEWS EVENT

U.S. SENATE

WASHINGTON, D.C.

U.S. SENATE CONTINUES IMPEACHMENT TRIAL OF PRESIDENT

CLINTON

SENATE IMPEACHMENT TRIAL OF PRESIDENT CLINTON

FEBRUARY 4, 1999

SPEAKERS: WILLIAM H. REHNQUIST,

CHIEF JUSTICE, U.S. SUPREME COURT

U.S. SENATOR TRENT LOTT, MAJORITY LEADER

LLOYD OGILVIE, SENATE CHAPLAIN

APPEARING ON BEHALF OF THE HOUSE OF REPRESENTATIVES:

U.S. REPRESENTATIVE HENRY J. HYDE (R-IL)

U.S. REPRESENTATIVE F. JAMES SENSENBRENNER (R-WI)

U.S. REPRESENTATIVE BILL MCCOLLUM (R-FL)

U.S. REPRESENTATIVE GEORGE W. GEKAS (R-PA)

U.S. REPRESENTATIVE CHARLES T. CANADY (R-FL)

U.S. REPRESENTATIVE STEPHEN E. BUYER (R-IN)

U.S. REPRESENTATIVE ED BRYANT (R-TN)

U.S. REPRESENTATIVE STEVE CHABOT (R-OH)

U.S. REPRESENTATIVE BOB BARR (R-GA)

U.S. REPRESENTATIVE ASA HUTCHINSON (R-AR)

U.S. REPRESENTATIVE CHRIS CANNON (R-UT)

U.S. REPRESENTATIVE JAMES E. ROGAN (R-CA)

U.S. REPRESENTATIVE LINDSEY O. GRAHAM (R-SC)

APPEARING ON BEHALF OF THE PRESIDENT:

CHARLES F.C. RUFF, WHITE HOUSE COUNSEL

GREGORY B. CRAIG, WHITE HOUSE COUNSEL

BRUCE R. LINDSEY, WHITE HOUSE COUNSEL

CHERYL D. MILLS, WHITE HOUSE COUNSEL

LANNY A. BREUER, WHITE HOUSE COUNSEL

DAVID E. KENDALL, ATTORNEY FOR PRESIDENT CLINTON

NICOLE K. SELIGMAN, ATTORNEY FOR PRESIDENT CLINTON

EMMET T. FLOOD, ATTORNEY FOR PRESIDENT CLINTON

MAX STIER, ATTORNEY FOR PRESIDENT CLINTON

GLEN DONATH, ATTORNEY FOR PRESIDENT CLINTON

ALICIA MARTI, ATTORNEY FOR PRESIDENT CLINTON

12:59:33 CHIEF JUSTICE WILLIAM REHNQUIST OPENS. SENATE CHAPLAIN

LLODY OGILVIE OPENS W/ PRAYER. PROCLAMATION IS ALSO GIVEN.

REHNQUIST: THE SENATE WILL CONVENE AS A COURT OF

IMPEACHMENT. THE CHAPLAIN WILL OFFER A PRAYER. OGILVIE:

GRACIOUS GOD, THESE DAYS HERE IN THE SENATE ARE FILLED WITH

CRUCIAL ISSUES, DIFFERENCES ON SOLUTIONS, AND EVENTUALLY A

VITAL VOTE IN THIS IMPEACHMENT TRIAL. WE BEGIN THIS

DAY'S SESSION WITH A QUESTION THAT YOU ASKED KING SOLOMON,

ASK WHAT SHALL I GIVE YOU? WE EMPATHIZE WITH SOLOMON'S

RESPONSE. HE ASKED FOR AN UNDERSTANDING HEART. WE ARE

MOVED BY THE MORE PRECISE TRANSLATION OF THE HEBREW WORDS

FOR UNDERSTANDING HEART, MEANING A HEARING HEART.

SOLOMON WANTED TO HEAR A WORD FROM YOU, LORD, FOR THE

PERPLEXITIES THAT HE FACED. HE LONGED FOR THE GIFT OF

WISDOM SO THAT HE COULD HAVE ANSWERS AND DIRECTIONS FOR HIS

PEOPLE. WE ARE MOVED BY YOUR RESPONSE. "SEE, I HAVE

GIVEN YOU A WISE AND LISTENING HEART." I PRAY FOR NOTHING

LESS AS YOUR ANSWER FOR THE WOMEN AND MEN OF THIS SENATE.

HELP THEM TO LISTEN TO YOUR GUIDANCE, AND GRANT THEM WISDOM

FOR THEIR DECISIONS. ALL THROUGH OUR HISTORY AS A

NATION, YOU HAVE MADE GOOD MEN AND WOMEN GREAT WHEN THEY

HUMBLED THEMSELVES, CONFESSED THEIR NEED FOR YOUR WISDOM

AND LISTENED INTENTLY TO YOU. OGILVIE: SPEAK, LORD,

WE NEED TO HEAR YOUR VOICE. WE ARE LISTENING. AMEN.

(UNKNOWN): AMEN.

REHNQUIST: THE SENATORS WILL BE SEATED. THE SERGEANT AT

ARMS WILL MAKE THE PROCLAMATION. SERGEANT-AT-ARMS: HEAR

YE, HEAR YE, HEAR YE, ALL PERSONS ARE COMMANDED TO KEEP

SILENT ON PAIN OF IMPRISONMENT WHILE THE SENATE OF THE

UNITED STATES IS SITTING FOR THE TRIAL OF THE ARTICLES OF

IMPEACHMENT EXHIBITED BY THE HOUSE OF REPRESENTATIVES

AGAINST WILLIAM JEFFERSON CLINTON, PRESIDENT OF THE UNITED

STATES. REHNQUIST: IF THERE'S NO OBJECTION, THE

JOURNAL OF PROCEEDINGS OF THE TRIAL ARE APPROVED TO DATE.

THE MAJORITY LEADER IS RECOGNIZED.

13:06:42 SENATE MAJORITY LEADER TRENT LOTT (R-MISS) OUTLINES THE

DAY'S PROCEEDINGS W/ AID FROM MINORITY LEADER TOM DASCHLE

(D-SC). LOTT: THANK YOU, MR. CHIEF JUSTICE. IF I COULD

TAKE JUST A MOMENT TO OUTLINE HOW THE PROCEEDINGS WILL GO

THIS AFTERNOON, I THINK THAT WOULD ANSWER ANY QUESTIONS

THAT SENATORS MAY HAVE. WE WILL, OF COURSE, CONTINUE THE

CONSIDERATION OF ARTICLES OF IMPEACHMENT. I'M NOT AWARE OF

ANY OBJECTIONS MADE DURING THE DEPOSITIONS WHICH WOULD

REQUIRE MOTIONS TO RESOLVE. THEREFORE, I BELIEVE THE

HOUSE MANAGERS ARE PREPARED TO GO FORWARD WITH A MOTION

THAT WOULD HAVE THREE PARTS. THE FIRST WOULD ALLOW FOR THE

INTRODUCTION OF THE DEPOSITIONS INTO EVIDENCE. THE SECOND

WOULD CALL MONICA LEWINSKY AS A WITNESS. AND THE THIRD

PART WOULD ALLOW FOR A PRESENTATION PERIOD BY THE PARTIES

FOR NOT TO EXTEND SIX HOURS. THIS MOTION WOULD BE DEBATED

BY THE HOUSE MANAGERS AND THE WHITE HOUSE COUNSEL FOR NOT

TO EXCEED TWO HOURS. IN ADDITION, IT'S MY UNDERSTANDING

THAT SENATOR DASCHLE INTENDS TO OFFER A MOTION THAT WOULD

PROVIDE FOR GOING DIRECTLY TO THE ARTICLES OF IMPEACHMENT

FOR A VOTE.

DASCHLE: WOULD THE MAJORITY LEADER ...

LOTT: I'D BE GLAD TO YIELD TO SENATOR DASCHLE.

DASCHLE: THE MOTION WILL ALLOW FOR CLOSING ARGUMENTS,

FINAL DELIBERATIONS AND THEN THE MOTIONS ON THE TWO

ARTICLES.

LOTT: HAVING SAID THAT, MR. CHIEF JUSTICE, IN ORDER THE

MANAGERS TO PREPARE A DEBATE FOR THE MOTIONS, I ASK

UNANIMOUS CONSENT THAT THE HOUSE MANAGERS AND THE WHITE

HOUSE COUNSEL BE ALLOWED TO MAKE REFERENCE TO ORAL

DEPOSITIONS DURING THEIR DEBATE ON PENDING MOTIONS.

REHNQUIST: IS THERE ANY OBJECTION? IN THE ABSENCE OF

OBJECTION, IT'S SO ORDERED. LOTT: CONSEQUENTLY, FOUR

VOTES THEN WOULD OCCUR IN THE 4 P.M. TIMEFRAME TODAY WITH

RESPECT TO THESE FOUR MOTIONS. WE WILL TAKE AT LEAST ONE

BREAK, MAYBE TWO BETWEEN NOW AND THEN AND THAT WILL

DETERMINE EXACTLY WHEN THAT SERIES OF VOTES WOULD OCCUR.

AND ONCE WE BEGIN THE PROCESS OF OFFERING AND DEBATING THE

MOTIONS, YOU KNOW, WE'LL MAKE A DETERMINATION AS EXACTLY

WHEN THOSE BREAKS WOULD OCCUR. IN ADDITION, IF THE MOTION

FOR ADDITION PRESENTATION TIME IS AGREED TO BY THE SENATE,

IT WOULD BE MY INTENTION TO ADJOURN THE TRIAL AFTER TODAY'S

DELIBERATIONS OVER UNTIL SATURDAY FOR THE PARTIES TO MAKE

THEIR PREPARATIONS, THEN TO PRESENT THEIR PRESENTATION OF

EVIDENCE ON SATURDAY. LOTT: THE TRIAL WOULD THEN

RESUME ON MONDAY AT 12 NOON FOR THE CLOSING ARGUMENTS OF

THE PARTIES. AGAIN, I WOULD REMIND ALL MY COLLEAGUES TO

PLEASE REMAIN STANDING AT THEIR DESKS WHEN THE CHIEF

JUSTICE ENTERS THE CHAMBER AND LEAVES THE CHAMBER. I

THANK MY COLLEAGUES FOR THEIR ATTENTION AND I BELIEVE WE'RE

READY TO PROCEED, MR. CHIEF JUSTICE.

13:09:18 SEARGEANT-AT-ARMS&REHNQUIST RECGONIZES HOUSE MANAGER

CONGRESSMAN BILL MCCOLLUM (R-FLA). REHNQUIST: THE CHAIR

RECOGNIZES MR. MANAGER MCCOLLUM.

MCCOLLUM: MR. CHIEF JUSTICE, I HAVE A MOTION TO BE

DELIVERED TO THE SENATE.

REHNQUIST: THE CLERK WILL READ THE MOTION. CLERK:

"MOTION OF THE UNITED STATES HOUSE OF REPRESENTATIVES FOR

THE ADMISSION OF EVIDENCE, THE APPEARANCE OF WITNESSES AND

THE PRESENTATION OF EVIDENCE.

SERGEANT-AT-ARMS: NOW COMES THE UNITED STATES HOUSE OF

REPRESENTATIVES BY AND THROUGH ITS DULY AUTHORIZED MANAGERS

AND RESPECTFULLY SUBMITS TO THE UNITED STATES SENATE ITS

MOTION FOR THE ADMISSION OF EVIDENCE, THE APPEARANCE OF

WITNESSES AND THE PRESENTATION OF EVIDENCE IN CONNECTION

WITH THE IMPEACHMENT TRIAL OF WILLIAM JEFFERSON CLINTON,

PRESIDENT OF THE UNITED STATES. THE HOUSE MOVES THAT THE

TRANSCRIPTIONS AND VIDEOTAPES OF THE ORAL DEPOSITIONS TAKEN

PURSUANT TO SENATE RESOLUTION 30, FROM THE POINT THAT EACH

WITNESS IS SWORN TO TESTIFY UNDER OATH TO THE END OF ANY

DIRECT RESPONSE TO THE LAST QUESTION POSED BY A PARTY, BE

ADMITTED INTO EVIDENCE. THE HOUSE FURTHER MOVES THAT THE

SENATE AUTHORIZE AND ISSUE A SUBPOENA FOR THE APPEARANCE OF

MONICA S. LEWINSKY BEFORE THE SENATE FOR A PERIOD OF TIME

NOT TO EXCEED EIGHT HOURS. AND IN CONNECTION WITH THE

EXAMINATION OF THAT WITNESS, THE HOUSE REQUESTS THAT EITHER

PARTY BE ABLE TO EXAMINE THE WITNESS AS IF THAT WITNESS

WERE DECLARED ADVERSE. THAT COUNSEL FOR THE PRESIDENT AND

COUNSEL FOR THE HOUSE MANAGERS BE ABLE TO PARTICIPATE IN

THE EXAMINATION OF THAT WITNESS AND THAT THE HOUSE BE

ENTITLED TO RESERVE A PORTION OF ITS EXAMINATION TIME TO

REEXAMINE THE WITNESS FOLLOWING ANY EXAMINATION BY THE

PRESIDENT. SERGEANT-AT-ARMS: THE HOUSE FURTHER MOVES

THAT THE PARTIES BE PERMITTED TO PRESENT BEFORE THE SENATE

FOR A PERIOD OF TIME NOT TO EXCEED A TOTAL OF SIX HOURS,

EQUALLY DIVIDED. ALL OF PORTIONS OF THE PARTS OF THE VIDEO

TAPES OF THE ORAL DEPOSITIONS OF MONICA S. LEWINSKY, VERNON

E. JORDAN, JR., AND SIDNEY BLUMENTHAL ADMITTED INTO

EVIDENCE. AND THAT THE HOUSE BE ENTITLED TO RESERVE A

PORTION OF ITS' PRESENTATION TIME.

13:11:22 MOTION BY LOTT&QUORUM CALL. REHNQUIST: THE CHAIR

RECOGNIZES THE MAJORITY LEADER. LOTT: MR. CHIEF

JUSTICE, I UNDERSTAND THAT THE PENDING MOTION IS DIVISIBLE.

AND AS IS MY RIGHT, I ASK THAT THE MOTION BE DIVIDED IN THE

FOLLOWING MANNER. THAT PARAGRAPH -- THE FIRST PARAGRAPH BE

CONSIDERED TO BE DIVISION ONE. THE SECOND PARAGRAPH BE

CONSIDERED DIVISION TWO. THE FINAL PARAGRAPH TO BE

CONSIDERED DIVISION THREE. REHNQUIST: THE MOTION -- IT

WILL BE DIVIDED IN THE MANNER INDICATED BY THE MAJORITY

LEADER. LOTT: I YIELD THE FLOOR. DASCHLE: MR.

CHIEF JUSTICE, I SUGGEST THE ABSENCE OF A QUORUM.

REHNQUIST: THE CLERK WILL CALL THE ROLL.

13:12:02 GRAPHIC W/ EAGLE SYMBOL READING QUORUM CALL. (QUORUM

CALL)

13:12:45 LOTT: MR. CHIEF JUSTICE? REHNQUIST: THE

CHAIR RECOGNIZES THE MAJORITY LEADER. LOTT: I ASK THE

CONSENT THAT THE QUORUM CALL BE DISPENSED WITH.

REHNQUIST: IS THERE ANY OBJECTION? LOTT: AND ...

REHNQUIST: IN THE ABSENCE OF OBJECTION, IT (OFF-MIKE)

LOTT : ... MR. CHIEF JUSTICE, I IDENTIFIED THIS AS THE

FIRST PARAGRAPH TO BE CONSIDERED DIVISION ONE. ACTUALLY,

IT SHOULD BE THE SECOND PARAGRAPH WOULD BE DIVISION ONE,

THIRD PARAGRAPH DIVISION TWO, AND THE FOURTH PARAGRAPH

WOULD BE DIVISION THREE. I WANT THAT CLARIFICATION.

ALSO, SO THAT BOTH SIDES WILL UNDERSTAND, THE MOTION --

THERE'S ONE MOTION, BUT WE'VE DIVIDED IT INTO THREE PARTS.

SO THERE WILL ONLY BE TWO HOURS EQUALLY DIVIDED, ONE ON

EACH SIDE; NOT TWO HOURS EQUALLY DIVIDED ON EACH ONE OF THE

THREE DIVISIONS. WE HAD ONE CLARIFICATION, I BELIEVE WE

HAVE CLEARED UP, AND I BELIEVE NOW WE'RE READY TO HEAR FROM

THE MANAGERS, MR. CHIEF JUSTICE.

13:13:28 REHNQUIST RECOGNIZES MCCOLLUM DISCUSSION OF VIDEOTAPE

DEPOSITIONS AND OTHER EVIDENCE INCLUDING DESIRE FOR CENTRAL

WITNESS MONICA LEWINSKY TO APPEAR LIVE. REHNQUIST: VERY

WELL. THE CHAIR RECOGNIZES MR. MANAGER MCCOLLUM.

MCCOLLUM: MR. CHIEF JUSTICE. AS THE FIRST ONE UP HERE

TODAY, I HAVE TO FIDDLE WITH THE MICROPHONE I GUESS. IT'S

SORT OF LIKE TESTING AND I APOLOGIZE. MR. CHIEF JUSTICE

AND MEMBERS OF THE SENATE, WHAT WE HAVE PRESENTED TO YOU

TODAY IS A THREE PART MOTION, AS MR. LOTT HAS DESCRIBED IT

AND AS YOU HEARD READ TO YOU. MCCOLLUM: WE WOULD

LIKE VERY MUCH, AS WE ALWAYS HAVE, TO HAVE ALL OF THE

WITNESSES PRESENTED HERE LIVE AS WE WOULD NORMALLY HAVE IN

A TRIAL, AS THE HOUSE HAS ALWAYS BELIEVED THAT IT SHOULD

HAVE. WE CAME BEFORE YOU A FEW DAYS RECOGNIZING THE

REALITY OF THAT AND WENT FORWARD WITH YOUR PROCEDURES TO

REQUEST, NOT FIVE, NOT SIX, NOT 12, BUT THREE WITNESSES BE

DEPOSED SO THAT WE MIGHT BE ABLE TO, IN THE DISCOVERY

PROCESS YOU'VE ALLOWED US, TO GAIN THE DEPOSITIONS OF THOSE

THREE WITNESSES. TODAY, WE'RE BEFORE YOU WITH MOTIONS

FIRST, TO ENTER THOSE DEPOSITIONS AND THE VIDEO RECORDINGS

OF THOSE DEPOSITIONS, INTO EVIDENCE FORMALLY FOR YOUR

CONSIDERATION BECAUSE THEY'VE NOW BEEN ACCOMPLISHED.

SECONDLY, TO REQUEST THAT YOU PROVIDE US WITH THE

OPPORTUNITY TO EXAMINE MONICA LEWITNESS (PH) -- LEWINSKY

LIVE HERE AS A WITNESS ON THE FLOOR OF THE SENATE AND FOR

YOU TO ALLOW US TO PRESENT THE OTHER TWO DEPOSITIONS TO YOU

IN SOME FORMAT.

MCCOLLUM: AND IF YOU DO NOT ALLOW US THE PERMISSION TO

HAVE MS. LEWINSKY LIVE HERE TO EXAMINE AS A WITNESS, TO

ALLOW US TO PRESENT ANY OR ALL PORTIONS OF THE DEPOSITIONS

OF ALL THREE OF THEM. NOW, I THINK THAT IT'S IMMINENTLY

FAIR THAT WE BE ALLOWED TO PRESENT AT LEAST ONE WITNESS

LIVE TO YOU, THE CENTRAL WITNESS IN THE CAST OF THIS ENTIRE

PROCEEDING, AND THAT'S MONICA LEWINSKY. I'M NOT HERE TO

ARGUE ALL OF THAT, MY PRINCIPAL DISCUSSION WITH YOU IS

GOING TO BE ON THE PART DEALING WITH JUST ADMITTING THESE

INTO EVIDENCE. AND THEN MY COLLEAGUES MR. BRYANT AND MR.

HUTCHINSON AND MR. ROGAN ARE GOING TO PRESENT SOME

COMPLEMENTARY DISCUSSION ABOUT THE ENTIRE MOTION AS WE GO

THROUGH THIS. BUT IN THE CONTEXT OF ALL OF THIS, I THINK

WE HAVE TO RECOGNIZE A COUPLE OF THINGS. ONE IS THAT LIVE

WITNESSES ARE PREFERABLE WHETHER YOU HAVE DEPOSITIONS OR

NOT. THESE WERE DISCOVERY DEPOSITIONS. WE WOULD HAVE

LIKED TO HAVE ASKED FOR ALL OF THEM TO BE LIVE, BUT WE ARE

RECOGNIZING REALITY BY COMING DOWN TO ONE TODAY.

MCCOLLUM: AND THE REASONS ARE FAIRLY STRAIGHTFORWARD.

SOME OF YOU HAVE HAD THE PRIVILEGE, AND I'M SURE YOU'VE

AVAILED YOURSELF OF THE OPPORTUNITY TO LOOK AT THE

VIDEOTAPES OF THESE DEPOSITIONS. AND YOU SEE THAT THEY ARE

INDEED WHAT MOST DEPOSITIONS ARE. THEY ARE DISCOVERY.

THEY HAVE LONG PAUSES IN THEM. THEY'RE NOT AT ALL LIKE IT

WOULD BE IN A TRIAL ITSELF. YOU DON'T HAVE THE OPPORTUNITY

TO FULLY SEE OR EXPLORE WITH A WITNESS THE DEMEANOR, THE

TEMPERAMENT, THE SPONTANEITY, ALL OF THOSE THINGS THAT YOU

NORMALLY GET WITH AN EXCHANGE. YOU HAVE THE CAMERA SIMPLY

FOCUSED ON THE WITNESS. YOU DON'T GET TO HAVE THE

INTERACTION YOU GET IN A COURTROOM. AND REMEMBER AGAIN,

THAT WE'RE DEALING HERE FIRST WITH YOUR DETERMINING WHETHER

OR NOT THE PRESIDENT COMMITTED THE CRIMES OF PERJURY AND

OBSTRUCTION OF JUSTICE, AND THEN THE QUESTION OF WHETHER OR

NOT HE SHOULD BE REMOVED FROM OFFICE. SO I BELIEVE AND

WE BELIEVE AS HOUSE MANAGERS THAT YOU SHOULD AT LEAST LET

US HAVE MONICA LEWINSKY HERE LIVE FOR BOTH OF THOSE

REASONS. I ALSO WANT TO MAKE COMMENTS SPECIFICALLY ABOUT

JUST ADMITTING THESE INTO EVIDENCE. THERE ARE TWO OBVIOUS

REASONS WHY, BEYOND THE QUESTION OF WHETHER THE WITNESS, A

WITNESS SHOULD APPEAR LIVE, OR WHETHER WE SHOULD USE

PORTIONS OF THEM IN WHATEVER FASHION TO PRESENT TO YOU,

THAT THEY CERTAINLY SHOULD BE PART OF THE RECORD.

MCCOLLUM: IT SEEMS SELF-EVIDENT. IT IS PART OF WHAT YOU

GAVE US AS THE PROCEDURE TO DO. AND IT WOULD SEEM TO ME

THAT IT SHOULD BE A MERE FORMALITY FOR ME TO ASK, BUT I

CANNOT ASSUME ANYTHING -- WE CERTAINLY DO NOT -- THAT WE

LET THESE DEPOSITIONS INTO EVIDENCE. AND THERE ARE TWO

REASONS WHY. ONE IS THE HISTORICAL BASIS FOR THIS. THERE

HAS TO BE A RECORD, NOT ONLY FOR YOU, BUT FOR THE PUBLIC

AND FOR HISTORY, OF THE ENTIRE PROCEEDING. THERE IS

EVIDENCE IN THESE DEPOSITIONS THAT NEEDS TO BE A PART OF

THE OFFICIAL RECORD. AND THAT EVIDENCE IS NOT JUST THE

COLD TRANSCRIPT, BUT IS ALSO THE VIDEOTAPE, WITH ALL OF --

THE LIMITED, ALBEIT NOT SATISFACTORY, PORTION OF IT THAT

YOU CAN SEE AND OBSERVE, ESPECIALLY IF YOU WERE TO CONCLUDE

WE WEREN'T GOING TO HAVE ANY LIVE WITNESS HERE OR WERE NOT

GOING TO ALLOW US TO PRESENT THESE DEPOSITIONS. YOU

CERTAINLY SHOULD ALLOW THE DEPOSITIONS TO BE PART OF THE

RECORD AND THE VIDEOTAPE PART OF IT. MCCOLLUM: IT'S

EVIDENCE. IT'S TO BE EXAMINED. IT SEEMS SELF EVIDENT.

BUT THE SECOND POINT IS, AS YOU'RE GOING TO HEAR MORE FROM

MY COLLEAGUES IN JUST A MOMENT, THERE IS NEW EVIDENCE IN

THESE DEPOSITIONS.

13:18:04 MCCOLLUM BRIEFLY DISCUSSES NEW EVIDENCE IN DEPOSITIONS.

THERE'S NEW FACTUAL RECORD INFORMATION THAT NEEDS TO BE

HERE FOR YOU TO DECIDE THE GUILT OR INNOCENCE QUESTION ON

THE PERJURY AND OBSTRUCTION OF JUSTICE CHARGES. ONE

ILLUSTRATION I WILL GIVE YOU, AND I'M SURE MY COLLEAGUES

WILL GIVE YOU PLENTY MORE, ONE OF THEM DEALS WITH THE GIFT

QUESTION. WE'VE TALKED ABOUT IT A LOT OUT HERE. DO YOU

RECALL, WITH REGARD TO THE QUESTION OF THE GIFTS, THE ISSUE

IS DID THE PRESIDENT OBSTRUCT JUSTICE? DID HE DECIDE, IN

THE JONES CASE -- IN THE JONES COURT, AS A PART OF HIS

COURSE OF CONDUCT OF TRYING TO KEEP FROM THE COURT THE

NATURE OF HIS RELATIONSHIP WITH MONICA LEWINSKY, TO KEEP

THE GIFTS HIDDEN? THERE IS NEW INFORMATION IN THE

DEPOSITION RELATIVE TO WHAT HAPPENED ON THE DAY THOSE GIFTS

WERE SUPPOSEDLY EXCHANGED BETWEEN MONICA LEWINSKY AND BETTY

CURRIE ABOUT THE TELEPHONE CALL.

MCCOLLUM: AGAIN, I'M NOT GOING INTO THE DETAILS OF THAT.

I'LL LEAVE THAT FOR MY COLLEAGUES TO DO, WHO TOOK THE

DEPOSITIONS AND CAN TELL YOU ABOUT THEM. THE POINT IS,

YOU COULD ENUMERATE, AND THEY WILL, NEW EVIDENCE. THERE IS

SIGNIFICANT RELEVANT NEW EVIDENCE FROM THE VERNON JORDAN

DEPOSITION AND FROM THE SIDNEY BLUMENTHAL DEPOSITION. SO

JUST ON THE RECORD ALONE, JUST TO PUT THE DEPOSITIONS INTO

RECORD, THERE CAN BE NOTHING COMPLETE ABOUT THIS TRIAL IF

WE DON'T AT LEAST DO THAT -- AT LEAST DO THAT. AND SO

WITH THAT IN MIND, HAVING SAID THAT AND URGED YOU TO DO

THAT, I WILL YIELD TO MR. BRYANT AT THIS POINT IN TIME, TO

MANAGER BRYANT.

CONGRESSMAN ED BRYANT (R-TENN) REMARKS WHY LEWINSKY SHOULD

BE BROUGHT BEFORE THE SENATE LIVE.

REHNQUIST: THE CHAIR RECOGNIZES MR. MANAGER BRYANT.

BRYANT: MR. CHIEF JUSTICE, DISTINGUISHED COLLEAGUES AND

SENATORS, I WOULD ENCOURAGE EACH OF YOU TO CONSIDER CALLING

MONICA LEWINSKY AS THE ONE LIVE WITNESSES -- WITNESS -- IN

THIS PROCEEDING. BRYANT: MS. LEWINSKY CONTINUES TO BE

IN HER OWN WAY AN IMPRESSIVE WITNESS. AS I SPOKE TO YOU

EARLIER, SHE DOES HAVE A STORY TO TELL. AFTER ALL, NO ONE

KNOWS MORE ABOUT THE MAJORITY OF THE ALLEGATIONS AGAINST

THE PRESIDENT -- OTHER THAN, OF COURSE, THE PRESIDENT

HIMSELF. AT HER DEPOSITION, SHE APPEARED TO BE A

DIFFERENT MONICA LEWINSKY THAN THE MONICA LEWINSKY WITH

WHOM I HAD MET A WEEK EARLIER. UNLIKE BEFORE, SHE WAS NOT

OPEN TO DISCUSSION OR FULLY RESPONSIVE TO FAIR INQUIRY.

SHE DIDN'T VOLUNTEER HER STORY. SHE DIDN'T TELL HER STORY.

RATHER, SHE WAS IN A -- VERY GUARDED IN EACH RESPONSE AND

ALMOST PROTECTIVE. HER WORDS WERE CAREFULLY CHOSEN AND

RELATIVELY FEW. AT TIMES, THE CONCEPTS THAT SHE

DISCUSSED HAD THE FAMILIAR RING OF ANOTHER KEY WITNESS TO

THESE PROCEEDINGS, SUCH AS: IT WASN'T A LIE OR WASN'T

FALSE, IT WAS MISLEADING OR INCOMPLETE; TRUTH IS WHAT ONE

BELIEVES IT IS AND MAY BE DIFFERENT FOR DIFFERENT PEOPLE;

TRUTH DEPENDS ON THE CIRCUMSTANCES. AS WE PROGRESSED

THROUGH HER DEPOSITION MONDAY, I FELT MORE AND MORE LIKE

ONE OF THE CHARACTERS IN THE CLASSIC MOVIE "WITNESS FOR THE

PROSECUTION."

BRYANT: I WAS CHARLES LAUGHTON. MS. LEWINSKY WAS MARLENE

DIETRICH. AND THE PRESIDENT WAS TYRONE POWER. AND IF

YOU'RE FAMILIAR WITH THIS MOVIE, YOU'LL UNDERSTAND. AND IF

YOU AREN'T, YOU SHOULD SEE THE MOVIE. (LAUGHTER)

HOWEVER, THERE WAS AND THERE STILL REMAINS TRUTH IN HER

TESTIMONY. SOMETIMES THOUGH, JUST LIKE THE PRESIDENT AND

NOW MS. LEWINSKY, IT IS THE LITERAL TRUTH ONLY -- THE MOST

RESTRICTED AND STRETCHED DEFINITION ONE CAN REACH. AND WE

ALL KNOW THAT THE LAW FROWNS UPON THE MANIPULATIONS SUCH AS

THIS TO AVOID TELLING THE COMPLETE TRUTH. TWO, HER

TESTIMONY IS CLEARLY TINTED AND SOME MIGHT EVEN SAY TAINTED

BY A MIXTURE OF HER CONTINUED ADMIRATION FOR THE PRESIDENT;

HER DESIRE TO PROTECT HIM; AND HER OWN PERSONAL VIEWS OF

RIGHT AND WRONG.

BRYANT: AND SHE WAS WELL REPRESENTED IN THE DEPOSITION BY

SOME OF WASHINGTON'S FINEST DEFENSE ATTORNEYS WHO HAD

THOROUGHLY PREPARED HER FOR ALL QUESTIONS, AS THEY SHOULD

HAVE, AS WELL AS BEING PRESENT THROUGHOUT THE DEPOSITION TO

ASSIST HER. IN FACT, THE SENATOR IN CHARGE OF THIS

PARTICULAR DEPOSITION HAD TO WORN THESE COUNSEL NOT TO

COACH AND NOT TO WHISPER TO HER WHILE SHE WAS ATTEMPTING TO

ANSWER THE QUESTIONS. IF YOU'VE SEEN THIS DEPOSITION,

YOU'VE WITNESSED AN EFFECTIVE EFFORT BY A LOYAL SUPPORTER

OF THE PRESIDENT TO PROVIDE THE VERY MINIMUM OF TRUTH IN

ORDER TO BE CONSISTENT WITH HER OWN GRAND JURY TESTIMONY,

WHICH IS LEGALLY NECESSARY FOR HER TO FULFILL THE TERMS OF

HER IMMUNITY AGREEMENT. ON THE PERJURY ARTICLE OF

IMPEACHMENT, SHE REAFFIRMED THE SPECIFIC FACTS WHICH

HAPPENED BETWEEN HER AND THE PRESIDENT ON MORE THAN ONE

OCCASION, INCLUDING NOVEMBER 15, 1995, THEIR FIRST

ENCOUNTER WHEN THE PRESIDENT'S CONDUCT FIT SQUARELY WITHIN

THE FOUR CORNERS OF THE TERM SEXUAL RELATIONSHIP AS DEFINED

IN THE JONES LAWSUIT. AND THIS IS OPPOSITION TO THE

PRESIDENT'S OWN SWORN TESTIMONY OF DENIAL. BUT THIS IS ONE

OF THE CLEAREST EXAMPLES OF THE PRESIDENT'S GUILT OF THIS

CHARGE OF PERJURY. NOW, IT'S NOT ABOUT THIS TWISTED

DEFINITION THAT THE PRESIDENT ASSIGNED TO THE TERM "SEXUAL

RELATIONS."

BRYANT: RATHER IT'S HIS WORD AGAINST HER WORD AS TO

WHETHER THIS SPECIFIC CONDUCT OCCURRED. EVEN UNDER HIS

OWN READING OF THIS DEFINITION, HE AGREES THAT THAT

SPECIFIC CONDUCT, IF IT OCCURRED, WOULD MAKE HIM GUILTY OF

SEXUAL RELATIONS WITHIN THAT DEFINITION. BUT HE SIMPLY

SAYS, I DID NOT DO THAT. SHE SAYS, YOU DID DO THAT. A HE

SAID/SHE SAID CASE. BUT THIS IS WHY IT'S IMPORTANT FOR

YOU TO BE ABLE TO SEE MS. LEWINSKY IN PERSON. IN THE

DEPOSITION YOU WILL OBSERVER HER AS HAVING TO AFFIRM HER

PRIOR TESTIMONY. SHE HAD TO AFFIRM HER PRIOR TESTIMONY,

BECAUSE THAT WAS WHAT WAS IN THE GRAND JURY. AND BECAUSE

OF THIS, SHE COULD NOT BACK AWAY AT ALL ON HER TESTIMONY,

AND SHE COULDN'T BEND IT HERE OR THERE AND SHE COULDN'T

SHADE IT IN THE PRESIDENT'S FAVOR. SO WHAT YOU HAVE IS A

PERSON WHOM YOU MAY WELL CONCLUDE IS STILL WANTING TO HELP

THE PRESIDENT, HAVING TO ADMIT TO TESTIMONY THAT WOULD DO

DAMAGE TO THE PRESIDENT -- A VERY DIFFICULT SITUATION FOR

HER. BUT YET THIS SAME DIFFICULTY LENDS THIS PORTION OF

HER TESTIMONY GREAT CREDIBILITY.

BRYANT: WITH RESPECT TO THE OTHER ARTICLE OF IMPEACHMENT

ON OBSTRUCTION OF JUSTICE, HER CREDIBILITY IS AGAIN

BOLSTERED BY HER RELUCTANCE TO DO LEGAL HARM TO THIS

PRESIDENT. IN THE END, THOUGH, SHE DOES ADMIT THAT HE

CALLED HER EARLY ONE MORNING IN DECEMBER OF 1997, ACTUALLY

AT 2:00 IN THE MORNING, AND TOLD HER THAT SHE WAS ON THE

WITNESS LIST, AND HE TOLD HER THAT SHE MIGHT BE ABLE TO

FILE AN AFFIDAVIT TO AVOID TESTIFYING. AND HE TOLD HER

THAT SHE COULD ALWAYS USE THE STORY THAT HE WAS -- SHE WAS

BRINGING PAPERS TO HIM OR COMING UP TO SEE MS. CURRIE.

NOW, WE KNOW THAT SHE DID NOT CARRY PAPERS TO HIM ON THESE

VISITS OTHER THAN PERSONAL, PRIVATE NOTES FROM HER TO HIM.

AND MS. LEWINSKY INDICATED IN THE DEPOSITION THAT SHE

DIDN'T CARRY HIM OFFICIAL PAPERS, ALTHOUGH SHE DID PASS

ALONG THIS COVER STORY OF CARRYING PAPERS TO HER ATTORNEY

MR. CARTER. SHE TESTIFIED ALSO THAT SHE DISCUSSED THE

DRAFT AFFIDAVIT WITH MR. JORDAN; THE CHANGES WERE MADE.

BRYANT: SHE OFFERED THE PRESIDENT THE OPPORTUNITY TO

REVIEW IT. HE DECLINED. AND ACCORDING TO MS. LEWINSKY, HE

NEVER SUGGESTED ANY WAY THAT SHE COULD FILE A TRUTHFUL

AFFIDAVIT SUFFICIENT TO SKIRT -- AVOID HAVING TO TESTIFY --

THIS IN SPITE OF HIS ANSWER TO THIS SENATE, WHERE HE TOLD

YOU THAT HE MIGHT HAVE HAD A WAY FOR HER TO FILE A TRUTHFUL

AFFIDAVIT AND STILL AVOID TESTIFYING IN THE JONES CASE.

YES, YOU CAN PARSE THE WORDS AND YOU CAN USE LEGAL

GYMNASTICS, BUT YOU CANNOT GET AROUND THE FILING OF THE

FALSE AFFIDAVIT IN AN EFFORT TO AVOID APPEARING IN THE

JONES CASE AND POSSIBLY PROVIDING DAMAGING TESTIMONY

AGAINST THE PRESIDENT. MS. LEWINSKY CONFIRMED POSITIVELY

THAT MS. CURRIE INITIATED THE TELEPHONE CALL TO HER ON

DECEMBER THE 28TH, 1997, STATING WORDS, AND THIS IS ABOUT

THE GIFT -- THE GIFTS: "I UNDERSTAND YOU HAVE SOMETHING

FOR ME."

BRYANT: THEN MS. CURRIE DROVE OVER TO MS. LEWINSKY'S HOME

AND PICKED UP THE BOX OF GIFTS. NOW REMEMBER, THIS

OCCURRED ON THE HEELS OF MS. LEWINSKY'S CONVERSATION WITH

THE PRESIDENT THAT VERY MORNING ABOUT WHAT SHE MIGHT DO

WITH THE GIFTS. NOW THE ONLY -- THE ONLY EXPLANATION THAT

THE PRESIDENT -- IS THAT THE PRESIDENT IS DIRECTLY INVOLVED

HIMSELF IN THE OBSTRUCTION OF JUSTICE BY TELLING MS.

CURRIE, WHO OTHERWISE KNEW NOTHING ABOUT THIS EARLIER

CONVERSATION, TO RETRIEVE THESE ITEMS FROM MS. CURRIE --

FROM MS. LEWINSKY. NOW MS. LEWINSKY SAID THERE WAS NO

DOUBT THAT MS. CURRIE INITIATED THE CALL TO RETRIEVE THE

GIFTS. AND ALSO RECALL THAT THE PRESIDENT'S TESTIMONY FROM

HIS SIDE WAS THAT THIS CONVERSATION OCCURRED EARLIER IN THE

DAY WITH MS. LEWINSKY BUT THAT HE HAD TOLD HER THAT SHE

WOULD HAVE TO TURN OVER WHATSOEVER -- WHATEVER GIFTS THAT

SHE HAD. NOW, WITH THAT ADVICE FROM THE PRESIDENT, IT

WOULD BE TOTALLY ILLOGICAL FOR MS. LEWINSKY TO HAVE THEN

CALLED MS. CURRIE THAT SAME DAY AND ASK HER TO COME PICK UP

AND HOLD THESE GIFTS. BY CALLING MS. CURRIE, MS. LEWINSKY

WOULD HAVE BEEN GOING AGAINST THE DIRECT INSTRUCTION OF THE

PRESIDENT TO SURRENDER ANY AND ALL GIFTS. BRYANT: THE

FACT, THE LOGIC AND COMMON SENSE TELL US ALL THAT THE

PRESIDENT'S VERSION IS NOT TRUE, AND THAT HE OBSTRUCTED

JUSTICE HERE. MS. LEWINSKY ALSO TESTIFIED AT THE

DEPOSITION ABOUT THE JOB AT REVLON AND OBTAINING A JOB

OFFER WITHIN TWO DAYS OF SIGNING THE AFFIDAVIT. SHE ALSO

DENIED THAT SHE WAS A STALKER, AS THE PRESIDENT HAD

DESCRIBED HER IN A CONVERSATION WITH MR. BLUMENTHAL IN

JANUARY OF 1998. SHE ALSO DENIED THAT SHE THREATENED THE

PRESIDENT OR ATTEMPTED TO THREATEN THE PRESIDENT INTO

HAVING AN AFFAIR. SHE DENIED THAT HE REBUFFED HER ON THE

OCCASION OF THEIR FIRST ENCOUNTER ON NOVEMBER 15, 1995.

AGAIN, ALL FALSE STATEMENTS THAT THE PRESIDENT MADE TO MR.

BLUMENTHAL ABOUT HER WITH KNOWLEDGE THAT MR. BLUMENTHAL

WOULD BE TESTIFYING IN A GRAND JURY, THEREBY OBSTRUCTING

JUSTICE. BRYANT: NOW THE FORMER LAWYERS AND JUDGES

AMONG US ARE FAMILIAR WITH WHAT IS CALLED THE BEST EVIDENCE

RULE. STATED SIMPLY, THE COURT ALWAYS PREFERS THE BEST

AVAILABLE EVIDENCE TO BE USED. IN-PERSON TESTIMONY IS

BETTER THAN A VIDEO DEPOSITION, WHICH ITSELF IS BETTER THAN

THE WRITTEN TRANSCRIPT OF A DEPOSITION. WHEN ALL THREE

FORMS OF TESTIMONY ARE AVAILABLE, AS THEY ARE IN THIS

SITUATION, THE COURT WILL MOST OFTEN REQUIRE THE WITNESS TO

TESTIFY IN PERSON, OVER THE VIDEO DEPOSITION OR OVER THE

WRITTEN TRANSCRIPT OF THE DEPOSITION. IN CLOSING, I

KNOW WE ALL WANT TO WORK WITHIN THE SENATE RULES AND WE ALL

WANT TO ENSURE THAT THESE PROCEEDINGS ARE CONCLUDED IN A

CONSTITUTIONAL FASHION BY THE END OF NEXT WEEK.

13:29:36 END OF TAPE.

BOB HOPE WORLD WAR TWO (WWII) FTG / DUB FROM 3/4 / FILM TRANSFER / SILENT

00:00:15 B&W FILM XFER FTG CIRCA HOMEFRONT WWII / VS OF WOMEN DEFENSE WORKERS ON ASSEMBLY LINES (ROSIE THE RIVETER)

00:01:00 TIGHT SHOT OF MAN PAINTING STOCKINGS ON WOMAN'S LEGS

00:01:30 TIGHT SHOT OF WOMAN REMOVING GIRDLE BEHIND CURTAIN

00:01:32 TIGHT SHOT OF C GAS RATION STICKER ON CAR WINDSHIELD

00:01:40 WS OF SUPERMARKET

00:01:45 TIGHT SHOT OF CAMPBELL SOUP CANS W/ RATION NUMBERS ON LABEL

00:01:48 MS OF BIRDS EYE RATION NUMBER DISPLAY AS SHOPPERS STAND W/ CARTS IN FG

00:01:51 CU OF RATION POINTS&PRICES ON DISPLAY

00:01:56 TIGHT SHOT OF SHOPPER USING FOOD RATION COUPONS AT CHECKOUT

00:02:18 MS OF WOMAN AT RESTAURANT TABLE STEALING SUGAR

00:02:29 VS OF PEOPLE AT STOREFRONT WINDOW / TIGHT SHOT OF FRAMED PHOTO OF SOLDIER KILLED IN WAR

00:02:31 TIGHT SHOT OF FLAG IN WINDOW W/ TWO STARS INDICATING TWO SONS IN SERVICE

00:02:34 TIGHT SHOT OF POSTER READING "THIS IS A V HOME"

00:02:37 TIGHT SHOT OF POSTER READING "THERE IS A MAN FROM THIS FAMILY IN THE NAVY"

00:02:41 TIGHT SHOT OF STAR FLAG IN WINDOW

00:02:45 VS OF WOMEN IN MILITARY UNIFORM IN FORMATION&PERFORMING DRILLS

00:03:19 VS OF WAVES IN FORMATION

00:03:26 CU OF ROLL OF HONOR PLAQUE

00:03:28 LAS OF SIGN ON BULLETIN BOARD OUTDOORS READING "WARNER CLUB VOLUNTEER UNIT NEWS FROM OUR BOYS IN SERVICE"

00:03:31 VS OF ACTOR / SOLDIER CLARK GABLE TRAINING ON TURRET GUN

00:03:35 TIGHT SHOT OF ACTOR TYRONE POWER BEING SWORN IN AS US MARINE

00:03:40 MS OF ACTOR DOUGLAS FAIRBANKS JR IN NAVAL UNIFORM GLADHANDING OFFICER AT PHOTO OP

00:03:44 VS OF ACTOR JIMMY STEWART IN CIVILIAN CLOTHES W/ FELLOW DRAFTEES AS THEY WALK OUTDOORS

00:03:49 MCU OF UNIFORMED ARMY AIR CORPS RECRUIT STEWART AT PHOTO OP ON BASE

00:03:53 TIGHT SHOT OF ACTOR / ARMY AIR CORP OFFICER ROBERT TAYLOR IN FLIGHT GEAR AS HE WALKS ON TARMAC W/ FELLOW SERVICEMEN

00:03:57 MCU OF ARMY RECRUIT CHILD ACTOR JACKIE COOGAN IN OUTDOOR PHOTO OP

00:04:01 TIGHT SHOT OF ARMY BAND LEADER GLENN MILLER OUTDOORS W/ FELLOW OFFICERS

00:04:05 TIGHT SHOT OF MILLER BAND MARCHING

00:04:14 WS OF BOSTON STREET DURING WAR BOND PARADE AS CROWDS LINE AREA&STARS PASS IN FG ABOARD MILITARY JEEPS

00:04:16 TIGHT SHOT OF SINGER BING CROSBY BLOWING KISS FROM JEEP

00:04:20 TIGHT SHOT OF ACTOR JAMES CAGNEY WAVING FROM JEEP

00:04:22 TIGHT SHOT OF COMEDY TEAM OF BUD ABBOTT&LOU COSTELLO JOKING IN JEEP AS COSTELLO MUGS&WEARS SOLDIERS CAP

00:04:25 WS OF RALLY CROWD OUTSIDE BUILDING AS LARGE US FLAG APPEARS ON BUILDING EXT&MONUMENT APPEARS IN FG

00:04:29 MS OF STARS ON OUTDOOR STAGE AT BOND RALLY (STARS INCLUDE CAGNEY, HEDY LAMARR, GINNY SIMMS&LOU COSTELLO

00:04:33 TIGHT SHOT OF NAVAL VESSEL CHRISTENING

00:04:37 TIGHT SHOT OF STAR CAROLE LOMBARD AT BOND RALLY AS SHE SIGNS AUTOGRAPHS

00:04:42 TIGHT SHOT OF SIGN READING "BOUGAINVILLE ROXY THEATER TONIGHTS FEATURE NOW SHOWING PITTSBURGH"

00:04:46 VS OF US SOLDIERS ENTERING TENT FOR MOVIE

00:04:54 WS OF STUDIO SOUNDSTAGE AS ARMY PICTURE IS SHOT

00:05:02 TIGHT SHOT OF FILM CREW SHOOTING OUTSIDE MOCK UP OF PLANE

00:05:10 B&W CLIP FROM JOHN WAYNE 1942 MOVIE "THE FLYING TIGERS"

00:06:04 SHOT PANS B&W PINUP PHOTO OF BETTY GRABLE

00:06:16 PINUP PHOTO OF RITA HAYWORTH

00:06:20 PINUP PHOTO OF VERONICA LAKE

00:06:25 PINUP PHOTO OF DOROTHY LAMOUR

00:06:29 PINUP PHOTO OF JEANNE CRAIN

00:06:37 MS OF SOLDIERS ENTERING HOLLYWOOD CANTEEN

00:06:44 TIGHT SHOT OF SIGN READING "AMERICAN THEATRE WING WAR SERVICE INC STAGE DOOR CANTEEN"

00:06:49 WS OF INT OF HOLLYWOOD CANTEEN AS PERFORMERS APPEAR ON STAGE&SERVICEMEN SIT IN FG

00:06:58 TIGHT SHOT OF ACTOR JOHN GARFIELD WEARING APRON WHILE HANDING SANDWICHES TO SOLDIERS&SAILORS

00:07:06 TIGHT SHOT OF COMEDIAN / WRITER / HUMORIST ROBERT BENCHLEY HANDING OUT FOOD TO SERVICEMEN

00:07:18 WS OF DANCE FLOOR

00:07:28 MCU OF ACTRESS MARLENE DIETRICH DANCING W/ SAILOR

00:07:37 WS OF LARGE SINATRA SIGN ATOP PARAMOUNT THEATER IN TIMES SQUARE

00:07:39 VS OF BOBBY SOXERS IN LONG LINES OUTSIDE THEATER AS POLICE OFFICERS KEEP THEM IN LINE

00:07:45 SIDE SHOT OF PARAMOUNT MARQUEE AS BOBBY SOXERS STAND IN FG

00:07:47 VS OF BOBBY SOXERS ON LINE

00:07:51 MCU OF BOBBY SOXER KISSING MAGAZINE COVER WHICH FEATURES PHOTO OF SINATRA

00:07:59 WS OF BOBBY SOXERS IN LONG LINE

00:08:16 POV UNDER POLICE HORSE OF BOBBY SOXERS ENTERING THEATER

00:08:38 BACK SHOT OF SINATRA PREPARING AT DRESSING ROOM TABLE

00:08:49 VS OF SINATRA ON PARAMOUNT STAGE AS BOBBY SOXERS GO WILD

00:10:48 NEWSREEL FTG OF ACTRESS ANN SHERIDAN HUGGING SOLDIER DURING OVERSEAS VISIT

00:10:52 HEAD ON OF COMEDIAN JOE BROWN IN PITH HELMET AS HE EXITS AIRCRAFT IN SOUTH PACIFIC ON TOUR TO ENTERTAIN TROOPS

00:11:00 TIGHT SHOT OF ACTOR MICKEY ROONEY JOKING W/ SOLDIERS

00:11:04 TIGHT SHOT OF ACTOR EDWARD G ROBINSON IN UNIFORM AS HE EATS OUTDOORS W/ SOLDIERS

00:11:07 TIGHT SHOT OF VENTRILOQUIST EDGAR BERGEN SIGNING AUTOGRAPHS FOR CROWD OF SOLDIERS

00:11:13 TIGHT SHOT OF COMEDIAN RED SKELTON VISITING HOSPITAL WARD AS HE SIGNS SOLDIERS CAST

00:11:17 TIGHT SHOT OF UNIFORMED COMEDIAN / DANCER RAY BOLGER AS HE JOKES W/ SOLDIERS OUTDOORS

00:11:20 MS OF COMEDIAN BOB HOPE IN UNIFORM IN SOUTH PACIFIC AS HE FIRES MACHINE GUN AT PHOTO OP / COMEDIAN JERRY COLONA&OTHERS STAND NEARBY

00:11:36 TIGHT SHOT OF YOUNG FEMALE DANCER IN HALTER TOP&SHORT SKIRT DANCING W/ SOLDIER ON STAGE DURING BOB HOPE USO SHOW IN SOUTH PACIFIC

00:11:45 SHOT PANS CROWD OF SOLDIERS

00:11:46 MCU OF HOPE AT MICROPHONE

00:11:51 MCU OF JERRY COLONA AT MICROPHONE AS HE CLOWNS W/ HOPE

00:12:15 HEAD ON OF COMEDIAN JACK BENNY IN UNIFORM AS HE PLAYS VIOLIN ON STAGE DURING USO TOUR

00:12:24 TIGHT SHOT OF SOLDIERS OUTDOORS LAUGHING AT BENNY

00:13:04 FTG OF US SOLDIERS IN JUNGLE FIRING WEAPONS

00:13:23 LAS OF GENERAL DOUGLAS MCCARTHUR EXITING NAVAL VESSEL&RIDING ABOARD LANDING CRAFT W/ OTHERS

00:13:47 HEAD ON OF MCCARTHUR EXITING LANDING CRAFT DURING HIS "RETURN" TO PHILIPPINES

00:13:52 FTG OF JAPANESE PILOT / VS OF PEOPLE WAVING RISING SUN FLAGS / PILOT TAKES OFF

00:14:16 LAS OF JAPANESE PLANES IN FLIGHT

00:14:29 COLOR FTG OF KAMIKAZE ATTACK ON US NAVAL VESSEL

00:15:28 LS OF JAPANESE PLANE FALLING FROM SKY AS NAVAL GUNS FIRE IN FG

00:16:13 MS OF WRECKAGE OF JAPANESE PLANE ON AIRCRAFT CARRIER DECK

00:16:35 VS OF TROOPS&SUPPLIES

00:16:40 FTG OF SUPREME ALLIED COMMANDER GENERAL DWIGHT EISENHOWER GREETING SOLDIERS PRIOR TO 44/06/06 D-DAY INVASION

00:16:54 VS OF ALLIED NAVAL ARMADA HEADING FOR NORMANDY ON JUNE 6

00:17:13 POV FROM OPEN HATCH OF AIRBORNE UNIT PARACHUTING INTO FRANCE

00:17:22 VS OF ALLIED LANDING CRAFT HEADING FOR BEACHES

00:17:31 VS OF ALLIED SOLDIERS ON NORMANDY BEACH

00:17:59 VS OF SOLDIERS DURING BATTLE OF THE BULGE

00:18:12 HEAD ON OF BRITISH PRIME MINISTER WINSTON CHURCHILL, PRESIDENT FRANKLIN DELANO ROOSEVELT (FDR)&RUSSIAN LEADER JOSEPH STALIN AT YALTA PHOTO OP CIRCA 45/02

00:18:34 SHOT PULLS INTO CU OF SICKLY LOOKING FDR / FREEZE FRAME

00:18:53 VS OF HEARSE CARRYING FDR'S BODY IN PROCESSION FROM SUMMER WHITE HOUSE IN WARM SPRINGS, GEORGIA CIRCA 45/04/12

00:19:01 WS OF CONSTITUTION AVENUE AS CAPITOL DOME APPEARS IN BG / FDR FUNERAL PROCESSION APPEARS IN FG CIRCA 45/04/14

00:19:05 TIGHT SHOT OF FLAG DRAPED COFFIN

00:19:09 TIGHT SHOT OF AFRICAN AMERICAN WOMAN AS SHE WAVES&CRIES

00:19:13 VS OF PEOPLE CRYING

00:19:17 HAS OF FDR FUNERAL PROCESSION

00:19:24 POV FROM ATOP UNSEEN VEHICLE OF LARGE CROWDS ALONG PROCESSION ROUTE

00:20:02 LS OF WHITE HOUSE EXT AS FDR COFFIN PASSES IN FG

00:20:05 MS OF VICE PRESIDENT HARRY TRUMAN BEING SWORN IN AS PRESIDENT FOLLOWING FDR'S 45/04/12 DEATH

00:20:12 MCU OF TRUMAN AS HE WIFE BESS TRUMAN APPEARS IN BG

00:20:19 MCU OF NAZI SWASTIKA ATOP BUILDING AS IT IS BLOWN UP FOLLOWING ALLIED OCCUPATION IN 45/05/08

00:20:38 VS OF CAPTURED GERMAN TROOPS

00:20:48 TIGHT SHOT OF GENERAL ALFRED JODL AS HE MEETS W/ ALLIED OFFICERS TO SIGN UNCONDITIONAL SURRENDER IN LITTLE RED SCHOOLHOUSE IN RHEIMS ON 45/05/07 / HEAD ON OF US ARMY GENERAL WALTER BEDELL SMITH

00:21:00 FTG OF RELEASED JEWISH CONCENTRATION CAMP SURVIVORS

Mute

One of Hollywood's legendary starlets has died in Los Angeles.

Glamorous Lana Turner starred in more than 50 films and led a colourful, at times controversial, life.

She died at her home in Los Angeles at age 75.

The Hollywood agent dubbed her the "sweater girl". As she matured, she became known as one of the movie industry's most glamorous stars. Lana Turner stunned audiences with her straightforward sex appeal, her long legs and tiny waist.

She counted Clark Gable, Kirk Douglas and Spencer Tracy as a few of her co-stars, and became famous for her roles in "The Postman Always Rings Twice" and "The Bad and the Beautiful".

But her life was often overshadowed by controversy. She was married seven times. She was romantically linked to Howard Hughes, Tyrone Power and Fernando Lamas. One of her love affairs ended in a murder scandal and sensational headlines.

Her then 15-year old daughter, Cheryl Crane, stabbed her mother's lover to death when she discovered him hitting Lana. The murder was ruled justifiable since she was defending her mother.

Recognized worldwide, Lana was a big hit when she attended a car race in London in 1948.

Cheryl Crane remained by her mother's side throughout her marriages, the murder, and the illness. Lana disclosed she had been treated for throat cancer three years ago.

She died unexpectedly at her home from the disease in Los Angeles.

File.

1. Still Lana Turner as young starlet.

2. pan down to famous legs.

3. medium shot showing off 21-inch waist.

4. Still Lana Turner married to fourth husband Robert Topping with Cheryl Crane, daughter.

5. 2-shot couple.

6. Clip of Lana turner in London for a midget car race 1948.

7. Lana giving winner trophy.

8. Still Lana and former husband Stephen Crane picking up Cheryl from police station.

9. zoom in Lana being honoured at the Thalians Annual Ball in 1985.